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Thursday, March 1, 2012

The Indie Anthology 6: essential songs

For our sixth anthologic song, one of my favourite voices in music.

Song: Sweep Down Early
Artist: The Innocence Mission
Year: 2003

Some music has a healing, curative power. The sort of music you don't hear on a daily basis, but you know its there for you, waiting to comfort you when you need it. I discovered The Innocence Mission around 2004, thanks to an indie magazine saluting "Befriended", as another fine example of the gorgeous folk-pop of the band from Lancaster, Pennsylvania. I was haunted immediately for the combination of vibrating guitars, delicate strings and pianos, the space created in every chord, the jazzy and breezy melodies and of course, the incredible voice of Karen Peris. I could name a dozen songs that could fit here. They are synonym of evocative, moving, disarmingly beautiful music.

Tuesday, February 28, 2012

"From the Sky Down", failed film on U2's rebirth

From the Sky Down

Being a die-hard U2 fan, I would choose “Achtung Baby” if I had to pick only one album. It’s not just the incredible songs, but also the amount of ideas behind it. After consulting a lot of material (mainly books, aside the massive amount of unofficial and live recordings) analysing that period in their career, the announcement the band was including a full documentary together with the 20th anniversary reissue of “Achtung Baby” were unbeatable news for me. Then I knew the director was Davis Guggenheim, famous for “An Inconvenient Truth” but also responsible of the outstanding “It Might Get Loud”, adding another factor to be enthusiastic for. I was wrong. Allow me to go part by part to explain myself.

Guggenheim initially puts “Achtung Baby” in context, something that takes him quite a lot of the length of the film. But honestly, its a good recap, reaching back to where U2 were coming from before working on the album, using the band members opinions on an appealing insight. The worldwide breakthrough of “The Joshua Tree” and the frustrating adjustment from playing arenas to stadiums are vividly portrayed (Bono’s anger backstage is particularly revealing). So it is the clash provoked by "Rattle & Hum", their crucified and misinterpreted attempt to explore American roots, putting them on the verge of self-consumption. Quoting Bono, it was time to “go away and dream it all up again”. The next chapter would be “the sound of four men cutting down The Joshua Tree”. The rebirth of U2.

After almost 45 interesting minutes, “From the Sky Down” finally settles in Berlin, where the troubled musical and per­sonal journey of the band was going to take place, being the found­a­tion of what would become “Achtung Baby”. There’s an interesting glimpse of what was going on there, the Berlin Wall coming down, grunge and electronic music was flourishing. The mythical Hansa Studios was the right place to be for a band willing to experiment and transform itself. Everything is ready for an absorbing deconstruction of the making of the album. We have the extensive one-on-one interviews with band members (well, Larry Mullen Jr. and Adam Clayton in a more secondary role). We have producers Daniel Lanois, Brian Eno and Flood. We have manager Paul McGuiness. We have photographer Anton Corbijn. Damn it, we even have the old DAT tapes from the rehearsals! But frustratingly enough, director David Guggenheim appears he simply ran out of time.

At Berlin’s Hansa Studios, creative frictions and roadblocks put the members of U2 on the verge of a confrontation of uncertain results. The documentary shows us that, but also how, thanks to the only songs that were completed in Germany, "Mysterious Ways" (originally titled "Sick Puppy") and of course, "One" (created out from a discarded bridge from the former). From the crisis, there was going to result their second masterpiece, “Achtung Baby”. A masterpiece the documentary, surprisingly, neglects. Here goes my list of grievances:
  1. "Achtung Baby" has twelve wonderful songs, not two. Aside from the already mentioned “Mysterious Ways” and “One”, only "The Fly", “Who’s Gonna Ride Your Wild Horses”, “Love is Blindness" and the horrible remixed version of "Even Better than the Real Thing" performed at Glastonbury, occupy some length of the rockumentary. Dublin, where the album was completed is almost ignored. Unjustified and unacceptable.
  2. Lyrics please. These songs are among the most strikingly beautiful and powerful Bono has penned, so why the lack of analysis on them? 
  3. How can you have all three producers of the record (Eno, Lanois and Flood) and not ask them about the construction of the new sound of the band? 
  4. The Fly, the character Bono created as a supposed parody of the frontman (Lou Reed's glasses, Jim Morrison's pants and Elvis' jacket, has a single scene. Mr. MacPhisto is not even mentioned.
  5. Same applies for the Zoo TV tour. All the visual imagery, the creativity of the videos, the live footage. All the ideas behind, zero mention.
  6. So you have Anton Corbijn, but nothing is said about the amazing artwork?
  7. Being an Anniversary celebration, it would have been interesting/appropriate to hear from fellow musicians about the influence/relevance of the album. 
  8. Last but not least, no Zooropa?
Not everything is bad on "From the Sky Down", mainly thanks to the "cast of actors". There are a few revealing and engaging interviews, in particular with Bono. We also have a couple of chances to see the band skills and how do they face the creative process, exposed with an unexpected openness in the rehearsing of “Who’s Gonna Ride Your Wild Horses” and the haunting, poignant performing of "Love is Blindness" by The Edge. That footage, along with the detail in which "Misterious Ways" and "One" are explained and some pre-Achtung Baby" material, makes the documentary worth the watching.

Bono says the album "is the reason we’re still here now” But that sense of dealing with such a crucial work and moment from the band is what we are missing in "From the Sky Down". Initially, after watching it, I thought it wasn't targeted to long-time U2 fans. The amount and seriousness of the misses, together with the few detail on the making of the record puts the film in the verge of irrelevance, at least to anyone who is more than a casual/new fan of the band. But the more I think about it, the more I see this can't be targeted to "newbies" (by the way, welcome to the U2 world, you're going to have a lot of fun) either. Because they won't understand why this album has to be heard, remembered, analysed and celebrated after watching this film. An ok music documentary? Maybe. But not for "Achtung Baby".

Sorry if the review has taken longer than usual. It was an important subject for the writer. 

SCORE: 5,75/10

Sunday, February 26, 2012

Discoverer 31: new indie findings

New bands for you!

Hospitality. You know when a song gets stucked in your head? That's what's happening to me with the chrous of "Friends of Friends". Or the "dadada" part of "The Birthday". Or the melody of "Betty Wang". I could go on for each one of the ten songs that conform "Hospitality", their debut album, out since January. This Brooklyn trio, leaded for the addictive voice of Amber Papini, formed in 2007. After releasing its well received first self-titled EP in 2008, they remained quiet for a while, but not anymore. Signed to Merge Records, this band is fated for greatness. Indie-pop at its best!

Hospitality - Betty Wang by MergeRecords Hospitality - Friends of Friends by MergeRecords
Persian Rugs. More recent obsessions. There's a  song that gives me goosebumps: "Always All" from Toronto’s Persian Rugs. Formed in 2009, they started recording in 2010 (demos available at their bandcamp), officially debuting with "Always All EP" on Cloudberry (again) the next year. Unstoppable, dreamy pop melodies, with shimmering guitars, hazy reverb and the intertwining voices of Ian Jackson and Kaye Hamilton (amazing) recalling Sarah Records, Comet Gain, Veronica Falls or a poppier Kids On A Crime Spree, bands which Persian Rugs have shared stage with. More please!

Novella. Ending this week recommendations, and thanks to the superb taste of the blog skatterbrain! I discovered this female trio from London, UK, set to release their self-titled first EP in mid-March, on Italian Beach Babes label, while they'll be touring UK alongside Veronica Falls (lukcy brits!). Recalling  another female band, Warpaint, Novella offer a powerful and hypnotic indie rock plenty of psychedelia and guitar riffs, naming Flying Nun or Brian Jonestown Massacre as influences. Check their available tunes on souncloud and, like me, you'll be eagerly awaiting for the forthcoming EP.
Don't Believe Ayn Rand by Novella.
The Things You Do by Novella.

Saturday, February 25, 2012

"Tinker Tailor Soldier Spy", frozen Cold War film

Tinker Tailor Soldier Spy

I'm starting to get a bit annoyed to this sort of tendency in cinema of recreating a movie genre, being it from the 60s, the 70s or the 80s, where the only concern seems to be the style. I was expecting quite a lot from "Tinker Tailor Soldier Spy", but honestly, this is just a mimicking recreation of the 70s spy-thriller genre, too focused in looking perfect on screen, and not caring of what really matters, the content.

I'm sorry, but if a spy-game film works its mainly because of the story. Sadly, that's the weakest point of "Tinker...". I've read some reviews where critics use expressions as "for mature audiences", "classy", "brainy", "adult viewing drama", etc. Elitist arguments anticipating the sense of confusion/boredom audience can have watching it. Or euphemisms to defend the indefensible.

This is a film portraying the small world of powerful men fighting, conspiring to be number one, with their personal world of traumas, relations, loyalties and sex. Its also a tale of the Cold War, and I use the word "tale" on purpose, because on the film (I don't know about John Le Carré's books) it looks like a separate, mythical, fantasy dimension. And finally, is a very British story, a grey Britain that seems slowly moving from past times into an uncertain future. Believe me: we get the idea. Can we include these interesting elements on an attractive story then?

Unfortunately, not. The problem with "Tinker Tailor Soldier Spy" is not that is developed in a way that can only please "older generations". The problem is that for almost two slow paced hours, we are asked to assume something is actually going on, and that matters, at least to keep you watching. But at the same time we must believe all the "misteries" proposed, and all the inexplicable cuts on the key scenes. The result is a very high effort to get into the film for a very little reward in return. Director Tomas Alfredson pose a blurred bunch of ideas and situations without exploring any, offering zero suspense, in my opinion, and a serious problem of fluidity, the result of a very questionable editing. Its worse at the end (side note: what an unfortunate choice for the music, by the way), where everything is resolved in a matter of seconds, crossing the line of being ridicule.

But it is not just a matter of a confusing and unattractive plot. I simply didn't care. There is no emotional development of the characters. Gary Oldman, a terrific actor, is confined into a exaggeratedly still, pensive, underplaying role as Mr. Smiley. His forced retirement, his past and personal story, and his involvement with the characters he must investigate had a lot of potential, but  Alfredson didn't care about acting, reducing Oldman's work to a silent mannequin. The rest of a very impressive cast, including John Hurt, Toby Jones and Colin Firth is also wasted. Only Benedict Cumberbatch, who partners Smiley in his investigation, is able to bring some valuable emotions to his role. Some secondary actors, in particular Tom Hardy and Stephen Graham offer some very remarkable moments too. Them, the oppresive and bleak atmosphere and the aesthetics are the highlights of an unremarkable, extremely cold film. A huge dissapointment.

SCORE: 4,5/10

"Jerusalem", chronicles of the most absurd conflict

Jerusalem: Chronicles from the Holy City
(Chroniques de Jérusalem, French original title)- Guy Delisle

"Jérusalem, un canadien errant dans la ville sainte", reads the banner of Guy Delisle's blog created during his stay in Jerusalem. A whole year joining his wife (and with their two little kids), a MSF (Médecins Sans Frontières) worker, allowing the author to show a very personal and peculiar view of the conflict and how it affects the daily reality of the region.

As someone who has followed and enjoyed the previous works of Delisle, this structure is unsurprising, something that at first lessens the impact of "Jerusalem: Chronicles from the Holy City". There's a "been there, seen that, did that" feeling. The mixture of quotidianity (he's a househusband with not many things to do aside from drawing and exploring the city/area), trivial situations and an initially naïveté is a bit frustating, considering how politicized and known is the Palestine-Israel conflict. Sure, Delisle doesn't pretend to be another Joe Sacco, but his lack of knowledge in the area is shocking, particularly considering the work of her wife.

But this unpromising start soon develops into something else. Delisle is building, slowly, with patience (a quality that seems much needed to live there), an unexpected adventure comic-book. It is not journalism, or the radiography of a conflict, but a ludicrous take, from an observer with talent to capture the detail on the (terryfing) number of absurd situations every person (well, I guess not really everyone) has to suffer living in Jerusalem.

Every country in this planet is based in fallacies. Nations, being concepts, have to been built upon, and that construction is, historically consolidated by violence (mainly wars, triumphs, conquers and defeats) and fuelled by the articulation of a speech designed to unify the community: a common enemy to fight against, a religion, a system of beliefs, a flag, a mission to be accomplished together, etc. There's no better example than Israel. And that's what Delisle, in a ligthweight, apolitical way, even with a subtle sense of humour, unveils.

The situation of the Occupied Territories, the settlements, the division of the city, the shameful absurdity of the Wall, the arbitrarities in which the Israeli authorities inccur everyday with the Palestine population, the deplorable restrictions of their freedoms and liberties, the ridiculous behaviour of the different communities, in particular the most religious ones ... everything is captured by Delisle pencil, having time (its his longest work to date) also to talk about drawing and how he creates to. By the time you reach the final pages of the book, you realize a complete portrait of the country's reality has been made. From the eyes of a tourist, build upon anechdotes and without allowing himself to provide a political opinion. But the complete, clear picture is there.

"Jersusalem Chronicles" probably lacks the impact of "Pyongyang", "Shenzen", or the "Burma Chronicles", mainly because these three locations are way more unknown that Jerusalem. But this is a refreshing and very recommendable take on the most contradictory place on Earth, and the most absurd conflict. Don't miss it.

SCORE: 7,25/10

Wednesday, February 22, 2012

Spanish indie 7: suggesting the best national acts

More proposals of Spanish alternative bands for your listening pleasure. Enjoy!

La Habitación Roja. The release of their eighth album, "Fue Eléctrico", out now, gives me the perfect excuse/occasion to introduce this veteran band, formed in Valencia (yes, good things can come from there too), that are, simply, one of the best national groups. Inexplicably (and unfairly) underrated despite their solid career, started in 1995, LHR has been a reference when discussing about indie-pop/rock in Spain, something the new record proves again. Energy and melody, passion and honesty. The long distance runners of Spanish scene are back. A reason to celebrate.


Doble Pletina. Started in 2010 as a duet from the ashes of Abrevadero, a surreal combo that made peculiar versions of popular songs, Marc Ribera and Laura Antolín have created a lot of expectations with their few songs, in particular with the 2011 slow-burn hit "Música para cerrar las discotecas". Pure pop genious, where acoustic sounds meets a restrained epic, and where lyrics become pivotal. Hoping for more releases this year to confirm the promise, and to see them live at Primavera Sound. Keep an eye on them.

Thee Brandy Hips. Just confirmed among the Benicàssim Festival line-up, with their second album, “Raincoat”, released in early February, this five-member band from San Sebastian offers a much needed dose of fun and vitality. Addictive and sunny guitar-driven pop, where melody means everything. Between the noise-pop of The Pains of Being Pure at Heart and lo-fi, between power-pop and The Bluetones playing on a beach, and with a DIY attitude, they might not be reinventing the wheel, but there's plenty to enjoy in their music.

Tuesday, February 21, 2012

The Indie Anthology 5: essential songs

Back from a another work trip mixed with holidays. And we do it with our fifth "anthologic" tune, in this case another song that in barely 2 minutes, says it all. A personal favourite hailing from Sweden that I hope you enjoy.

SongThe Quiz
ArtistHello Saferide
Year: 2006

Annika Norlin is an incredible songwriter, and one of her finest moments is this little indie-pop wonder. Made with the intention of completing her live setlist, the tune became very popular and demanded among her fans, so she finally recorded it for the EP "Would You Let Me Play this EP 10 Times a Day?". This peculiar test is fun, witty, fragile, close and fully recognisable to anyone scared of starting a relationship, declaring herself. A phenomenal example of how sometimes "less is more", and how important are lyrics. Simple, concise, compelling, enduring, charming.