Almost A YEAR since the last chapter of our anthology? Please accept my apologies... I don't have a real reason to justify the lack of updates in this section except less time on a daily basis to update the Blog. But that's something about to change (I think), and we're going to revamp it here immediately. So, in order to do it properly, I needed an engaging, really driving tune from a very beloved & flawless band. Let's bring back the memories... and the great tunes!
Song: You Should Always Keep in Touch with Your Friends
Artist: The Wedding Present
The Wedding Present, but I easily recall the compilation mixtapes (yes, ages ago then) with terrific bands a long lost friend of mine and myself used to exchange for a while. One of my favourites was a selection of tracks from The Posies' 'Frosting on the Beater', The Fall's 'This Nation's Saving Grace' and The Wedding Present' 'George Best'. What a killing trio, right? I loved the three bands (I still do!), but I got particularly hooked by David Gedge's way of blending jangle-pop with pure, urging electricity, so I started to search from more immediately, finding an incredibly amount of gems, among them this blissfully stunning 'You Should Always Keep in Touch with Your Friends'. From the very first second the short drum roll connects with the chiming guitar (Peter Solowka and Gedge doesn't get the credit they deserve as guitar players) the listener knows there's something going on here. It's a burst of adrenaline that keeps the pace and momentum during its minutes... but there's more beneath the shiny, upbeat surface. There's a real ache, a poignancy in the simple yet affecting lyrics. A look back to first loves and a period in time now long gone. Evocative and contagious at the same time. What an eternal tune!
Tuesday, July 26, 2016
Friday, July 22, 2016
Sunday, July 17, 2016
Here's another round of new proposals in our discoverer series! We make quite a long trip today to bring you some of the most exciting new sounds in pop, enjoy!
Ciggie Witch. We begin in dear Melbourne, Australia with this six-piece, name it music collective or some sort of superband if you prefer, with members also playing in wonderful bands like The Ocean Party and Totally Mild. First releases 'Stupid Hamish' and 'Echidna Cottage', from October 2012 and January 2013 were packed on a limited edition cassette via their own label Osborne Again, with debut album 'Rock and Roll Juice' appearing in June of 2014. Since June, we can enjoy sophomore LP 'Classic Connection', co-released by them and our friends at Lost And Lonesome. Ciggie Witch are pure DIY guitar-driven indiepop, somewhat the missing link between Pavement, Real Estate and The Go-Betweens, languid, slightly awkward but sun kissed tunes with not so joyful lyrics. Contagious yet carefree music.
Palomica. Let's meet British (between Brighton and Bristol?) musician Nicol Parkinson and his experimental, homemade solo music project (he's also member of pop band Frozy and The Nervy Betters) that live has featured members of The Wave Pictures, Joanna Gruesome, The Middle Ones, Trust Fund, The Choo Choo Trains, among others. Palomica's first songs surfaced in 2013, with debut album 'Sometimes It's a Struggle' arriving digitally that June, followed by sophomore LP 'Petito' out just now via Fika Recordings. His music is indiepop, warm, melodic... and extremely unique, as Nicol blends the immediacy of pop with ambient sounds, cacophonies, electronic drones. From The Pastels to the Japanese avant-garde Tori Kudo’s Maher Shalal Hash Baz, everything seems to fit in Palomica's music, an young adventurous of pop.
Soccer Mommy. And finally, let me introduce you to Sophie Allison, a young singer-songwriter (and former soccer player) hailing from Nashville, Tennessee, but based in New York, where she studies English at New York University. Although she has been playing guitar from an early age, this sporty-titled project began to shape just last year, with the apparition online of 'Songs for the Recently Sad' in September 2015, followed in December & January '16 with 'Songs from My Bedroom'. parts 1 & 2. Now, after teaming with Warren Hildebrand of Foxes In Fiction/Orchid Tapes, Allison has just released 'For Young Hearts', an utterly disarming album. Warm, inviting lo-fi indiepop with a dreamy mood, packed with gorgeous guitar lines, emotional directness and confidence in her vocals and lyrics, and an undeniable feeling of freshness and authenticity. Look for her at the Music Champions League!
Saturday, July 16, 2016
Sunday, July 10, 2016
Time for another trio of new proposals in our discoverer series! A pretty eclectic combination today, from singer-songwriter to synth-pop, so you have plenty and diverse music to enjoy with!
Twin River. Hailing from Vancouver, British Columbia, around 2009, the first incarnation of the band was the stripped-down folk duo of singer-songwriter Courtney Ewan Bromley and guitarist Andy Bishop. But changes were already evident with the self-release of debut EP 'Rough Gold' in early 2012, recorded with with the help of local guitarist Malcolm Jack and singer-keyboardist Rebecca Law Gray. A full band was born, being completed shortly with Dustin John Bromley on drums. The quintet locked into the studio the year later, giving form to the tunes (with Colin Stewart from The New Pornographers on mixing duties) that, after some changes in the line-up, would became their first LP 'Should the Light Go Out', out via Light Organ Records in February 2015. Now they're back with 'Passing Shade' sophomore album out since June, consolidating the shimmering blend of garage, jangle and dream pop of their sound. Think on The War On Drugs or DIIV meeting Neko Case or Jenny Lewis. Think on dark, cloudy hazes pierced by rays of light in the form of eternal guitar lines and upped drum paces. Think on the kind of music that haunts you before stays with you.
Margaret Glaspy. Born in Red Bluff, California, but based in New York via Boston where she became part of the local folk scene, singer-songwriter career "officially" began in 2013 (although there's a 'Homeschool' EP from 2012, available digitally at her bandcamp, collecting some home-recorded songs) with debut release 'If & When' EP. Then came tours with Lucius, Rayland Baxter or Milk Carton Kids, the signature with ATO Records and the release of a 7" 'You and I b/w Somebody to Anybody' in January 2016, in advance of first LP 'Emotions and Math', out just now. With a very distinctive, explosive voice and a approach to songs where electric guitar lead the way, Glaspy is able to croon and bite, trap you with a melody or knock you out with a killer lyric hidden between an almost grunge riff. Expansive minimalism on an artist summoning Joni Mitchell, Feist and Josephine Baker. Fated for greatness...
Featherfin. And we end in Tromso, Norway, to recommend you the music project of Knut Børre Lindbjør, a Bloodbuzzed beloved friend, the blogger behind Eardrums Music, a founder member of the GREAT label EardrumsPop (never praised enough) and musician since the 80s, now back with this fishy moniker blending his passion for electronic music and indiepop with his ability with visuals. Although the first Featherfin tune appeared in 2014 on the 'Between Two Waves- The Second Wave' lovely compilation album, his first proper release dates back from February 2015, with EP 'Butterfly Girl', followed by the single 'The Crimson Spill /Nananarama and 'Wintersongs' EP later that same year. Now he's back with 'Helen Richey' EP, out just now (don't miss the video for the title songs, a genius mini-documentary). And he's in superb company, alongside "usual suspects" from this Blog's Jeremy Jensen from The Very Most and Michaël Korchia from Watoo Watoo. Dreamy, organic, undeniably gorgeous tunes. Haunting music.
Friday, July 8, 2016
Thursday, July 7, 2016
Pop, pop and more pop in our latest trio of national bands. Brace yourselves, gorgeous music is coming!
El Palacio de Linares. Drummer Gonzalo Marcos founded the band in 2011, initially with Mariví Hernández Lara, Ángel Román and Elena Cascón, debuting in 2012 with 7"'Himalaya' out on Elefant Records. Changes in the line-up began while the group released EP ‘La Casa Es Negra’ on Discos de Paseo in 2013, as well as singles with Discos de Kirlian, Discos Walden, plus the Mini-LP ‘La Espalda de un perro’ via Sweet Grooves Records a year later, which looked like the final release of the band. But Gonzalo didn't want to quit, so instead he relaunched the band in San Sebastián with the help of Alex & Raúl from Nuevos Hobbies and the support of Yon Vidaur from Ama. The new and reinvigorated ensemble now has come out with first LP ‘Ataque de amor’ via the great Pretty Olivia Records. A collection of pluperfect tunes echoing some of the greatest pop artisans, in between The Feelies and Belle and Sebastian, but with a trademark sense of humour and costumbrist grace. Smashing pop attack!
Evripidis and His Tragedies. Evripidis Evripidis Sabatis is a classically trained musician, visual artist and writer born in Athens, Greece, but adopted by Barcelona a decade ago. Here, with the support of likely minded musicians and artists, he gave form to his own particular musical and aesthetical universe, a solo project that expands into a collecive process. Since 2006, Evripidis has released several EPs, music for short movies and art projects and three LPs, the self-titled debut in 2007, 'A Healthy Dose of Pain' in 2011 and, since this March, we can enjoy 'Futile Games in Space and Time' in a joint release by Snap! Clap!, Canada Editorial, Jigsaw and Inner Ear. Piano-based, his soft pop is kaleidoscopic: sometimes vintage, devoted to 50s & 60s, others baroque, or flirting with Motown as well as with Belle and Sebastian, but always lush, hopelessly romantic and adventurous. Oh! This charming man...
Islandia Nunca Quema. Although they hail from Reus and Tarragona, this quartet formed in 2010 has their music DNA in distant places like Brisbane, Glasgow or Dunedin... also known as the "kingdoms of indiepop". Debut release arrived in December of 2012 with 7" 'The Wrong Parade / Pile of Junk', out via Philatelia Records, followed by another 7", only digital, entitled 'Behold the Evil Mind/ Dotted Lines' in January 2014. 'Applause', first album to date was next, again via Philatelia, with a 'Covers' record made public early 2015, including versions of The Kinks, Lloyd Cole, The Velvet Underground and Young Marble Giants, among others. So, while we wait for the new chapter of these "Islanders of pop", we can enjoy all their good deeds: their knack for penning classic, lasting melodies, their chiming guitars lines, their flirt with psychedelia... Contagious tunes.