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Saturday, May 23, 2015

The Bloodbuzzed Jukebox Week 56

Meanwhile the (in capital letters) Week of Music, the Primavera Sound Festival in few dayswe propose you a new round of our TOP TEN playlist, with the tunes we have been enjoying the most lately. This time, we bring you an eclectic, diverse bunch of groups, ranging from the dark proposal of Mercury Girls to more "pure" indie pop songs like Linden or The Smoking Trees, without forgetting a nice dose of national bands like Mourn or Ghost Transmission (yeah, it's our latest love). Take care, rest, gather all the energy you can, you're going to need it the forthcoming days and don't forget to join us at our Soundcloud blog page!

Direct links to 2015 Jukebox playlists
Week 36  Week 37  Week 38   Week 39  Week 40 
Week 41  Week 42  Week 43  Week 44   Week 45
Week 46  Week 47   Week 48  Week 49    Week 50
Week 51   Week 52  Week 53  Week 54    Week 55 

Sunday, May 17, 2015

Discoverer 115: new indie findings

Three quite different, but equally amazing proposals for you to enjoy in our discoveries' this weekend!

Mikal Cronin. Let's start in Laguna Beach, California, with this incredibly skilled singer-songwriter and multi-instrumentalist. Cronin has been around for quite a while, being part of bands like Epsilons, Charlie and the Moonhearts, Party Fowl, Okie Dokie and, most known, playing bass and backing vocals with Ty Segall. In 2010 he began his solo career with 7" 'Gone', followed by 7" 'Tide' and his debut album 'Mikal Cronin' out in Trouble in Mund in 2011. The buzz started rolling so he got signed by Merge Records, releasing sophomore LP, 'MCII' in 2013, to unanimous acclaim. Now he's back with 'MCIII', out this month, completing the picture. The energy and loose joy of garage-rock packed with lush, brianwilsonesque arrangements and an unmatched talent for melodies. The time to tell (very personal) stories melted with the urgency of shimmering guitar lines and surprising bits of instrumentation. Found (just in time for Primavera Sound) a genius!


Funeral Advantage. Let's move to Boston, MA, to meet Tyler Kershaw. In 2013 he began his lo-fi bedroom pop project releasing a demo tape and split 7" with Caténine on Disposable America. But since then it has evolved into a full band with an impressive cv of gigs alongside Alvvays, Whirr or Craft Spells. This 2015 they have released the double a-side 'Not In My House / That's That' with The Native Sound and, in April, another split 7" with Former Ghosts, with debut album scheduled later in the year. Moody, reverb-drenched dreampop crafted with jangly guitars. Looking forward to Kershaw's band new tunes. Most promising.
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Murder Shoes. Glad to go back to Minneapolis, Minnesota, and introduce you another exciting band from Land Ski Records' roster. Here's an indie rock quintet, initially the music vehicle of Derek Van Gieson and Chris White under the name of A Marriage at Nevers. But they quickly found Tess Weinberg, Elliot Manthey and Tim Heinlein to complete the line-up. Murder Shoes was born and two EPs, 'Cash on Fire', in late 2014, and self-titled 'Murder Shoes', out now, demonstrate how powerful the combo can be. Guitar-driven indie rock with a shocking ability to morph into surf, immediate pop or a more atmospheric, dark post-punk, at their will, always with the irresistible voice (killer, killer, killer) of Tess Weinberg, reminiscent of Widowspeak's Molly Hamilton, leading the mix. Seductive and fun. What else can you ask for? Just one thing: more! 

Saturday, May 16, 2015

Spanish Indie 24: suggesting the best national bands

Not the first time, and with the amazing taste and ear of Rafa and Joan to sign exciting bands I'm pretty sure it won't be the last, this next round of national discoveries is devoted to one of our dearest labels, El Genio Equivocado. Three more mind-blowing bands to add to their immaculate roster. Sonic gold!


Ghost Transmission. Hailing from Xàtiva, Valencia, the band started in 2012, initially as a trio but now as a quartet, self-releasing their own material and playing several concerts. Despite first demos were completely homemade, they got the opportunity to play in festivals and gigs like Make Noise in Barcelona. A year later they repeated the process, but with a more defined sound and clearer ideas, self-recording three more songs under the title of 'Mirror' EP. After some more gigs, during the summer of 2014 they locked into Estudios Tigruss to record their debut album, entitled 'Apparitions', out now via El Genio Equivocado. An LP fated to be among the best national records of the year, thanks to a thunderous combination of melody and shoegaze, The Raveonettes and The Jesus and Mary Chain's spirit channeled in hyper-addictive tunes and a fierce, no-boundaries attitude live. I believe in ghosts from now on.

Cómo Vivir en el Campo. After this very curious name hides a trio formed in Madrid that, after some self-recorded albums, released their first proper LP 'CVEEC' in 2012 on Discos Calabaza, with their music traveling somewhere between the Californian sounds of the 60’s and 90’s noise pop, giving shape to a bright, radiant, dark and ambiguous pop sung in Spanish. After getting enlisted by El Genio Equivocado, last summer they recorded second album 'CVEEC 2', out that September, which opened the doors of festivals like Primavera Club. Understandable considering they have even widened their palette of sounds, everything seems to fit naturally with them: from krautrock to indie pop, from instrumental sounds and Latin touches, experimentation and melody. One hell of a proposal, catchy & exciting as well as adventurous, powerfully performed live. Let's move out from the city!

El Lago Oscuro de la Broca. And we end the proposals in Zamora, with a quintet born in mid-2008. Been around from a little while they built a reputation of "one of the best kept secret of the Spanish scene" and "band to watch" thanks to performances at Sonorama Festival, Microsonidos and gigs around the country until, at the end of 2014, El Genio Equivocado signed them. The label immediately released advance single 'Los Líderes Africanos'. anticipating their flawless debut album, 'Beta', out since this March. A stormy, frighteningly solid, relentless and shocking treaty of shoegaze, noise-rock and post-punk, atmospheric yet at the same time straightforward. A very special, knockout band.

Friday, May 15, 2015

The Bloodbuzzed Jukebox Week 55

The worst of summer appeared this week: unhealthy air, excruciating heat and tension-bound situations. So what we propose now you is to take a refreshing break with a new round of our TOP TEN playlist, with the tunes we have been enjoying the most lately. Several beloved bands of this blog are included, like the amazing new signature from our dear friends El Genio Equivocado, Ghost Transmission (if you fancy the song, go watch them live, stunning!), or new tunes from our beloved Young Romance and Neleonard. But, as usual, there's no forgetting exciting new discoveries like Froth or Num Bats. Take care, have fun and don't forget to join us at our Soundcloud blog page!

Direct links to 2015 Jukebox playlists
Week 36  Week 37  Week 38   Week 39  Week 40 
Week 41  Week 42  Week 43  Week 44   Week 45
Week 46  Week 47   Week 48  Week 49    Week 50
Week 51   Week 52  Week 53  Week 54 

Monday, May 11, 2015

A week with Boutade (part II)

Boutade, La Maceta, Barcelona, April 30th

Boutade, acoustic solidarity. Photo: Bloodbuzzed

Second chapter of our "underground adventure" alongside with local band Boutade. After the first gig played at L'Ovella Negra, a venue we could define as "familiar ground" for the band, the second concert in a week was quite a different thing. Acoustic format, on a extremely eclectic bill shared with two more bands, on a bar in the middle of Gracia neighborhood, where music and pool are in the same space (luckily not happening at the same time) on a special night with a solidarity mean: all the money gathered was destined to Arquitecetes Sense Fronteres to help funding their cooperation projects in Chile and Perú.

Boutade took the opportunity as a way to experiment and try to work on a different approach of their songs. They were placed in the middle of bill, and before their time to play arrived, you can clearly see they were nervous. Will the songs work? First, debuting band, opted for a collection of covers of well-known tunes, from Jarabe de Palo to AC/DC, showing more enthusiasm and playfulness than talent. Would Boutade's serious, slightly obscure tunes work on that sort of environment? Would the acoustic adaptations of the songs have the same intensity?

The answer to both questions was an empathic YES. The short set, which comprised eight tunes from 'The Best Hunter' didn't loose a single bit of their trademark force. On the contrary, it served us to enjoy a different side of the band, with more detail to Charlie's vocal performance, to Aitor's backing vocals (maybe even too high on a couple of tunes). They suffered from the volume limiter of the vene in a couple of tunes, and they need to assemble a couple of things here and there, but the foundations and the potential is enormous. Tunes like 'Lost Friends' are fated to shine on acoustic format. But the highlight of the night? The transformation of the already wonderful 'Way to Escape' into an almost new, equally exciting tune. Have a listen & watch! Thanks Boutade!

Saturday, May 9, 2015

The Bloodbuzzed Jukebox Week 54

If the working week is excruciating, the weekend has to be enjoyed as much as you can. And we don't know many better ways for doing so that with exciting new music, so here's a new round of our TOP TEN playlist. New promising features from some dear labels, a couple of most welcomed returns in the form of The School and Summer Fiction and discoveries to be well aware of... Have a great weekend and don't forget to join us at our Soundcloud blog page!

Direct links to 2015 Jukebox playlists
Week 36  Week 37  Week 38   Week 39  Week 40 
Week 41  Week 42  Week 43  Week 44   Week 45
Week 46  Week 47   Week 48  Week 49    Week 50
Week 51   Week 52  Week 53



Thursday, May 7, 2015

A week with Boutade (part I)

Boutade (+ Patty Lodeiro) Ovella Negra, Barcelona, April 23rd 

Boutade, roaring indierock. Photo: Bloodbuzzed
This is a double concert review of the same band, Boutade, split on two articles. Why? Because it also tries to be a slightly different account on what goes on in the underground of our local scene. And because it's a very special post (spoiler alert): you don't review the band on which brother play that often. So I warn you. My objectivity might disappear from time to time.

"Saturday night is alright for fighting", sung Elton John. A pretty accurate definition of how hard an unsigned band has to battle to put out a show in this city (that pretends to be cool, but in all honesty is just a colossal fake). Anyway, no time to waste on many rants. Our favourite trio from Barcelona, Boutade, geared towards the emblematic Ovella Negra (how many nights of our youth wasted there), gathering many family members, friends and colleagues for a highly anticipated show. The atmosphere was relaxed, the vibes were comforting and, in typical Spanish fashion, it all began quite late, according to schedule. But it was all worth the wait.

Patty Lodeiro was the opening act of the night, in a short, warm-up, solo affair. Even despite she was suffering from throat issues, she showed her stunning vocal range which, combined with her natural sympathy, made the crowd enjoy most of the songs of her debut album 'Behind The Wire'. Next step, Primavera als Bars.

Charlie "Boutade", singer in the dark. Photo: Bloodbuzzed
Quickly arrived the time for Boutade to assault the stage, introducing us into their trademark universe of bleak feelings, ever-growing developments, and blistering melodies. Told you before, 'The Best Hunter' , where craftsmanship joined ventures with life putbacks and struggling moments, but songs survived. The reason is simple. The tunes are real, fierce, the sonic catharsis of flesh, bones and soul wounds. Take opening tune of the night, 'Thundering Nights', for example. A harsh, ominous intro, followed by a whirlwind of a sound. Here's not a band to make concessions, but to tell you a story. Their story. Unique but yet at the same time, quite familiar. The universal curse.

'Way to Escape', 'Biggest Wings', 'Grey Is a Lie' followed, showing the trio's ability to easily morph from a straightforward alternative rock combo (Afghan Whigs anyone?) to a more oblique, experimental one in a matter of minutes. And although the sound at the venue wasn't perfect, losing the chance to grab the full depth of their rich compositions at times, the indierock engines were rolling during all their set.

Once nerves disappeared, the middle section of the gig, with favourite 'In My Own Desert', 'Drop of Sea', and their instant single 'White Rats', became the highlights of the night, accompanied with the fact Boutade added another member to the group in the form of a cheerful keyboardist (which is a very interesting option). This humble blogger got goosebumps a couple of times, getting lost into the music, admiring the guys giving the best they have inside themselves up on stage, getting specially emotional thinking on how one of them has grown. Yes, it's called pride.

'Melodrama', 'Dirty Water' (when will we hear new songs?) and another gem in the form of 'Lost Friends' put the end of the concert. But the night was far from being over. It was time to meet & greet the familiar faces. Another plus from dealing with talented musicians with their foot on the ground. Next chapter coming very soon, but before, here you have a video of Boutade performing 'In My Own Desert' from the gig. Enjoy!