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Showing posts with label The Strokes. Show all posts
Showing posts with label The Strokes. Show all posts

Monday, June 1, 2015

Primavera Sound 2015 in brief, days 4 & 5

And we arrive to the final chapter of our Primavera Sound chronicles, with the last day of concerts at Fòrum, plus the addition (and what an addition!) of a final gig seen yesterday at sala Barts.

The Good
Patti Smith: Not really a concert, but a celebration. The music legend was relaxed, friendly and willing to have fun with an audience eager to show their love, respect and appreciation. Even when the songs were so-so (the ones devoted to Amy Winehouse and her grandson) or when the covered tune (Lou Reed's 'Perfect Day') became a lovely piece of nonsense Patti's charisma and mythical presence did it all. And then came the brutal renditions of 'Because the Night' and 'Pissing in a River', one of the moments of the Festival for me. So when 'People Have the Power' (video below) appeared, with the audience leaving their seats to stay closer to the icon it all made sense. Patti has the power.

DIIV: I love 'Oshin', and got really frustrated when the band cancelled their participation at last year's Primavera. But the group leaded by Zachary Cole Smith came to Barcelona with a sole purpose: enlightening Pitchfork stage. Terrific performance, with new tunes sounding as exciting as the glorious dreampop gems of 'Oshin'. Wow.
Dreamy diving pop. Photo: Bloodbuzzed
Interpol: Didn't have many expectations, as their last albums are far from their best moments... but that's exactly what they gave us at Heineken stage. A gig heavy on 'Turn on the Bright Lights' with seven tunes, all the hits from 'Antics', performed with energy and passion. And when electric system of the stage went down, the band yelled "if there's sound, we'll play" to finish their set in a splendid, unique way, with the audience providing the light with their mobile phones. Fantastic, powerful gig.
Paul Banks on screen. Photo: Bloodbuzzed
The Bad
The Strokes: From Interpol to Strokes, from pleasant surprise to utter disappointment. While one can say the musicians tried despite, as it happened with the Black Keys on Thursday, the sound was mediocre, Julian Casablancas simply wasn't there. Apathetic, disinterested, with the head miles away from Primavera stage (maybe still at Camp Nou?). Sad, very sad a headliner behaves that way.

The Queen
Torres: We reserved Mackenzie Scott's gig for Sunday at BARTS (she also played at Fòrum on Saturday but it clashed with some other options), and what great choice turned to be. Only six tunes, but we are 110% sure no one at the venue felt the gig was anything than mesmerizing. Wounded folk that mutes into unstoppable indie-rock, damaged lyrics and distorted, threatening guitar lines, a voice that breaks, whispers and screams, frightening and letting the audience speechless. What a superb concert to end our Primavera Sound Festival 2015.
Torres haunting BARTS. Photo: Bloodbuzzed
Here are the links of the previous chapters!
Day 1
Day 2
Day 3

Wednesday, May 6, 2015

Primavera Sound 2015: my draft schedule

And the day has come. It's time to, at least make the first attempt, and try to assemble the puzzle that the Primavera Sound Festival schedules' are. And also time to start digesting and make some painful choices due to the recurring, I guess they are inevitable, overlaps. So, are you ready to "play" with us? Pending on Primavera als Parcs' schedule this is what our PS 2015 looks like (initial impressions):  
  
Thursday, May 28th, Parc del Fòrum
18:35 Twerps (Pitchfork)
19:45 Viet Cong (Pitchfork)
21:10 The Replacements (Primavera)
22:20 Antony and the Johnsons (Heineken)* 
22:50 Spiritualized (ATP)
23:45 The Black Keys (Primavera)
The "easy" day, it goes quite smoothly, with the sole exception of missing Antony and the Johnsons (although I'm very far from being a fan, I was curious), and the clash between the highly recommendable Ought versus The Replacements.

Friday, May 29th, Parc del Fòrum
17:00 The Pastels (Heineken Hidden Stage) 
17:45 Núria Graham (Pitchfork)
19:00 Ex Hex (Pitchfork)
20:35 The Julie Ruin (Ray-Ban)
22:20 Sleater-Kinney (Heineken) 
23:45 Ride (Primavera)
The "big day" it's a pretty excruciating one. Getting into the Pastels' gig will be tough (as you have to grab the tickets well in advance that same day). There's not a lot to choose among until Ex Hex... and then overlaps all over until. Will see The Julie Ruin so bye to The New Pornographers, Patti Smith, Tobias Jesso Jr.. and also to Damien Rice and Belle and Sebastian, 'cause the important gig of the day is, of course, Sleater-Kinney. Then Ride and over? What an incredible day could have been...

Saturday, May 30th, Parc del Fòrum
16:00 Patti Smith (Auditori Rockdelux)
17:30 Ben Watt (Auditori Rockdelux) 
18:55 The Ghost of a Saber Tooth Tiger (Primavera)
20:30 Tori Amos (Ray-Ban)
21:40 DIIV (Pitchfork)
22.20 Interpol Heineken)*
23:00 Flyying Colours (H & M Pro)
23:45 The Strokes  (Primavera)
Same sad song. Nice start with Patti and Ben Watt, then a sort of a wasteland (although we'll manage) and more clashes. DIIV will be the chosen band and then, whatever happens...

Sunday, May 31th, Apolo/Sala BARTS
19:40 Soledad Vélez (BARTS) 
20:45 Torres (BARTS) 
A very relaxed day with just one gig that we really want to attend, but what a gig. We love Torres... Sure (and also hope) there will be more changes and adds to this schedule as the Festival approaches. We'll see!

* Incomplete, or depending on the distances between stages

Thursday, January 22, 2015

Primavera Sound 2015: first impressions

Primavera Sound Festival 2015's line-up unveiled! The show was quick and the videogame used to reveal the band names was a funny idea, (although a bit too easy?).Hipsters/posers were quite ok compared with previous years (except when the food arrived, the animal instincts appeared no matter how cool you dress) and the overall feeling was a pleasant one. Thanks to the organisers

But let’s go to key question. What an impressive line-up they have gathered! We are extremely happy they have followed our advice (kidding of course) and prepared an almost riot grrrl stage (by the sea perhaps?) on Friday with The Julie Ruin, Ex Hex and Sleater-Kinney. Amazing. Now please no overlaps, at least on Friday.

As happened last year, we’ll focus on the “middle class”, although my better half will strongly push for seeing The Black Keys and The Strokes (huge question marks on the latest one), which looks, as always, interesting, diverse, and with a lot of potential. DIIV, Eels (finally!), Spiritualized, Patti Smith, Torres (YEEES!) and a huge list of well-known (like Belle and Sebastian) and recently discovered names (Twerps to name one)… If we are lucky with the overlaps, this edition could be simply spectacular.

So, honouring the Blog’s tradition, here’s our traditional rough (we don't have the timetables yet) “paint & colour” version of the line-up with our first impressions on the bands we are willing to see. Promising, right?

CONFIRMED ARTISTS FOR PRIMAVERA SOUND 2015
27th-31st May

ALBERT HAMMOND JR. • ALT-J • AMERICAN FOOTBALL • ANDREW WEATHERALL ANTONY AND THE JOHNSONS • ARIEL PINK • ARTHUR RUSSELL INSTRUMENTALS BABES IN TOYLAND • BAXTER DURY • BELLE & SEBASTIANBEN WATT  BENJAMIN BOOKER • THE BLACK KEYS • THE BOHICAS • BOREALS  BRAND NEW • CARIBOU • CHEATAHS • CHET FAKER • CHILDHOOD  CHRISTINA ROSENVINGETHE CHURCH • CINERAMA • DJ COCO  D.D DUMBO • DAMIEN RICE • DAN DEACON • DAVE P. • DEATH FROM ABOVE 1979  DER PANTHER • DIIV • DISAPPEARS • DIXON • DULCE PAJARA DE JUVENTUD  EARTH • EARTHLESS • EELS • EINSTÜRZENDE NEUBAUTEN  ELECTRIC WIZARD • EX HEX • EXXASENS • FERRAN PALAU  FOXYGEN • FUCKED UP • FUMACA PRETA • GERMA AIRE  THE GHOST OF A SABER TOOTH TIGER • GIANT SAND • GREYLAG • GÚDAR  GUI BORATTO • HANS-JOACHIM ROEDELIUS • HAR MAR SUPERSTAR (dj set) • HEALTH • HISS GOLDEN MESSENGER • HOOKWORMS • THE HOTELIER • IBEYI  ICEAGE • INTERPOL • JAMBINAI • JAMES BLAKE • JESSICA & THE FLETCHERS  JOAN MIQUEL OLIVER • JON HOPKINS • JOSE GONZALEZ • THE JUAN MACLEAN  JULIAN CASABLANCAS+THE VOIDZ • THE JULIE RUIN • JUNGLE • KELELA KEVIN MORBY • THE KVB • LAS RUINAS • LES AMBASSADEURS  LES SUEQUES • LOS PUNSETESLOST TAPES • MAC DEMARCO • MARC PIÑOL • MARC RIBOT'S CERAMIC DOG • MDOU MOCTAR  MIKAL CRONIN • MIKE SIMONETTI • MINERAL • MIQUEL SERRA • MOURN  MOVEMENT • MY BRIGHTEST DIAMOND • NANCY WHANG (dj set) NELEONARDTHE NEW PORNOGRAPHERS • NUEVA VOLCANO  NÚRIA GRAHAM • OCELLOT • OMDOUGHT • PALLBEARER • PANAMA  PANDA BEAR • PATTI SMITH & BAND perform HORSES • PERFUME GENIUS  PERRO • PHARMAKON • RATKING • THE REPLACEMENTS • RICHIE HAWTIN  RIDE • ROCIO MARQUEZ • ROMAN FLOGEL • RUN THE JEWELS  SALVAJE MONTOYA • THE SAURS • SHABAZZ PALACES • SHELLAC SIMIAN MOBILE DISCO • SINGLE MOTHERS • SLEAFORD MODS  SLEATER-KINNEY • SOAK • THE SOFT MOON • SPIRITUALIZED  SR. CHINARRO • STRAND OF OAKS • THE STROKES  THE SUICIDE OF WESTERN CULTURE • SUN KIL MOON • SUNN 0)))  SWANS • THEE OH SEES • THE THURSTON MOORE BAND • TOBIAS JESSO JR. TONY ALLEN • TORRES • TUNE-YARDS • TWERPS • TWIN SHADOW  TYLER THE CREATOR • UMBERTO & ANTONI MAIOVVI  UNDERWORLD dubnobasswithmyheadman live  UNKNOWN MORTAL ORCHESTRA • VIET CONG • VOIVOD • WHITE HILLS  YASMINE HAMDAN • YOUNGHUSBAND • THE ZEPHYR BONES

Green- Definetely seeing them. Absolute must
Orange- If there are no overlaps (in particular with the green ones), I'll be there for sure
Yellow- Curious about it/"on research mode"

Monday, February 24, 2014

These Go to 11: interviewing Young Romance

Awww, what a crush I have on our next interviewed band. You know there are groups you like, others you simply adore and then there’s a special category when a group’s song can hit somewhere very very deep inside of you? Young Romance is one of these bands for me. So happy to feature indiepop’s most adorable duo... These Go to 11!

Paolo Ruiu and Claire Heywood, Young Romance

The indiepop's romance.
This inseparable London couple has been making delicate and stunningly gorgeous indiepop tunes since 2011, with an intensity that reveals real emotion and sensitivity in what they do. Initial tunes like "Swollen Hearts, Bitter Tongues", "She, Me, Him and You", "Six Sides" gave me the alert they were a band to watch out closely, but after summer of 2012, with the release of their stunning EP ePop022, with our dear EardrumsPop's friends, including the sublime "Follow on Your Own" (personal favourite) I became a devoted fan. More tunes arrived on 2013, like the great “Lines”, but 2014 is going to be Young Romance’s year as “Twenty Five”, track included on the Candy Twist Fanzine compilation’s “ Nobody’s Business” or “Pale” their first official single that will arrive this March courtesy of Banquet Records proves. Pure pop perfection, as immediate as lasting. Here we go!

Manchester City Rollers
1. First record that you bought (be honest)
PAOLO: Oasis, “Roll With It”
CLAIRE: 911, “Bodyshakin'”

2. First and last concert you have attended (be honest too!)
PAOLO: The Counterfeit Beatles / Veronica Falls
CLAIRE: 911 / Bombay Bicycle Club

3. Guilty pleasure (song/band you shouldn’t like but you do, yes, it’s the embarrassing question)
PAOLO: Kanye West, “Bound 2”
CLAIRE: East 17, “It's Alright”

No, not alright
4. Most precious music item you own (collector mode on)
PAOLO: Original copy of The Rolling Stones’ “Sticky Fingers”
CLAIRE: Lou Reed’s “Transformer” vinyl.

5. Favorite lyrics (not yours)
PAOLO: The Strokes, “Someday”: "Alone we stand, together we fall apart, I think I'll be alright. I'm working so I won't have to try so hard, tables they turn sometimes".
CLAIRE: Mystery Jets, “Flakes”: "The trouble with dreams, they're not what they seem, cause when you awake they fall through your fingers in flakes".

Phil Spector, aka "The Hair"
6. Musician/s you would like to meet (should be alive, for obvious reasons, but you can choose a dead one too)
PAOLO: Phil Spector, David Bowie, Keith Richards, Kate Bush
CLAIRE: Elvis, Lou Reed, Ringo Starr, Tina Turner

7. Favorite artwork album (not yours)
PAOLO: The Madcap Laughs– “Syd Barret”
CLAIRE: The Ramones– “S/T”

8. Books or movies? Depending on your answer recommend us one (trick: you can choose both)
PAOLO: Films - "The Godfather 2"
CLAIRE: Books - Oscar Wilde - "The Picture of Dorian Gray" / Daphne Du Maurier - "My Cousin Rachel"

9. Song (of yours) you are most proud of
PAOLO: "Follow On Your Own"
CLAIRE: "Pale"

10. What’s does it mean indie for you? (yes, the “serious question”)
BOTH: Not compromising personal ideas for a commercial purpose, therefore having complete creative control.

11. Where do you see yourself in 10 years?
BOTH: With a few records out and playing shows to the people who love those records in the way that we do with other bands.
Zillion thanks Claire & Paolo!

Saturday, August 4, 2012

The Love Anniversary Playlist

Today is a very special day, me and my girlfriend are celebrating our second anniversary together. So I hope you allow us this playlist, largely discussed and analysed, that is a compendium of the 24 songs/bands (one for each month being together) that have been/are important in our relationship. Needless to say, it is a extremely personal playlist, listed in some sort of chronological order regarding our relation, with a few of my favourites, few of hers, and many others that can't only be understood for us. But anyway, is the nicest excuse to put some music on!!

1. Editors - Munich

2. The Strokes - Someday
3. Kaiser Chiefs - Never Miss a Beat
4. Franz Ferdinand - Michael
5. Nirvana - The Man Who Sold the World
6. R. E. M. - You Are The Everything
7. The Divine Comedy - I Like 
If we had to choose just one band/artist as "Our" soundtrack, it would be him, so Neil, be "warned" that at the November gig in Barcelona you'll have two ardent fans on the front rows 
8. Basia Bulat - Heart of My Own 
First gig together
The Love Anniversary by Raul on Grooveshark9.  Eels - Hey Man (Now You're Really Living) 
10. The Decemberists - Don't Carry It All
11. Beirut - Nantes
12. Arctic Monkeys - She's Thunderstorms
13. Arcade Fire - We Used to Wait
14. Russian Red - The Sun The Trees
15. The Bright - Your Private Garden 
Most followed band together, so far
16. Kings of Leon - Talihina Sky
17. Miles Kane - Come Closer
18. The Vaccines - If You Wanna
19. Dum Dum Girls - Bedroom Eyes
20. Manos de Topo - Animal de Compañía 
Like them, we have a particular sense of humour
21. Ramones - I Wanna Be Your Boyfriend
22. Wild Flag - Romance 
23. The Walkmen - Song for Leigh
24. Cat Power - Sea of Love 
Perfect end of the playlist, don't you think?

Saturday, July 14, 2012

The Sexiest Men of Indie

After two depressing, politically charged posts (I'm afraid won't be the last ones), here's a drastic change of topic. As promised on the previous post "The Sexiest Women of Indie", here's the male's list, compiled by my girlfriend, with the same criteria and her unique opinion/taste...

10. Thomas Mars
(Phoenix)
9. Alex Turner (Arctic Monkeys)

8. Hamilton Leithauser
(The Walkmen)
7. Nick Valensi (The Strokes)
6. Daniel Kessler (Interpol)
5. Anthony "Caleb" Followill
4.  Joshua Tillman
(Father John Misty)
3.  Kristian Matsson
(The Tallest Man on Earth)
2. Tom Smith (Editors)
1. Ryan Gosling
(Death Man's Bones)

Saturday, May 12, 2012

May is the month of music!

I haven't been posting that much lately due to work and, more pleasantly... several activities, the majority of them including music. Because May is the month of the music! With the Primavera Sound Festival (a post on the dramatic timetable is imminent, once I figure out what to do with the overlaps) about the arriving in less than three weeks, Barcelona celebrates spring with several free gigs throughout the city centre.
Promo poster.
Lemons not included.
Photo: Bloodbuzzed

Steven Munar & The Miracle Band
Sifó Bar, Barcelona, May 10th 

Among the most remarkable parallel activities that Primavera Sound offers there's the San Miguel Primavera als Bars, basically a series of free shows, from May 8th to the 26th, at several pubs around the city centre. Basically a nice way to warm the atmosphere before PS arrives, and also an attractive way to discover new bands and new places to enjoy live music while having a drink.

Steven Munar & Band at Sigó Bar.
Photo: Bloodbuzzed
In our first Primavera als Bars gig we listened Steven Munar & The Miracle Band, a local band with a curious combination of folk and pop, sometimes sounding like a less metaphoric Leonard Cohen, others like a very restful version of The Go-Betweens. They started the gig in an acoustic format, opening with a version of "Where the Wild Roses Grow" from Nick Cave and The Bad Seeds, another name that easily comes to mind when you hear Munar and Co.

Although pleasant, the acoustic songs started to look a bit repetitive. But luckily, Munar welcomed his full band to the pub stage and the gig evolved into something more rewarding. Echoes from a Mediterranian Dylan or The Byrds without Rickenbackers, with the very nice addition of the saxophone and some great guitar parts. Still a bit too folkie if compared with their album sound ("Break the Rules" is pretty recommendable), they aren't groundbreaking, but definitely an enjoyable band, with a solid performance live.

Manos de Topo. Festival Plaça Odissea, Barcelona, May 11th

Branca, in-between "howlings".
Photo: Bloodbuzzed
And yesterday night, we headed to the Maremagnum, the Barcelona Port area, where the shopping and leisure mall celebrates the 6th edition of its free and open-air (next to the sea) music festival. An oddity in principle, if you consider the equation of good indie bands and a shopping mall, but a surprisingly positive reality.

After the dispensable The Last Dandies, a photocopy of many many photocopies pretending to sound like the The Strokes (yes, still in 2012), it was time for Manos de Topo. "If you hear this song in reverse, you'll hear instructions to drop 300 bombs into an European Central Bank meeting, but if you play then in a normal way, it is just a love song" said a more-bearded-than-ever Miguel Ángel Branca (making him look even crazier than usual). They are that sort of band: love them or hate them. We choose the first option, of course.

Because despite the sound wasn't spectacular, in particular affecting his vocal performance (too much noise) they are not only an eccentric/funny band, with a very peculiar lead voice (euphemism to define the singer)  looks and lyrics. They are an eccentric band with a very peculiar lead vocal, looks and lyrics with amazing songs, like "Mentirosa", "Tus Siete Diferencias", "Haz Tu Magia", or the immense "Es Feo". And live, the number of songs that excels increases, like "Lógico que Salga Mal" or "Tragedia en el Servicio de Señoras". That's why we love them.

More music tonight!

Thursday, July 28, 2011

FIB Festival 2011 Benicàssim: a personal overview

Back and alive from Benicàssim Festival. I let some time pass to make this overview, in order to be accurate and not say a couple of things without a second thought. Here it is:

The Good
Confirmations: Among the bands I love and had the occasion of seeing them before I have to mention, of course, Arcade Fire and The Joy Formidable, both delivering excellent shows (the lovely Welsh will be mentioned again later). And among the groups I never seen before, Veronica Falls showed there's a real band and a promising album just awaiting us in early autumn; while Russian Red and Elbow were great (so happy to see Guy Garvey and Co. finally). Looking forward to see both bands in their respective tours and more intimate venues. I wish I could say the same about Arctic Monkeys, but unfortunately other factors were in play during their gig (read the next section).

New discoverings: Weren't many if you consider FIB lasts four days, but at least this three names have to be highlighted. O Emperor, quality and intense folk-rock from Ireland that gave a solid, in crescendo gig; Los Ginkas, Spanish punk-pop, vital, joyous and really funny, smiles are granted with them; and Jane Joyd, the music name of Elba Fernández, a wonderful singer/songwriter from Galicia that captivated us with her rich folk (despite not being able of bringing her full band) and mesmerizing voice. One to follow closely.

The working staff: From the staff taking care of first rows, giving water and being aware of the people asking to be taken out of there, to the ones located in the middle/separation wall, who had a incredibly hard task, and suffered the brutal behaviour of some during The Strokes concert. And on a personal level, to the ones in charge of security at the Maravillas stage and the bar, who kindly helped us after we were crushed during the Arctic Monkeys gig. Thanks.

The Bad
Massification: I remember blaming the Primavera Sound Festival because of the massification problems, in particular on Friday 27th of May, during the Pulp concert. I apologise. It was nothing compared with what we suffered at FIB 2011. Friday and Saturday at the Maravillas stage and surroundings was just horrible. And excuse me, but Vince Power, FIB director, saying he saw a normal function of that stage, just means either he has no shame, or that he wasn't there.


The Brits: Should say the "hooligans" instead. Of course, I'm not saying every British citizen behaved like that. The majority we met were sympathetic, friendly and happy people. But unfortunately, a huge amount of them are just wild beasts that are not interested in the music at all, and are just coming to have a permanent, out of control party. No problem with that, but you know. Seeing you naked is not nice. Throwing drinks (or whatever it is) to the people, the same applies for your rubbish, is not nice. Trying to advance by the use of force to get a closer view of the stage is not nice. Crushing people is not nice. Peeing in front of a bar is not nice. Putting a fire or lighting a flare in the middle of the main stage is not nice (is insane). You might think this is "your Festival" (after all you are the target of the organization) but you know the venue is not yours and there are more people trying to enjoy FIB. The Strokes and Arctic Monkeys were frustrating gigs because of them.

The FIB Organization: Paolo Nutini, Chase and Status, Plan B, The Streets, Pendulum, The Coronas (from Ireland), Tinie Tempah and a long etc. We could discuss (endlessly) if these and many more fill into the music style that supposedly FIB used to cover. But I don't think it makes sense to debate about the repercussion these groups have in Spain, which is zero. So, it is clear, the Festival's target are the Brits. Fine. that's their commercial strategy. Linked with that, and again just commercial strategy, was the decision of announcing big, incontestable, headliners well in advance, and since then (with exceptions) complete the line-up with fillers. Anyway, the line-up on Thursday was terribly weak, and without headliners (something the organization admitted). Then we have the timetable thing (pathetic). Or the parking facilities. Or the overlaps. I could go on, but you get my point. The general feeling is clear: this is about the money for the organization, not about the music.

The Queen
The sound: The only aspect where FIB has been superior to Primavera Sound. Without very few exceptions (and one has to do with the overlaps, other with the wind on Sunday's afternoon, not with the sound quality of the stages), during all four days of the Festival the sound has been surprisingly good.

The fan moment: We had the pleasure of chatting for a second and take a picture with Layabouts, probably the best concert of Thursday, and (a personal triumph) with the gentle people of The Joy Formidable. Ritzy promised me they will go back to Barcelona soon (probably October). So great!

The music, after all: I could have titled this bands I don't like but were outstanding. Because that's what happened five times on this FIB 2011. Jerry Fish and The Mudbug Club, with his funny and engaging gig; Lori Meyers, that gave a phenomenal concert to an enthusiastic crowd, gathering an unanimous praise from their national fans as well as foreigners; And I Watch You From Afar, who did a brutal, thunderous show; Layabouts, who did the same with their more classic rock; and Portishead, with the amazing Beth Gibbons making the Maravillas stage hold their breath. They exemplify what music, and playing live should be. They enjoyed and made the audience enjoy every second of their gigs. Even the ones that are not fan of their music or style (like me) got pleased or mind-blowed by their performances. A matter of attitude and passion.

Tuesday, July 12, 2011

My FIB Festival 2011: we have timetables!

Two days before leaving for Benicassim Festival and despite the shameful decission of the FIB organization of not the giving the timetables for free, the information has leaked (everybody knew it would happen), so here's how it looks (bold indicates the preferred option), in principle, My FIB Festival. Harder than expected, the amount of overlaps is dramatic and confirms Thursday as a pretty ridiculous day. 


18:00-18:45 The Spires
19:00-19:45 Layabouts
19:45-20:45 Anna Calvi / 20:15-21:15 Russian Red  
From 21:15 I don't mind going home. What a horrible (and overlapped) day!


18:00-18:45 Jane Joyd 
19:00-19:45 O Emperor
19:45-20:45 Ainara Legardon / 20:30-21:15 The Marzipan Man
21:15-21:45 The Paris Riots
21:45-22:45 The Undertones
23:15-00:15 Elbow
00:45-02:15 The Strokes / 1:30-3:30 James Murphy
The only day when schedule fits and has some logic...


18:00-18:45 Jerry Fish and the Mudbug Club / 18:30-19:00 Los Ginkas
19:30-20:15 Nadadora / 20:00-21:00 Tame Impala
21:30-22:30 Lori Meyers / 22:00-22:30 The Dandies
23:00-00:00 Mumford & Sons
00:30-02:00 Arctic Monkeys
02:30-04:00 Primal Scream
Already a seriously overlapped day, to decide between Beirut or the Monkeys is something to blame the organization for.


18:30-19:00 Indienella
19:00-19:45 The Coronas
19:45-20:30 And So I Watch You From Above
20:45-21:30 The Joy Formidable / 21:15-22:00 Veronica Falls
23:00-00:30 Portishead
01:15-02:45 Arcade Fire / 1:45-3:45 Chris Geddes
And the final, triple overlap, that will probably make me miss Noah and the Whale (sic).

Well, in any case, see you at the FIB Festival, come on over!
Come On Over by Veronica Falls

Thursday, June 16, 2011

FIB Festival, the feeling of being cheated

More than two months after the last confirmations, and less than a month for Benicassim Festival to start, the organization has announced, finally, some more names, almost(?) closing their line-up. It's true, though, that there were some informations in advance, a couple of interviews to important members of the organization, including Vince Power, main responsible of the veteran international music event. In both interviews, you could easily understand there was a sense of failure, acknowleding that in their task towards recruiting some more "big names" there had been underachievements, so hopes were not high.

Well, now that the last names are public, it is fair to say that feeling has been confirmed. But now, it's even worse. Now the feeling is that we have been cheated. This are my reasons why: 
  1. FIB 2011 announcements begun in an amazing way. Arcade Fire, Portishead, Arctic Monkeys and The Strokes. Impressive. It was clear this was a commercial strategy to create a huge anticipated demand and big expectations. Seems they will have their desired sold out, so in terms of marketing, I admit the success of their strategy. But in what regards to expectations.....If they sold that many tickets in early 2011, it is hard to imagine what took them so long to close the line-up, considering the final names. 
  2. The communication with the public has been, to say it politely, questionable. The programmed chats were a total failure, and the lack of information regarding new announcements has been a regular feature of the organization, sadly.
  3. In what regards to the line-up itself, and of course, just being my opinion, I have to say this is a poor Festival.With the very welcomed addition of Russian Red, there are only 9-10 names that qualify as "must see", and only 5-7 that I'm "interested on". That, for a Festival that takes place during 4 days and has years of history behind, is quite unremarkable, and pales in comparison to Primavera Sound Festival, where I ended watching nearly 30 artists (and missing no less than other 10 names that I would have liked to see). Thursday, absence of headliners aside, is the paradigm of that decadence. A really weak day.
  4. Money, money and more money. Prior to the last announcements we were informed that FIB's hand programme, including timetables and useful information, would be able on July 11th....for 5 euros! I'm going to the Festival because of the bands, the music, and I have paid a considerable amount of money for that, so having to add another 5 euros just to know when and where the artists I paid to see are going to play is miserable.
  5. It's going to be my first FIB Festival, and the last one. I don't think it resists the comparison with other Festivals, and particularly with Primavera Festival, that proposes a lot more in terms of music (that's my main goal on a Festival, not a comedy club, sorry), is way cheaper and better organised. Of course, its a matter of making profit of a business, but even during the worst moments in that Festival (massification, electronic card, etc.) I didn't have the feeling they were interested just in the economic benefit. And now I do with FIB. 
Having said that, now its time to check among the unknown and relatively unknown names in order to find a new promising discovery and add more artists to "my personal" line-up. Well, and enjoying the sun, if they don't charge us also for that....

Thursday, April 14, 2011

My (first) FIB (Benicassim Festival) so far

Since my last post about the Festival, more than a month ago, FIB has announced a few new acts, the latest bunch of them, today. I'm not going to insist/pledge for the lack of names from my wishlist, because I'm not really counting I'll get one of them* (sadly).

Anyway, adding today's acts to the previous bunch of names announced in the last couple of months, this is how "my" FIB looks now. Hoping for more though, especially on Thursday, still a day in need of a vast improvement!

+ The Streets + Paolo Nutini + Pendulum +Plan B + Chase & Status + Congotronics Vs Rockers + Crystal Fighters + Dorian + Julieta Venegas + Aldo Linares + Anna Calvi + Grupo Salvaje + Henry Saiz + Jack Beats +Layabouts + Violens +


The Strokes + Brandon Flowers + Elbow +James Murphy + Friendly Fires + The Stranglers + Atom Rhumba + Herman Dune +The Juan MacLean + nudozurdo + The 1945 +Ainara LeGardon + The Marzipan Man + The Morning Benders + O Emperor + The Paris Riots + Zombie Zombie +


Arctic Monkeys + Mumford & Sons + Primal Scream + Beirut + Big Audio Dynamite +Bombay Bicycle Club + Amable + Astrud & Col·lectiu Brossa + Lori Meyers + Jerry Fish & The Mudbug Club + Logo + McEnroe +Nadadora + Smile + Spectrals + Tame Impala +


+ Arcade Fire + Portishead + Tinie Tempah +Noah & The Whale + Professor Green +Antònia Font + CatPeople + The Go! Team +The Joy Formidable + And So I Watch You From Afar + Anika + The Coronas from Ireland + Indienella + Hidrogenesse +Veronica Falls


Green- Definetely seeing them. Absolute must
Orange- If there are no overlaps (in particular with the green ones), I'll be there for sure
Yellow- Curious about it/"on research mode"

*Happy note: I'm going to see The Pains of Being Pure at Heart anyway this June in Barcelona, so I can cross off that name from the list 

Wednesday, March 23, 2011

Please, no more awful album covers

I want to start my own crusade. A crusade against the incredible amount of awful music artwork we have nowadays in indie music. Please stop making these horrible covers!! There's people that still buy records and we love to have wonderful covers for our albums. They are important, and they serve the purpose of illustrating the contents, the atmosphere or the tone of a record. Otherwise what it shows is disdain or just a serious problem of bad taste. Please lets fight together to end with the bad, disgusting album sleeves!

SOME EXAMPLES OF ARTWORK ATROCITIES

Empire of the Sun: Walking on a Dream
Let's mix kitsch aesthetics with Star Wars saga. Bad idea, worst results

Coco Rosie: Grey Oceans
Easily, one of the ugliest covers in indie music history

Red Hot Chili Peppers: Stadium Arcadium
The amazingness of Word-Art? None

The Strokes: Angles
All the tackiness of the 80's gathered on a painful sleeve

The Ting Tings: We Started Nothing
Couldn't agree more with the album title. Little work on the cover, indeed

Weezer: Hurley
Funny joke from Weezer? No, just a horrible cover

Santogold: Santogold
Do I really need to say this is a disgusting cover?

Neil Young: Fork in the Road
Neil, if you weren't in the mood for a picture, at least you could have done something better with the fonts...

NO MORE COVERS LIKE THESE!