Right now, seems holidays won't be cancelled in the forthcoming days. So, while we keep our fingers crossed and make use of the air conditioning (is there a name for a recurrent heatwave?), here we are, facing our last week of work before we take a solid break this August. And we do so alongside very good tunes, like the ones gathered in our latest TOP TEN JUKEBOX, a mix between surefires (Angel Olsen, Fontaines D.C. or Whitney) and exciting new findings. Have a nice weekend, stay safe (and responsible) out there, and remember to join us at our Soundcloud page!
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Showing posts with label Whitney. Show all posts
Showing posts with label Whitney. Show all posts
Saturday, August 1, 2020
Wednesday, January 1, 2020
Best Songs of the Year 2019: 100-76
Happy New Year! We are back and, as we promised last week, after the lists of EPs and Records, we are ready to unveil our Best Songs of 2019! If you are a regular follower of the Blog you'll probably know our "rules", but let us remind you anyway. A) We divide our favourite 100 tunes in four different posts of 25 songs each. B) We limit the maximum number of songs from the same group/artist to just two. C) Bands/artists can only have one tune per "round". And, of course, we compile the songs on playlists (see below), so you can enjoy them as many times as you like (follow us in Spotify!). Hope you enjoy our selection and stay tuned, next round coming very soon!
100. Kansas Plains- Future Silence
97. Let Go- Angela Perley
96. Family Portrait Revisited- Kool Aid
95. Write Home- Rose Hotel
94. The Other Side of Midnight- Star Tropics
93. In the Dark- Summer Flake
92. New Reality- Patio
91. Eye 2 Eye- Witching Waves
90. Foot of Afrikka- Sambassadeur
89. Take the Journey- Molly Tuttle
88. 4AM- The Maureens
87. Un Bosque- Pauline en la Playa
86. Only a Traveler- Itasca
85. Fortune Teller- Night Flowers
84. Away- Molly Linen
83. Everyone Hides- Wilco
82. Love Keeps Kicking- Martha
81. Sicilian Crest- The Mountain Goats
80. Chasing a Feeling- Business of Dreams
79. No Bullets Spent- Spoon
78. Love in Lunacy (Saturn in Return)- Purple Pilgrims
77. Aspiring to Be a Bloke- Possible Humans
76. Used to Be Lonely- Whitney
100. Kansas Plains- Future Silence
99. Gem- Daughter of Swords
98. I Will Never Let You Down- Whoa Melodic97. Let Go- Angela Perley
96. Family Portrait Revisited- Kool Aid
95. Write Home- Rose Hotel
94. The Other Side of Midnight- Star Tropics
93. In the Dark- Summer Flake
92. New Reality- Patio
91. Eye 2 Eye- Witching Waves
90. Foot of Afrikka- Sambassadeur
89. Take the Journey- Molly Tuttle
88. 4AM- The Maureens
87. Un Bosque- Pauline en la Playa
86. Only a Traveler- Itasca
85. Fortune Teller- Night Flowers
84. Away- Molly Linen
83. Everyone Hides- Wilco
82. Love Keeps Kicking- Martha
81. Sicilian Crest- The Mountain Goats
80. Chasing a Feeling- Business of Dreams
79. No Bullets Spent- Spoon
78. Love in Lunacy (Saturn in Return)- Purple Pilgrims
77. Aspiring to Be a Bloke- Possible Humans
76. Used to Be Lonely- Whitney
Sunday, December 8, 2019
The Bloodbuzzed Jukebox Week 249
After some intense days of work, decisions, anxiety and changes, we have landed on this long weekend with a spectacular TOP TEN JUKEBOX. It was more or less ready past week, but with so much hustle and bustle, we haven't been able to publish it before (add some technical problems to the mix, bye bye Soundcloud), but better late than never. These ten songs, a royal flush with several essential groups for this humble blog such as Jetstream Pony, The Persian Leaps, Basia Bulat or Eyelids, deserve to be listened carefully. And don't worry, we already know that we are in December and it's time for the best of the year lists... Have a nice Sunday and don't forget to stop by at our Spotify!
Direct links to 2019 Jukebox playlists
Sunday, August 25, 2019
The Bloodbuzzed Jukebox Week 240
We are so tempted (again) to devote the post to enumerate all the ridiculous, embarrassing and/or shameful political actions that are happening around the globe right now, from the uncontrolled fires in the Amazon and Siberia (let's thank their respective dictators for the great job done), the dramatic refugee and migrant crisis, with the supposed leaders of the free world from the States and Europe behaving like straight fascists, or basically looking at their own navel (elections coming soon), doing nothing for humans being suffering... Oops we already did it. Sorry for the rant, but this are simply disgraceful times. Luckily, we can take a break (or momentary shelter) in music, so here's our new TOP TEN JUKEBOX, full of gems awaiting to be discovered (some standout tracks here, guaranteed), plus the stunning comebacks of Whitney and Blog 'old pals' The Weeding Present. A way to avoid falling into pessimism and bleak reality. So, please enjoy, take care, and remember to join us in our Soundcloud page.
Monday, July 22, 2019
The Bloodbuzzed Jukebox Week 235
One more week, one more heatwave... and one more TOP TEN JUKEBOX, ready to knock you out with ten amazing tunes prepared for your ears only. With long time favourites such as The Popguns (they never disappoint), more recent finds such as Whitney (really looking forward for their sophomore album, since we saw them at Primavera Club three years ago, they became a mandatory act to follow), and our trademark rush of discoveries, ranging from that indiepop touch of Flying Fish Cove, to guitar-driven stunners by the likes of Purling Hiss or Daydream. A very diverse compilation to meet all tastes. Have fun and remember, all the songs are available at our Soundcloud. (Join Us!)
Friday, December 23, 2016
Best Songs of the Year 2016: 25-1
25. Lazarus- David Bowie
24. Timeless- DMA'S
23. Scattered Ashes (Song for Richard)- Minor Victories
22. Boyfriend- The Goon Sax
21. Ariana- Mercury Girls
20. Hard to Clean- Chook Race
19. El Grande- Cómo Vivir en el Campo
18. One Fine Summer Morning- Britta Phillips
17. Aviation- The Last Shadow Puppets
16. Sun Drop- Young Scum
15. Strange Torpedo- Lucy Dacus
14. Ámenme, soy un liberal-Nacho Vegas
13. The Community of Hope- PJ Harvey
12. Coastal California, 1985- Maths and Physics Club
11. To the Rescue- The Divine Comedy
10. Glow in the Dark- Night Flowers
9. Your best American Girl- Mitski
8. No Woman- Whitney
7. Cold to See Clear- Nada Surf
6. Easier Said- Sunflower Bean
5. I’m in Love- Teenage Fanclub
4. El Progreso- Sr. Chinarro
3. A 1.000 Times- Hamilton Leithauser & Rostam
2. Sister- Angel Olsen
1. Adore- Savages
Thursday, December 15, 2016
Best Concerts of the Year 2016
Too short to rank higher… but what a blast! Giving everything they have from second zero, kicking the gig with ‘Control’ and ‘O’ as starters, taking no prisoners. Heavyweight post-punk, with an unstoppable melodic power and an overwhelming breakthrough, led by the stormy presence of vocalist Jo Bevan. She's an authentic force of nature, able to shock the audience with her frantic performance to disarm you with the introspection of ‘Remainder’ or ‘Wait’ in a matter of seconds. Desperate Journalist are fated for greatness.
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| Desperate Journalist, the sound and the fury. Photo: Bloodbuzzed |
9. PJ Harvey (Primavera Sound Festival, June 4th)
It ranks lower because of the unbearable, extremely annoying, disrespectful behaviour of people. So depressing it makes you think what’s the point of attending festivals or concerts (sorry, I’m not interested in drunk people or posers, just in music). And it’s even more depressing if you consider Polly Jean Harvey is one of the most incredible artists a concertgoer can see live. Goosebumps and wonder, goosebumps and wonder, what a show she put at Heineken! Surrounded by an incredible cast, the amount of mesmerizing moments was just unbeatable. The funereal march introducing 'Chain of Keys'. The otherworldly 'When Under Ether'. Or how 'Down by the Water/To Bring You My Love' became one haunting somber number. PJ is in a league of her own, adding real substance and real attitude to pop.
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| PJ, stories from the (real) world. Photo: Bloodbuzzed |
8. Espíritusanto (BIS Festival, Espai Jove Les Basses, April 9th)
A truly stunning album ‘Algo nos va a pasar’ released by our friends at Discos de Kirlian. An incontestable live show, founded in the power of keyboards as thunderous as the percussion and, of course, in the vocal dialogues between Andrés Federico and Eli Maqueda. A couple of singers able to channel these emotional heartbreaks in overwhelming choruses, such as ‘Poligono Industrial’, ‘Flores de Bach’, or the epic and frenzied ‘Nadar a croll II’ and ‘La distancia sobrante’. Vine (at last in Barcelona), vidi, vinci. Kings of the BIS Festival.
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| Ready for another striking chorus? Photo: Bloodbuzzed |
7. Tindersticks (Guitar Festival, Auditori, April 14th)
It has been a year heavy on “first times” seeing “major bands” (always a relative, personal concept) live. Like Tindersticks, in Barcelona to present LP ‘The waiting room’. What was I expecting from the Nottingham lads? Exactly what they offered at Auditori. That soundtrack for movies-yet-to-be-filmed. That clash between contempt and drama. Tension and space. That perfection in sound. That smoky, drowned nostalgia. And Stuart Staples’ voice. THAT voice. Since the opener ‘Second chance man’ kidnapped by that baritone voice. By the keyboards of David Boulter or the bass lines of Dan McKinna. And by tunes like ‘Sleepy song’, ‘Medicine’, ‘Boobar come back to me’, ‘We are dreamers!’, ‘My oblivion’ (oh my, oh my) or ‘Sometimes it hurts’. That medicine it works inside of you/ In your head/ In your dreams / In your dreams. The medicine we want...
6. Robert Forster (La [2] Apolo, January 14h & Primavera Sound Festival, June 4th)
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| Tindersticks, heartache surgeons. Photo: Bloodbuzzed |
6. Robert Forster (La [2] Apolo, January 14h & Primavera Sound Festival, June 4th)
A bit of a trick here, as this is not a gig but two. But we are talking about Mr. Robert Forster so his inclusion on the list was a no-brainer for this blogger. More so considering I had never seen him live before. And despite both experiences were sort of incomplete, together blended majestically, as the maestro deserves. First, at La [2] de Apolo, enjoying his solo, acoustic show, where he proved he is a true showman, goofing himself with his “rock star” poses, asking for a coffee at the bar… while delivering the excellent ‘Songs to play’, with gems like ‘Let me imagine you’ or ‘Love Myself (and I always have)’, along with immortal classics as ‘Head full of steam’, ‘Part company’, ‘Love is a sign’ (hit) or ‘He lives my life’ (sunk). But we missed some of the brilliance of his compositions without the instrumental arrangements or Karen Bauler’s vocals. Luckily, there was a second chance awaiting at CCCB. One with full band, including Karen and her violin. The set was too short to consider it a proper gig, but what a pleasure every single minute it was. 2 for 1 of Robert Forster? Isn’t that the real deal?
5. The New Raemon (Sala Apolo, January 29th)
More than a regular gig due to the format and length, two hours & thirty-three songs revisiting his career to date with a full, impeccable band. And because the special company coming from quite far. The occasion deserved. A chance, courtesy of Ramon Rodríguez, to join him in a trip to the (recent) past to celebrate the present and look into the future. Precisely, the night kicked in with latest "icebreaker trilogy" ‘Una historia real’, ‘Oh, Rompehielos’ and ‘Reina del Amazonas’, setting the festive tone of an event with a tone of remarkable moments. Like combining ‘El Refugio de Superman’ with ‘Estupendamente’. Or ‘La cafetera’ with ‘Sucedáneos’. Or knocking us out with ‘Hundir la flota’, ‘Variables’, ‘Risas enlatadas’ in a row, leaving us emotionally messy but with an ear-to-ear smile on the face. ‘Desencuentros’, ‘Fuera complejos’, ‘El fin del imperio’, ‘Te debo un baile’, guest stars like McEnroe’s Ricardo Lezón’, and, needless to say, the end with ‘Tú, Garfunkel’. Hymns for screwed romantics.![]() |
| With Mr. Foster and Co. heads full of pop. Photo: Bloodbuzzed |
5. The New Raemon (Sala Apolo, January 29th)
| The New Raemon, our favourite icebreaker captain. Photo: Bloodbuzzed |
4. The Posies (Sala Razzmatazz, April 21rst) And another first time seeing a loved band. And a very special one, as I had the chance of, together with other media, meeting Ken Stringfellow and Jon Auer in advance of the gig, chatting with them while we were discovering their flamboyant new record ‘Solid States’. An incredibly nice experience (made the right choice wearing my old, highly recognisable R.E.M. t-shirt) thanks to Scanner FM. And a cool way to warm-up and be prepared with what was about to happen at Razz. A relentless power-pop attack for two generous hours, full of electricity and passion, combining stunning new pieces like ‘We R Power’, ‘Squirrel vs Snake’ and ‘Unlikely Places’, their experimental side (check ‘The Plague’), alongside the unstoppable hits like ‘Dream All Day’, ‘Solar Sister’ or ‘Flavor of The Month’. Plus a heartbreaking rendition of Charlie Bell’s ‘I am the Cosmos’. The complete, knock-out Posies experience.
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| The Posies, making you dream all night. Photo: Bloodbuzzed |
3. Minor Victories (Primavera Club Festival, October 22nd)
It was the “big name” of this year’s Primavera Club. And Minor Victories didn’t disappoint. First, thanks to a gigantic Stuart Braithwaite (Mogwai) at the guitar, blowing out our heads and ears to the ones that, like us, were located at the first rows (such a heavenly way to die) making the impossible: that the Rachel Goswell (Slowdive) hooligan in me got hooked by the irrepressible strength of the veteran musician, perfectly seconded by the muscular bass of Justin Lockley (Editors) and the shuddering drums of his brother James. But Rachel, that initially seemed to be on the verge of getting buried within the dense wall of sound of the instrumental trio, still had a lot to say. Like the epic fragility of the colossal ‘Breaking My Light’, the incandescency of ‘Folk Arp’ and ‘Higher Hopes’. And, of course the pop gem that is ‘Scattered Ashes (Song For Richard)’. Almost an hour happily lost in space…
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| Rachel Goswell, brekaing the lights. Photo: Bloodbuzzed |
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| Whitney, light upon the Primavera Club. Photo: Bloodbuzzed |
1. The Chills (Primavera Sound Festival, June 4th)
Who would have guessed I was going to see The Chills live, one of my all-time favourite bands, twice in a three years span? And who would have guessed that the second time, after all the special excitement of the “first time” was gone, it was going to be an even better experience than the gig at the indispensable Indietracks. That’s what happened at Ray-Ban stage. It could be the hour, late afternoon, when Primavera Sound is getting crowded but you can still breath. Or the scenario (the coolest one), specially when the sun starts to come down. Or that this humble fan, impatiently awaiting at the very centre of the first row, knew the lyrics and loved all the tunes of latest LP ‘Silver Bullets’. Or, most probably, because Martin Phillips and Co. just nailed it, making the newest pieces shine alongside with the expected “classics”. An hypnosis session with our eyes (and ears) wide open, with too many moments to treasure: 'Underwater Wasteland', 'America Says Hello', 'Pink Frost' for sure, ‘Heavenly Pop Hit’, where my throat said enough for the rest of the Festival and, in particular, 'Doledrums', as glorious as I ever dreamt of. Best show of the year. Here’s hoping I’ll be able to see them at least a third time soon. Perhaps in a smaller venue for a much longer gig?
Who would have guessed I was going to see The Chills live, one of my all-time favourite bands, twice in a three years span? And who would have guessed that the second time, after all the special excitement of the “first time” was gone, it was going to be an even better experience than the gig at the indispensable Indietracks. That’s what happened at Ray-Ban stage. It could be the hour, late afternoon, when Primavera Sound is getting crowded but you can still breath. Or the scenario (the coolest one), specially when the sun starts to come down. Or that this humble fan, impatiently awaiting at the very centre of the first row, knew the lyrics and loved all the tunes of latest LP ‘Silver Bullets’. Or, most probably, because Martin Phillips and Co. just nailed it, making the newest pieces shine alongside with the expected “classics”. An hypnosis session with our eyes (and ears) wide open, with too many moments to treasure: 'Underwater Wasteland', 'America Says Hello', 'Pink Frost' for sure, ‘Heavenly Pop Hit’, where my throat said enough for the rest of the Festival and, in particular, 'Doledrums', as glorious as I ever dreamt of. Best show of the year. Here’s hoping I’ll be able to see them at least a third time soon. Perhaps in a smaller venue for a much longer gig?
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| Warm, mighty pop waweforms with The Chills. Photo: Bloodbuzzed |
Want to check last year's best concerts? Just click here
What about 2014? Click here
And 2013? Click here
Or 2012? Then check here
And 2011?
What about 2014? Click here
And 2013? Click here
Or 2012? Then check here
And 2011?
Sunday, November 13, 2016
Discoverer 151: new indie findings
Inexplicably (and indefensibly), America chose the 'orange monster' instead of a highly qualified woman, not as progressive as one would like (by no means), but compared with the Republican abomination, a wonder. To start compensating the outrageous mistake, in our discoverer series we propose three mind blowing female artists that really deserve your loyal adhesion!A trio fated for the best of the year lists!
Springtime Carnivore. Born in Oak Brook, Illinois, but based in Los Angeles, California, to me Greta Morgan was immediately associated with the great Katy Goodman, as she is La Sera's guitar player and her music partner in that promising (but forgotten?, 'Space Love' was a delight) duo Books of Love and, more recently, the excellent punk-rock-meets-60's-pop covers album 'Take It, It's Yours', out this August. But that's just the tip of the "music iceberg", 'cause Ms. Morgan is a talented multi-instrumentalist with a heart melting voice that began her career when she was a teenager, first as a member of the Chicago-based groups the Hush Sound, with whom she released three LPs between 2004 and 2008 (plus a later EP and a reunion tour last year), then with Gold Motel, releasing two albums between between 2009 and 2012 (loving them at the moment). Afterwards, Morgan moved to L.A. California and, while she joined forces with Goodman, launched her solo project under the intriguing "seasonal predator" moniker. Springtime Carnivore's eponymous debut appeared in November 2014 via Autumn Tone Records, with follow-up 'Midnight Room', just came out past month. Instantly melodic but moody & evocative, this nocturnal dreampop with hazy textures, yet at the same time an incredible warm feel, should be part of your lifetime soundtrack to face the moon (even a supermoon). Pop in orbit.
Julia Jacklin. Born in 1991 in the Blue Mountains, Australia, but now based in Sydney, Ms Jacklin took all the worst influences to make something wonderful, and completely of her own (needless to say, and most luckily, diametrically opposed musically). Inspired by Britney Spears, at the age of 10 she took classical singing lessons. Later on, she joined a high school covers band, which made versions of Avril Lavigne and Evanescence (sic). She performed locally, forming the band Salta alongside Liz Hughes in 2012. But after moving to Sydney for her university studies, her career rocketed this year due to the phenomenal reception of first two singles 'Pool Party' and 'Coming of Age', embarking herself in a world tour (still no dates confirmed in Spain, damn it) and several Festivals, playing in support of artists such as Whitney or Okkervil River. Now her debut album 'Don't Let the Kids Win' out since October 2016 on Transgressive Records / Polyvinyl, confirms all the promise. Indie-folk-rock recalling the mind-blowing Angel Olsen, the also recently discovered Nadia Reid, but with some of the witty humour of Father John Misty, Jacklin's debut is astonishing. Confident, bright, clever, powerful, charismatic. A MUST of this 2016.
Hazel English. And another Australian talent to finish our discoveries series today, although 25-year-old Hazel is now based in Oakland, CA. Taking the blogosphere under her spell since the first tunes (demos) surfaced the net last year, the Sydneyan musician has been carefully preparing her official debut while touring the west coast (Europe anytime soon?). A first release that now appears in the form of 12" EP 'Never Going Home', out since October (sold-out at the moment of writing this lines) via House Anxiety / Marathon Artists, and it's an indiepop gem. Cinematic, lush, adventurous, wistful, breezy, this small collection of stunning, sun-soaked dreampop pieces are easily among the strongest EPs of the year, certifying here's a musician to follow closely.
Springtime Carnivore. Born in Oak Brook, Illinois, but based in Los Angeles, California, to me Greta Morgan was immediately associated with the great Katy Goodman, as she is La Sera's guitar player and her music partner in that promising (but forgotten?, 'Space Love' was a delight) duo Books of Love and, more recently, the excellent punk-rock-meets-60's-pop covers album 'Take It, It's Yours', out this August. But that's just the tip of the "music iceberg", 'cause Ms. Morgan is a talented multi-instrumentalist with a heart melting voice that began her career when she was a teenager, first as a member of the Chicago-based groups the Hush Sound, with whom she released three LPs between 2004 and 2008 (plus a later EP and a reunion tour last year), then with Gold Motel, releasing two albums between between 2009 and 2012 (loving them at the moment). Afterwards, Morgan moved to L.A. California and, while she joined forces with Goodman, launched her solo project under the intriguing "seasonal predator" moniker. Springtime Carnivore's eponymous debut appeared in November 2014 via Autumn Tone Records, with follow-up 'Midnight Room', just came out past month. Instantly melodic but moody & evocative, this nocturnal dreampop with hazy textures, yet at the same time an incredible warm feel, should be part of your lifetime soundtrack to face the moon (even a supermoon). Pop in orbit.
Hazel English. And another Australian talent to finish our discoveries series today, although 25-year-old Hazel is now based in Oakland, CA. Taking the blogosphere under her spell since the first tunes (demos) surfaced the net last year, the Sydneyan musician has been carefully preparing her official debut while touring the west coast (Europe anytime soon?). A first release that now appears in the form of 12" EP 'Never Going Home', out since October (sold-out at the moment of writing this lines) via House Anxiety / Marathon Artists, and it's an indiepop gem. Cinematic, lush, adventurous, wistful, breezy, this small collection of stunning, sun-soaked dreampop pieces are easily among the strongest EPs of the year, certifying here's a musician to follow closely.
Friday, October 21, 2016
The Bloodbuzzed Jukebox Week 121 (Primavera Club Special)
Direct links to 2016 Jukebox playlists
Week 84 Week 85 Week 86 Week 87 Week 88 Week 89 Week 90 Week 91 Week 92
Week 93 Week 94 Week 95 Week 96 Week 97 Week 98 Week 99 Week 100 Week 101
Week 102 Week 103 Week 104 Week 105 Week 106 Week 107 Week 108 Week 109
Week 110 Week 111 Week 112 Week 113 Week 114 Week 115 Week 116
Week 117 Week 118 Week 119 Week 120
Week 93 Week 94 Week 95 Week 96 Week 97 Week 98 Week 99 Week 100 Week 101
Week 102 Week 103 Week 104 Week 105 Week 106 Week 107 Week 108 Week 109
Week 110 Week 111 Week 112 Week 113 Week 114 Week 115 Week 116
Week 117 Week 118 Week 119 Week 120
Friday, January 29, 2016
The Bloodbuzzed Jukebox Week 87
Direct links to 2015 Jukebox playlists
Week 36 Week 37 Week 38 Week 39 Week 40 Week 41 Week 42 Week 43 Week 44
Week 45 Week 46 Week 47 Week 48 Week 49 Week 50 Week 51 Week 52 Week 53
Week 54 Week 55 Week 56 Week 57 Week 58 Week 59 Week 60 Week 61 Week 62
Week 63 Week 64 Week 65 Week 66 Week 67 Week 68 Week 69 Week 70 Week 71
Week 72 Week 73 Week 74 Week 75 Week 76 Week 77 Week 78 Week 79 Week 80
Week 81 Week 82 Week 83 Week 84 Week 85 Week 86
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