Primavera Sound 2019 in brief, day 2

Back to regular life after Primavera Sound Festival (PS) 2019 ended! So, while we adjust to our day-to-day schedules, here comes the second of our quick recaps of what we just experienced at Parc del Fòrum, today focusing in Friday's 31st. Let's go!

Lucy Dacus, historian at work. Photo: Bloodbuzzed

The Good
Lucy Dacus: The hour in which her gig was programmed was criminal. The Ray-Ban stage was, in principle, too big. But these unflattering factors became irrelevant the moment Ms Dacus started singing. What an arresting record 'Historian' is (if 'Night Shift' doesn't touch, you don't have blood in your veins). What a mesmerizing talent the Virginian is.

Kurt Vile: In an edition where the guitar seems to be a prehistoric, outdated instrument (of course, IS NOT), the proposal from the Philadelphian musician and his backing band was kind of challenge against the new "definition of cool". A guy who doesn't care about poses, looks or flashy movements. Just about indulging you into his hypnotic guitar-driven, slightly psychedelic, hazy folk-rock. He just killed it at the Pull & Bear stage.

Vile & The Violators, pretty pimpin at Primavera. Photo: Bloodbuzzed

The Bad

Snail Mail: The most disappointing gig from our entire PS took place on Friday afternoon. We love 'Lush''s immediacy, electricity and straightforward indiepop charms... But we couldn't hear any of these wonders at the Primavera stage. First technical issues, then serious vocal problems, with abundant squawks and misses from Lindsey Jordan (was she ok?). We demand a quick return to the city to compensate the disillusion. (Please!)

The Queen
Birkins & Ken: What can you expect from a covers gig? If you have our dear Birkins alongside great company, you'll have one the highlights of the whole festival. Their rendition of 'Ziggy Stardust', David Bowie's masterful record was exhilarating, unadulterated fun. Initially fuelled by Cris' powerful vocals... and then completely stolen by Ken Stringfellow's electrifying performance, pure punk-rock. This man doesn't get enough credit, when we owe him so much. First as half of the mighty The Posies. Secondly, being part of the immortal Big Star. Later on, touring and playing with R.E.M. (not enough adjectives to explain what that means for this Blog) And now, storming the not so Hidden Stage. Unforgettable. Put some Ken in you life!

Birkins & Stringfellow, "stardusting". Photo: Bloodbuzzed

Suedeheads, again: Didn't know what to expect from the veteran Brits before their show... but what we found was the most rejuvenating, enjoyable gig of PS19 for this Blog. Suede delivered a surprising greatest hits show, with Brett Anderson going relentlessly in search of the connection with the audience, who responded accordingly. It couldn't be any other way when the band is throwing you hit after hit in, such as 'We Are the Pigs', 'So Young', 'Metal Mickey', 'Filmstar' (beat that four killing combo!), 'The Drowners' or 'Animal Nitrate', among many others, with such passion and fiery energy. The attitude, the frontman, the tunes... Oh! They still have it. Intact.

Suede, everything still flows. Photo: Bloodbuzzed.

The third and final chronicle of the PS19, covering Saturday 1st, is already "in the kitchen", so stay tuned!

Primavera Sound 2019 in brief, day 1

We are quickly approaching the final stretch of Primavera Sound Festival (PS) 2019! So, while we try to recharge some batteries before the long Saturday (we never learn, don't mix work and Festival, folks), we are to ready to begin with the first post of our traditional quick chronicles of what are we experiencing there. What follows is our take of Wednesday 29th and Thursday 30th. Let's go!

Long-haired and hyper-addictive indiepop from the North.
Photo: Bloodbuzzed

The Good

Melenas: In a year where indiepop has been clearly neglected, to begin the Festival with such a wonderful band became kind of a statement... aside from 45 minutes of fun. The band from Pamplona has everything: guitars, melodies, knockout choruses, and that ease at stage that can be disguised no matter how many hats, jewelry or poses you can't ... if you haven't got tunes. Instant love.

Malkmus and Co., sparkling hard. Photo: Bloodbuzzed

Mr. Malkmus: Didn't have very good memories of our previous experience with Stephen Malkmus (a Primavera Club show, quite a looong ago). But at Primavera stage on Thursday we were able to remove that thorn in our side. Defending their fantastic latest album 'Sparkle Hard' (love 'Solid Silk' and 'Middle America'), Mr Malkmus (celebrating his birthday) and the Jicks were rockier, groovier and goofy all the way. A pleasant, enjoyable gig from start to finish. Monkey off our backs...

The Bad

New normalities: It's the DEBATE, in capital letters, around PS: has the Festival sold its soul? Or it's just embracing the sign of the times in music? If you somewhat follow this Blog you should easily guess we clearly incline ourselves for the first question. We could discuss it for hours, but to summarise it: PS is now following the trend of "catch-all" festivals, meaning mainstream music has to be a very meaningful part of it. The difference is PS still tries to hide that turn in the discourse, pretty elaborated, of the "New Normal". But when you just get into the Parc of Fòrum and realise the record fair and flatstock (posters fair) have been replaced by a Pull & Bear store (and Idealista and Ikea are also Festival brands, note the irony when housing it's by far the biggest, poignant and shameful, problem of the city) is easy to see for yourself what the new reality is...

Welcome to the "new & normal" Primavera Sound mall. Photo: Bloodbuzzed

The Queen
The female assault: Not everything in the "PS move" is negative or dubious. As a matter of fact, there's one conscious decision, no matter if it has arrived a bit too late, that has to be praised. Of the eight first acts watched in the two days of PS, six were completely female or female fronted/leaded, a trend that has followed (you'll see) during the whole event. In that initial batch of gigs Julien Baker and Soccer Mommy gave solid, almost flawless performances... but we have to highlight Bridget St John and Courtney Barnett shows. The veteran folksinger achieved moments of pure magic (that rendition of Dylan's classic "Just Like a Woman", these meaningful lyrics still so valid today), while our beloved young Australian took the clothing stage by a storm with a heavyweight performance, offering so much electricity and grit that was capable to overcame the chatters and posers (a.k.a the usual suspects) gathered in Mordor.

Sometimes Courtney charms you and kills it, and sometimes she just kills it.
Photo: Bloodbuzzed

Stay tuned, the second chronicle of the PS19, covering Friday 31st, is just around the corner!