What a trio of
new indie proposals we have for you today, love at first listen guaranteed!
Arts & Leisure. The people of Test Pattern Records broke my heart recently.
Baby Grand, the adorable band from Sacramento called it a day after releasing the indiespensable "
Arts & Leisure" in 2012. But half of its members quickly "
hit the reset button and see what happens" quoting guitarist Cory Vick, who alongside Gerri and Tim White, plus Becky Cale, re-assembled into
Arts & Leisure, releasing their debut album, "
Choose Your Adventure", this July. Not so faraway from their previous incarnation, but with the volume pumped up, right where indiepop meets power pop. You're going to hear instant killing melodies and harmonies, courtesy of Gerri and Becky's intertwined vocals, a never-ending collection of delicious hooks echoing every decade of the best pop music, and a beat so joyous you're going to recall genre myths like Talulah Gosh.
One of the best records of the year.
Males. Anyone willing to go down to the South Pacific with me? I really need to find out what's going on Dunedin, New Zealand. Two weeks ago it was
Trick Mammoth, and now
this trio, formed in 2011, my second discovery of this scene (bassist Sam Valentine is Trick Mammoth's drummer). Their debut EP, "
MalesMalesMales", from July 2012, now comes packaged with 2nd EP "
RunRunRun" as a nine-song album, out since past week on
Fishrider Records. Relentless indiepop full of explosive guitar lines, immediate melodies and propulsive beats, short in length, but
ever-lasting in its addiction. All eyes (and ears) on you, Dunedin.
The Salient Braves. We move to Yorkshire, UK, to meet Matt Bailey's project, a
vehicle for the songs he has been writing for over two decades. He defines himself as an unskilled musician who struggles with the technical aspects of recording, which explains why it took him so long to release his songs. But judging its debut EP, "
Somewhere Sordid", out since October on
Dufflecoat Records (yes, again), that's very hard to believe. Sing-along choruses, undeniably British in-your-face vocals, melodies that won't let you go, and a very
rare sense of authenticity (a tricky word to use today, but he deserves it). You'll think this is a lost recording gem from a C-86 finest acts. More soon, please.
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