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Showing posts with label U2. Show all posts
Showing posts with label U2. Show all posts

Friday, December 22, 2017

Best Songs of the Year 2017: 25-1

We made it, here's the final round of our Best Songs of the Year! The last 25 songs of our particular list, one that ranges from consecrated artists and supergroups to rising bands, without forgetting most beloved comebacks and Blog favourites. We encourage you to listen the Spotify playlist below, the songs deserve it. And we do hope you have enjoyed this 'musical tour' as much as we have done preparing it. We are taking some days off starting tomorrow, along with the music, we wish you Happy holidays and New Year. See you in 2018!   

25. The Orielles- Sugar Tastes Like Salt
24. Rolling Blackouts Coastal Fever- Julie’s Place
23. Milk Teddy- Rock‘n’Roll Cretin
22. Land of Talk- This Tim
21. Spinning Coin - Raining on Hope Street
20. Mick Trouble- Second Offence
19. Kurt Vile & Courtney Barnett- Over Everything
18. Jeremy Neale- Small Talk
17. Aldous Harding- Imagining My Man
16. Rose Elinor Dougall- Colour of Water
15. Sea Blite- Cerulean
14. U2- Red Flag Day
13. The War on Drugs- Holding On
12. Hater- Mental Haven
11. Cayetana- Mesa
10. Last Leaves- The World We Had
9. The Bats- Rooftops
8. Real Estate- Darling
7. Danny de la Matyr-Lines
6. The Luxembourg Signal- Laura Palmer
5. The National- Day I Die
4. Hurray for the Riff Raff- Pa’lante
3. Protomartyr- A Private Understanding
2. Alvvays- In Undertow
1. Filthy Friends- Any Kind Of Crowd

Thursday, December 21, 2017

Best Songs of the Year 2017: 50-26

Keeping with our steady rhythm, here's comes the third round of our Best Songs of the Year! After the two previous chapters, we are getting closer to the final ranking, so each time is becoming harder to decide what band or artist should be included. But after a lot of thinking-listening here they are, "our" tunes comprised between positions 50 to 26 with their playlist for your listening pleasure. Enjoy and stay tuned, tomorrow we will unveil the last round of tunes, our TOP 25! Still a lot to listen!

50. Chemtrails- Deranged
49. Amber Arcades- It changes
48. Big Thief- Shark Smile
47. Rolling Blackouts Coastal Fever- French Press
46. Nation of Language- Indignities
45. Algiers- The Underside of Power
44. Cosmen Adelaida- Contra la Pared
43. The Stevens- Chancer
41. Mark Lanegan-Beehive
42. Hurray for the Riff Raff- Rican Beach
40. Fazerdaze- Lucky Girl
39. LCD Soundsystem- Call the Police
38. The Courtneys- Silver Velvet
37. Priests- Nothing Feels Natural
36. The Keep Left Signs- Tomorrow
35. Ride- Lannoy Point
34. Renaldo & Clara- Sense Voler
33. Beaches- Arrow
32. Las Ruinas- Viva la resolución
31. U2- The Little Things that Give You Away
30. The Stroppies- Gravity is Stern
29. Slowdive- Star Roving
28. Eyelids- Falling Eyes
27. The Luxembourg Signal- Blue Field
26. The National- The System Only Dreams in Total Darkness

Thursday, September 29, 2016

The Indie Anthology 71: essential songs

Back with our Anthology and more than ready to write down our humble tribute to one hell of a band, with a long and superb career that, inexplicably, has always been ranked as a "second-class" act. Sit down, get your headphones on and waltz around with one of the greatest pop groups. Here's James calling!

Song: Runaground
Artist: James
Year: 1998
A tone of anthemic tunes, a zillion of immediate, contagious pop hooks, a killer live show (please come back to Barcelona soon!), a superb frontman with an incredible voice in the charismatic Tim Booth (from the sweetest melancholy to the most exhilarating joy in a matter of seconds). I will never understand why James has never made it into these ubiquitious "best-of-lists" (not even close of the top positions and, I'm afraid, a rather-to-vastly unknown band outside UK). They have everything and proved it on a very constant basis for many many years. I discovered them by the time 'The best of...' came out, with my brother and I getting so impressed with tunes like 'She's a star' or 'Runaground' we recorded them in as many "Compilation Music Clips" (those were the VHS times, kids) as we could. I'm choosing 'Runaground' it partly because it was the first one that got me completely, and partly because I simply cannot choose in which James' tune is my favourite. That guitar line, the growing tension, the way Booth sings, and how it explodes... Here was a band in which you could (can) hear hints of R.E.M.'s, U2, Pulp, The Smiths, Housemartins, the Britpop's efervescence, Madchester... altogether without being exactly any of them. They were and still are (which is amazing) exciting. And I'm sure they will as long as they want. Long live James!

Saturday, April 2, 2016

These Go to 11: interviewing The Legendary House Cats

Keeping with our interviews, this time we have the pleasure to have John Girgus from the great Aberdeen, now running solo project The Legendary House Cats, answering our questionnaire! A music legend, in one of the funniest and exciting interviews we have ever featured. These Go to 11!

Mr. Girgus, pop at the end of world
John Girgus, The Legendary House Cats 
The story begins in Palm Desert, California, with Beth Arzy joining short-lived John's band Black Star Carnival. From the ashes of it, the then music duo and couple founded Aberdeen in 1993 (expanded to a proper band later on), and getting enrolled with the legendary label Sarah Records a year later, with whom they would record the 7" 'Byron' and the 'Fireworks' EP. But by 1995, when Sarah unfolded, and despite the remarkable success in UK, so did the band, fuelled by the breakup of the relationship, putting out another self-titled 7" after vanishing... for half a decade. Aberdeen chapter II began in 2001, now as a quartet, with the release of first and only album 'Homesick and Happy to Be Here' (most of them based on the recovered tapes recorded before they called it a day), followed by singles 'The Boy has Gone Away' and 'Florida' in 2003 and 2004. 'What Do I Wish for Now? (Singles + Extras 1994-2004)', their compilation singles album, appeared in 2006, also marking a second hiatus of five years, briefly broke in 2011 with an ephemeral return to the stage for some special concerts and another release "the vaults", 'It Was the Rain: Lost Recordings 1993-1995". But there's much more music coming from John aside Aberdeen. Like being part of the bands Languis and Non  Ultra Joy. Like his producing duties for The Luxembourg Signal and The City & Horses. Or his work as music composer in TV shows as 'True Blood' or 'Californication'. And most importantly. a solo career under since 2014 under the moniker of The Legendary House Cats, releasing, to name a few, 'First Light' EP on October that same year, stunning songs like 'King Grudge' and, more recently, 'River' and 'Falling From So High (Long Form Ambient Remix)'. A man of music, as you can see. Here we go!


And the clerk said: Bang your head!
1.First record that you bought (be honest)
I used to be a little embarrassed about this one (due to the material) and now, it's more like it's starting to show my age! I am pretty sure the first record I bought was a picture disc of Quiet Riot's 'Metal Health'. I remember having a discussion with the clerk and my mom about any possible inferiorities of this picture/audio combination, but he assured us it was fine. This would have been at The Record Alley in the former Palm Desert Town Center (now the Westfield Shopping Plaza, still open to this day. David Newton tells me he visits when in town). My dad made me turn it off when it got to the title track, repulsed by the lyric 'Bang your head, it's good for your health'. The lyric is actually 'Bang your head, metal health will drive you mad', which makes more sense.

2. First and last concert you have attended (be honest too!)
The first show I really saw, where I went on my own free(ish) will, and inside without parental guidance was Siouxsie and The Banshees at The Universal Amphitheater (later Gibson, now closed) for the Peek-A-Boo tour. I remember House of Freaks opened. I don't think they were received well, I remembered being pretty bummed at the crowd. For an auditorium filled with people who were supposed to be cool freaks, they were actually bunch of meat-heads. They couldn't have been more wrong though, and I became a fan. 'Tantilla' was a very important record for me, even though I didn't entirely understand it. The last show I saw was Danny Elfman's 'Nightmare Before Christmas', the live orchestra and screening thing he does at the Hollywood Bowl. You want me to be honest? I skipped the encore and heard 'Dead Man's Party' from the parking lot. Did not think that was going to happen. That hurts a little to think about.

Don't call him, please save yourself
3. Guilty pleasure (song/band you shouldn’t like but you do, yes, it’s the embarrassing question)
My iTunes is the best place for this. That's where I buy stuff I wouldn't want to face anybody in a record store checkout counter over. I kept the free U2 record on purpose (and still listen to it), and 'Payphone' by Maroon 5, not only that but the clean version, which I was hoping didn't have the Wiz Khalifa breakdown (I am not proud of this at all).

4. Most precious music item you own (collector mode on)
I've become a pretty terrible music collector. I've sold so much over the years, but one thing I've never even tried to sell is my Subhumans vinyl. It might just be because a cat used them as a scratching post, but I probably won't ever get rid of them.

5.Favorite lyrics (not yours)
Sometimes I think of this one: 'I stumbled out of bed / I got ready for the struggle / I smoked a cigarette / And I tightened up my gut / I said this can't be me / Must be my double / And I can't forget, I can't forget / I can't forget but I don't remember what'  from 'I Can't Forget' - Leonard Cohen.

Sergeant & McCulloch, searching echoes
6.Musician/s you would like to meet (should be alive, for obvious reasons, but you can choose a dead one too)
I've met a few of my musical heroes (always managed to say something stupid), Ian McCulloch, Will Sergeant, Leonard Cohen, all of Love and Rockets over the years. I once talked to Dave Rowntree from Blur for a half hour before I realized who he was. I met Tom Petty and most of The current Heartbreakers, talked with ODB about architecture in LA. I used to work for an ongoing live event here, the Mimosa Music Series, doing some light sound duties, so I'd have to meet every performer, some pretty class acts when it was exclusive; Rosanne Cash, Donovan, John Doe, Steve Earl, Booker T. once stopped by just to say hi... For another job I recorded an interview series with Steve Jones (once with Paul Cook), when I was lucky enough to be around he'd shoot the shit with us on pizza break, so maybe I'm all good for now. But maybe Glenn Danzig. I used to live in his neighborhood, but always missed him shopping for cat litter.

AC/DC goes New Wave... on an artwork
7. Favorite artwork album (not yours)
I've always liked the single for 'Getting Away With It' by Electronic. That was about when I started noticing that an album cover could be a work all its own. I'd buy records just for Peter Saville sleeves after that. Lately I've been trying to reference some more mainstream collage based designs, like some of the early Hipgnosis stuff. Their version of 'Dirty Deeds Done Dirt Cheap' is a fun one, because it doesn't really fit the rest of the AC/DC catalog. It looks more New Wave or something, but it's got a lot of good elements to borrow from, if you're looking to reference that era.

From 'Buffy' to 'Underworld',
tte pattern is clear, folks
8. Books or movies? Depending on your answer recommend us one (trick: you can choose both) 
Books, I'm terrible at recommending because I'm just a lazy reader. I read articles every day, but committing to a book is too much. I'm early into 'Infinite Jest', David Foster Wallace right now, but I am not sure I'd recommend it. I'm not even sure I like it. The first two Underworld movies are on Netflix right now. You should check them out.

9. Release (of yours) you are most proud of
Mine?! Tough question. I used to be very proud of my playing on Trembling Blue Stars 'A Statue To Wilde'. My part (Ebow guitars), the song itself, the production and the sentiment. Although that's sort of a bittersweet one now... I was very proud of the song 'First Light' about the time I was mixing it, but the versions out there are a sore spot. The Luxemburgler mix was a letdown (I asked them to use my mix or be involved, but of course, they shut me out completely). The Aberdeen version was really on its way but it remains essentially unfinished. What I finally came up with on my EP is very good for what it is, but after so much compromise, I think it just lost any magic it ever had and just didn't catch on anywhere. Maybe the song just wasn't that good. Citing my solo work is tough, it still feels so new, still a work in progress. Maybe 'King Grudge'. It was sort of a songwriting exercise, a challenge, pretty satisfying to record and mix. I didn't obsess too much, and still fun to listen to. I tend to enjoy my work more when I have a collaborator to give me something else to listen to. Chris McRitchie added some parts that do that nicely, and I stole the lyric from him!

10. What does it mean indie for you? (yes, the “serious question”)
At its core it's a state of willful independence. A conscious choice to forego the need for any sort of outside investment, funding or approval, and the commitment stay productive within that choice. I also like to think of its specific 90s origins like the UK press' reference 'Indie Guitar' bands, or good old American Indie Rock, or even newer uses like Indie-Disco (and of course the classic bands of Indie Pop). Most of the bands or labels who occupy those genres put out significant recorded works independently whether they became major label affiliated at some point or not. I think that's really what it means for me.

11. Where do you see yourself in 10 years? 
Oh god, I'm definitely not going to get the job now! I don't even want to think about it. Probably, right here, doing the same thing. . .            
 Zillion thanks John!

Monday, December 21, 2015

Best Concerts of the Year 2015

And the time has arrived. Let's begin our contribution to the best of the year lists' madness! So, ladies and gentleman we are more than happy to start, as we did on previous editions, with our favorite concerts of 2015. And what a top ten! Bands that we have been waiting to see for a long time, new and superb discoveries and much more! Hope you like it!

10. The Mountain Goats (Heliogàbal, Barcelona, November 23rd)
2015 has been a Mountain Goats’ year for us. We finally embraced their music, thanks to ‘Beat the champ’ (look for it among our best records of the year) after flirting with many of their songs for years. We enjoyed John Darnielle’s intriguing and absorbing first novel ‘Wolf in the white van’ and, out of the blue, he came to Barcelona to present his prose and also giving us a short but unforgettable gig in one of the most intimate venues of the city, Heliogàbal. A fascinating storyteller, among the best songwriters in the world, Darnielle is also a breathtaking performer, ready to blow you up with an instant of rage, a vocal tear or a gentle melody in which words and music merge becoming one. ‘There Will Be No Divorce’, ‘Woke Up New’, ‘Up the Wolves’, ‘No Children’… A brief but phenomenal dose of an immense song book. One full of songs that hurt. Songs that cure. Songs that remain with you.
The Mountain Goats - Heliogàbal - Photo: Bloodbuzzed
9. Sufjan Stevens (Auditori Fòrum - CCIB, Barcelona, October 29th)
It could had been the concert of the year, as almost every song of the heartbreaking 'Carrie & Lowell' was disarming live, with 'Death With Dignity', 'Should Have Known Better', 'Drawn to the Blood', 'John My Beloved', 'The Only Thing' shining... a stunning collection of tunes performed brilliantly, with Sufjan showing a fragility in his voice and gestures that added another piece of wonder to the gig and a terrific band leaded by multifaceted Dawn Landes. Vulnerability, naked feelings and honest intimacy for an audience of 3.000 souls. What a miracle. But it could had been the disappointment of 2015 too, as ‘Age of Adz’ tunes also appeared, breaking the unique atmosphere created. There was time still for a third transformation, with an encore devoted to “Sufjan folk classics" ending the gig in a lighter, cheerful way. So, despite not being our perfect setlist, one can't argue. We saw an immaculate performance, and a genuine, polyhedral, indispensable artist.
Sufjan Stevens - Auditori Fòrum - Photo: Bloodbuzzed


Torres - Primavera Sound Festival - Photo: Bloodbuzzed
8. Torres (Primavera Sound Festival, Barcelona, May 31st )
We didn’t stay very late on Saturday at Fòrum, because there was a mandatory gig to watch next day (and you usually are too tired to enjoy much music on Primavera Sound’s final day). Our first time watching Mackenzie Scott's live, finally. And she didn’t disappoint. On the very contrary, she excelled our expectations at BARTS, our only complaint is her performance didn’t last longer (only six tunes), but what an intensity! She left us wide mouthed several times, in complete awestruck while we watched her fighting against the threatening guitar lines, shouting and whispering her wounded lyrics, breaking and letting her voice disarm you. Superb artist.


7. U2 (Palau Sant Jordi, Barcelona, October 5th & 6th)
Being part of a U2 concert today is such a confrontation with the person you are now and who you were today. Tastes evolve and, most luckily, new and exciting bands and sounds occupy your head & heart. Your past heroes are no longer the ones releasing the record of the year. Even more important than that, there’s a sense that dimension & context are also very important too, making it clear, bigger doesn’t mean better. In what regards to music, it might as well be the contrary. But after years and years of dealing with small stages and terrible sounding, many bands that have more courage than talents, you find yourself at Palau Sant Jordi and all your hipster & let’s face it, cynical defences, crumble after hearing a stormy, intimidating rendition of ‘Electric Co.’. It’s just nostalgia channeling the younger you? It has to be more than that. A gigantic screen on which Bono recreates his teenager years got you completely. Sure it’s all a choreography fuelled by the highest technology but, for a while, it seems to point directly at you. ‘Iris’, not particularly your favourite tune on the new record, breaks you with the outstanding vocal performance of the aging, a bit weary, but still powerful singer. And so does ‘Raised by Wolves’, a glimpse of that primeval, raging urgency of their early days. Or hearing ‘October’ for the first time. Or seeing people surrounding you on a state of pure joy you don’t see (drunk people doesn’t count) at the coolest indie festivals or gigs (the rampant cynicism again), or collapsing, breaking down in tears as some of the classics arrive. Or sharing the gigs with two of the most important people of your life, and seeing your little brother get himself into the celebration that is now ‘Where the Streets Have No Name’ while you think this is something that you have shared with him for more than two decades now. Sure, there are a couple of forgettable moments during the show, some lame performances that seem to be done ‘on autopilot’ and songs choices that are regrettable, in your opinion. But it doesn’t really matter, because they are still there, still meaning quite a lot to you...
U2 - Palau Sant Jordi - Photo: Bloodbuzzed


Algiers - Primavera Club - Photo: Bloodbuzzed
6. Algiers (Primavera Club, Barcelona, October 25th)
They were our discovery just before the Primavera Club arrived, so we were aware this wasn’t “just another band”. But we weren’t prepared for such a powerful performance. Each song a strike, a statement, a howl for the one that are struggling but haven’t been defeated yet. There’s something genuine in the flammable rage and passion with which each member of the band plays, in particular their front man Franklin James Fisher spitting each word, hitting the guitar, or writhing on the floor. An unleashed beast at Apolo, their mutant, combat music comes from somewhere very deep inside every human being. A very needed band.

5. Twerps (Primavera Sound Festival, Barcelona, May 28th)
It wouldn’t be this Blog without an Antipodean band on the list, don’t you think? Twerps have delivered one of our favourite records of the year without a doubt, so there were we, with a gigantic smile on our face, waiting at the first row way before their gig began at Pitchfork stage. It was a shiny, joyful, carefree and warm gig. An impeccable afternoon with indiepop gems like 'I Don't Mind', 'Back to You', 'Shoulders', ‘Conditional Report’, ‘Stranger’... 45 minutes of pure magic, as it is done down under, making your mind disappear for a gentle while into the jangly guitar lines.
Twerps - Primavera Sound - Photo: Bloodbuzzed
4. Novella (Primavera Club, Barcelona, October 23rd)
Speaking of making your mind disappear, here comes our biggest “live discovery” of 2015. We knew Novella was a band to follow (we featured them in 2012) and we love the album ‘Land’. But we didn’t know how overwhelming and irresistible they were live. Psych-pop, shoegaze with kraut hints, with a ton of floating guitars in space. Echoing Pale Saints, Neu! as well as the Dum Dum Girls, the gig was a stunning, incandescent trip, guided by the vocal harmonies of Hollie Warren and Sophy Hollington and leaded by gems like ‘Follow’, ‘Blue Swallow’ or ‘Land Gone’. Love at first guitar line.
Novella - Primavera Club - Photo: Bloodbuzzed


Lambchop - Sala BARTS - Photo: Bloodbuzzed
3. Lambchop (Sala BARTS, Barcelona, July 17th)
Seeing Lambchop had become a pending, frustrating affair for many years but, luckily, we finally managed to solve it. And what a pleasure turned to be. Kurt Wagner and Co. have the rare ability to stop time while they are playing. Wagner telling us his stories in the form of gorgeous tunes, picking us up, carrying us to a place that’s light-years away from the maddening crowd, to an imaginary campfire with the rest of the band. A quiet, distant place, yet at the same time, so recognizable, so human and full of soul. A masterclass with too many highlights to choose among, like the impossible, poignant beauty of ‘Gone Tomorrow’, the jazzy atmosphere of ‘Sharing a Gibson with Martin Luther King Jr., the upbeat ‘Grumpus’ and ‘National talk like a pirate day’ or the great, arresting, ‘Up With People’ with the majestic finale of Wagner letting himself go vocally, unleashing something that can’t be faked: that there's a guy, well, a bunch of guys, enjoying what they do on stage. And giving us the time of our lives. Huge night.

Luna - Sala Bikini - Photo: Bloodbuzzed
2. Luna (Sala Bikini, Barcelona, April 23rd)
Celebrating Sant Jordi with a Luna gig seems like an unbeatable plan. Even more considering here’s a beloved band we never had the chance to see live. The night already started in a fantastic way with the lovely Flowers as their support act, so when Luna took the stage everything was set in its right place for a great show. And the group delivered. Fantastic, crystal clear sound, Dean Wareham and guitarist Sean Eden having and making fun with the audience, and a setlist including the majority of songs we hoped for Superfreaky Memories’, ‘Chinatown’, ‘23 Minutes in Brussels’, ‘Lost in Space’, plus the final renditions of Velvet’s ‘Ride Into the Sun’ and Beat Happening’s ‘Indian Summer’ . Nearly two house of haunting and hypnotic guitars, ethereal bass lines and moody drums. The best dreampop in Sant Jordi, not bad for a holiday, don’t you think?.

1. Sleater-Kinney (La Cigale, Paris, March 20th)
When the comeback was confirmed we knew it was one of these rare occasions when you do have to make an effort and watch them live, aside from a Festival slot where it’s much harder to see a band performing at their best. What a wise choice it proved to be. Mind-blowing from start to finish. La Cigale’s floor shaking (no, really) from the very beginning of ‘Price Tag’, 26 tunes with two encores, with ‘No Cities to Love’ tunes as celebrated as the old ones by a enthusiast crowd that was eager to let the performing trio (a quartet live) how happy they were to have them back. And the band was eager to give their 110% in return. Carrie Brownstein was electric. Janet Weiss thunderous but for us (consider we were just in front of her) the real star of the night was Corin Tucker, what an explosive, mesmerizing performance. To put it simply, one of the best bands we’ve seen live. One of the best bands out there. Welcome back.

Sleater-Kinney - La Cigale - Photo: Bloodbuzzed

Want to check last year's best concerts? Just click here
What about 2013? Click here 
And 2012? Click here
Or 2011? Then check here

Friday, November 27, 2015

These Go to 11: interviewing The Birkins

This week we are extremely happy at the Blog, because we recover the interview series after another hiatus and, to do the comeback in a proper way, we have one of our favourite national bands answering the questionnaire (can't deny we have a soft spot with them). We are referring to The Birkins! One of the funniest and sincerest interviews we have had, something logical considering how charming and good-natured are this folks, as nicer as their music. Thanks for your time and honesty, we laughed a lot! These Go to 11!


Canarias' finest: The Birkins, islanders of pop 
The Birkins
Daniel Machín, Sergio Miró, Alby Ramírez and Cristina Santana formed The Birkins in 2008 in Las Palmas de Gran Canaria. They quickly started to make some noise, as a year later they won the nationwide Heineken Greenspace contest, signing with our beloved label El Genio Equivocado in 2011. Then came their self titled debut album and instantly, we fell in love with their mix of British pop, French chanson, Americana and an intriguing experimental side. Two years later, in February 2013, they released 'Châteaux en Espagne' a new example of classy, diverse and colourful indie pop. Finally, this last September they have launched 'Souvenirs', another gem on a flawless career so far, one where each song shows their care, taste and scope of their idiosincratic way of understanding pop, something you can also see if you have the wisdom of watching them live. Here we go!

 Scarier than Nostradamus's profecies
1. First record that you bought (be honest)
Alby: The first one I got with my own money (I saved for weeks!) was a vinyl of 'The Final Countdown', by Europe, I was 7. You asked me to be honest! (laughs).
Daniel: I was more or less the same age as Alby when I bought my first tapes (yes, I am that old). I bought 6 tapes by The Beatles looking for ‘Yesterday’ because I didn’t know its name at the time.
Cris: I believe I was eleven years old and my mother gave me some money… and I bought a copy of 'Nevermind' by Nirvana. I was in love with Kurt Cobain.
Sergio: My first recollection of a proofed purchase with my own Money is for a VHS, 'The synchronicity concert' by The Police. My player had a poor quality copy of it at home that had already made me decide that I wanted to play drums.

We had to choose the pic, but we'll keep the secret...  
2. First and last concert you have attended (be honest too!)
Alby: The first concert I recall attending to was Miguel Rios (big Spanish act back in the 80s) during his Rock ‘n’ Rios Tour, although I may have attended way more before that time and I just don’t remember them. My parents used to take me to concerts from a very early age. The last ones were U2 in Barcelona and Dave Matthews Band in Madrid, both during the same weekend.
Daniel: The first concert I attended to was Suede. The concert started at midnight but we were there by seven p.m. And the last one was Patti Smith, it was a great concert.
Cris: Dani is lying because I know that his first concert was Emilio Aragón, near his house (laughs). I don’t remember my first concert… maybe a concert by Los Sabandeños at Teatro Pérez Galdos’, here in Las Palmas de Gran Canaria. The last was one was a week ago: Japoneses Dos here in Las Palmas too.
Sergio: The first one was Luz Casal, and the last one was Asian Dub Foundation at WOMAD Fuerteventura. 

Ejem, ejem better not to comment!
3. Guilty pleasure (song/band you shouldn’t like but you do, yes, it’s the embarrassing question)
Alby: I guess I have quite a few guilty pleasures, such as Abba, The Bee Gees or ELO. Or maybe I shouldn’t feel that guilty about it, should I? (laughs).
Daniel: I’ve always wanted to make a tribute in one of my songs to the opening credits of “Deep throat”
Cris: I really couldn’t tell.
Sergio: Like Alby, I have plenty of time for Abba and the ELO; I´m also willing to defend a couple of songs by Lady Gaga, but only if you force me to.

4. Most precious music item you own (collector mode on)
Alby: I’m really proud -being a record collector- to have our last album 'Souvenirs' on vinyl as a part of my collection. But collector mode on it could be a copy of Queen’s 'A Night at the Opera' dedicated by Brian May or the box set reissue of Peter Gabriel’s 'So' also by the man himself.
Daniel: A 1966 Lp by The Beatles.
Sergio: I grew up as a proud member of the CD generation, so I don´t think that any of the ítems from my Collection has an Amazing value other than the music that it contains. The whole mono recordings by the Beatles are something to hold on tight to, and also the beautiful editions of  'The complete Motown Singles', of which I own seven volumes (now, if I were to find the long out of print Volume six, that would certainly be a valuable item)

5. Favorite lyrics (not yours)
Alby: 'Living is easy with eyes closed, misunderstanding all you see'. You just can’t fail with The Beatles, right?
Daniel: 'La cobardía es asunto de los hombres no de los amantes' by Silvio Rodriguez, which means 'Being coward is a matter of men, not lovers'. And another one is 'who wants to live forever, when love must die?', by Queen.
Yes indeed, everybody knows...
Cris:True love will find you in the end, you'll find out just who was your friend, don’t be sad, I know you will, but don’t give up until, true love finds you in the end’ by Daniel Johnston. Easy and clear.
Sergio: 'Everybody knows that you've been faithful / give or take a night or two / Everybody knows you've been discreet / But there were so many people you just had to meet / Without your clothes / And everybody knows', by Leonard Cohen; in Spanish I could pick this one by Josele Santiago, from Los Enemigos: 'He debido llegar ya, he debido de llegar. Sí, porque al abrir la puerta allí estaba yo viendo la tele con mi mujer, conmigo y con mi mujer'.


6. Musician/s you would like to meet (should be alive, for obvious reasons, but you can choose a dead one too)
Alby: I’d love to have the chance to speak to Nels Cline, guitarist of Wilco, because I’m a great fan of his playing and his approach to the instrument. But I’d love to have a nice conversation with Dave Grohl too. I think that guy has one of the most brilliant minds in music nowadays and he has such wide knowledge of music that it has to be awesome to share a coffee or something with him while chatting.
Daniel: I would like to have met Serge Gainsbourg and Lucio Battisti. I think they were very good song writers and I think we are like-minded.
Cris: I’d like to know Serge Gainsbourg, drink some whisky and smoke some Gitanes with him.
Sergio: I can´t think of anyone more huggable and interesting than Leonard Cohen.

Saints the great Aramburu painted 
7. Favorite artwork album (not yours)
Alby: Spinal Tap’s 'Smell The Glove' (laughs) Nah, just kidding. I really loved Blur’s artwork for their last record. So cool! I don’t have a favorite though.
Daniel: 'Between the Buttons' by The Rolling Stones.
Cris: I really like the artworks of Javier Aramburu, especially the ones for Los Planetas: ‘Unidad de desplazamiento’ and ‘Encuentro con entidades’.
Sergio: I wouldn´t be able to pick a single favourite one. The one I´ve appreciated the most this year is 'Why make sense', by Hot Chip, and for some reason, while I was writing this I thought of 'Abbatoir blues/The lyre of Orpheus', by Nick Cave & The Bad Seeds.

May the 'original' force be with you
8. Books or movies? Depending on your answer recommend us one (trick: you can choose both) 
Alby: If books, the Game of Thrones saga (so much fun in those pages), if movies, Star Wars (the original one, aka Episode IV). I saw that movie on VHS when I was 5 and I’m still shocked!
Daniel: 'One hundred years of solitude', 'Cien años de soledad' by Gabriel García Márquez. It’s a book you should read at least eight times.
Cris: Books and movies!!! It’s very difficult to choose! A book: ‘Ensayo sobre la ceguera’ by José Saramago. A film: ‘Les 400 coups’ by François Truffaut.

9. Song (of yours) you are most proud of
Alby: Probably 'Toute cette lumière', from our second album. To me that’s the best example of co-writing we’ve had in the band so far.
Daniel: 'De profundis Clamavi'. I wrote it in 30 seconds.
Cris: 'Chloè'. A sound impact with three chords.
Sergio: In terms of how they ended up being arranged and recorded, all of the above, plus 'Chloè' and 'Arabian nights'.

10. What does it mean indie for you? (yes, the “serious question”)
Alby: This is not mine, I am copying from Sergio here, but to me it means “asking for favours”.
Daniel: It means creative freedom whichever the style is.
Cris: We do what we want, when we want, where we want… without conditions.
Sergio: There you go, Alby said it for me. To quote the great Kermit the frog, it´s not easy being green, and being indie is not much easier. It´s also good fun, though.


11. Where do you see yourself in 10 years? 
Alby: I’d love to be touring the world with The Birkins, still making records and hopefully reaching a wider audience with our music.
Daniel: if I knew it, I’d become a fortune teller and make millions. But I hope we will get better and better, time will tell.
Cris: Touring with The Birkins!!!!

                                                                                                                      Zillion thanks The Birkins!

Friday, September 19, 2014

The Bloodbuzzed Jukebox 24

After one week without writing due to technical issues plus moving to another apartment, we come back with our weekly TOP TEN playlist with the songs we have been enjoying the most lately. This week you can listen to some exciting Spanish indie groups like Lavandera and Muñeco, our beloved Allo Darlin' or a song from four Irishman your probably know about and, despite being so unpopular in "hipsterland" nowadays, know a thing or two about creating perfect music pieces. As always, there are all at our  Blog's soundcloud, so please Join Us and enjoy it!

Direct links to the previous Jukebox weeks
Week 1      Week 8        Week 15     Week 22  
Week 2      Week 9        Week 16     Week 23
Week 3      Week 10      Week 17  
Week 4      Week 11      Week 18  
Week 5      Week 12      Week 19 
Week 6      Week 13      Week 20
Week 7      Week 14      Week 21

Welcome to the Jukebox!

Monday, October 28, 2013

Satellite's Gone: Bye Lou Reed

BYE LOU, TAKE CARE UP THERE!

Satellite's gone up to the skies
Thing like that drive me out of my mind 
I watched it for a little while 
I like to watch things on TV 

Satellite of love satellite of love Satellite of love satellite of 

Satellite's gone way up to Mars 
Soon it will be filled with parking cars 
I watch it for a little while 
I love to watch things on TV 

Satellite of love satellite of love Satellite of love satellite of 

I've been told that you've been bold 
with Harry, Mark and John 
Monday, Tuesday, Wednesday to Thursday 
with Harry, Mark and John 

Satellite's gone up to the skies 
Thing like that drive me out of my mind 
I watched it for a little while 
I love to watch things on TV 

Satellite of love satellite of love Satellite of love satellite of Satellite of love Satellite of love Satellite of love Satellite of love Satellite of love Satellite of love

Wednesday, December 5, 2012

Best Books of (My) Year 2012

December has arrived. So, it's time to begin with the best-of-the-year-lists. Songs, albums, concerts, movies will follow, but I'll start with the books today. Here are my favourite 10 reads of this 2012. What a great year of literature (and music) this has been. Hope you like it!

10. Hollywood- Charles Bukowksi
The connection with the "Fantes" (John & Dan) made me come back to Bukowski. What a refreshing re-encounter this proved to be. Focused, fast-paced and amusing, his tale about the miracle that was that "Barfly" became a movie, might be, in my opinion, his best work alongside "Ham On Rye". Crazy, hilarious situations to describe the difficulties of mixing literature with cinema, portraying an industry with little glamour and much to be scared about, full of the strangest people in front of which a mature Hank can only laugh about. You'll do too.

9. Fante: A Family's Legacy of Writing, Drinking and Surviving- Dan Fante
As the prose of both writers, this Fante's memoirs will puzzle you, grab you and shake you as few literature can do. Monstrous, vitriolic reality bites, on which the heroes doesn't look too nice. A double life of self-destruction, one by selling himself, the other by trying to kill himself, that amazingly, were rescued by literature. It hurts, but it also redeems in its own, unique way.
 
8. I Was Bono's Doppelgänger- Neil McCormick
Watch the movie, but foremost, don't miss the book. Neil McCormick's biography is the story of a recurrent struggle towards an obsession: being a rock star. The failures of his bands, the Dublin and London music scenes, a pretty ugly portray of the music industry merge beautifully with hilarious situations, self-deprecating humour... always with increasing and (amusingly) excruciating shadow of U2. Fun, revealing and a must for the Irish band fans.

7. When the Nines Roll Over and Other Stories- David Benioff
The "emotional point of no return" is a recurrent, central element on literature, but there are few writers who are capable of capturing, dissecting that existential turmoil and bring it to us, readers, in the form of hilarious situations or devastating dramas. Whether the stories are, on the surface, mundane, or on the contrary, thrilling, adventurous, very peculiar, feelings and behaviours of the main characters are very recognisable. Modern adult life, in all its forms. 

6. Dreams from Bunker Hill- John Fante
A masterful writer in one of his finest hours? Indeed folks, this is the great John Fante giving us another dose of the impulsive and passionate alter ego Arturo Bandini, but this time in the form of a joyful satire of Hollywood, where our character involves himself on a never-ending collection of very fun disasters. Add an impossible love story. Add an Italian wrestler. Add the incomparably vital prose of Fante. And add the spectacular love letter to literature that is chapter nine. Precious read.

5. The Gonzo Writer- Hunter S.Thompson
The letters of one of my most beloved literary heroes? Reading was mandatory for me. But I wasn't really expecting such an absorbing reading. A person creating a character of himself while he struggles to make a living as journalist and writer, a creator of a literary style (more consciously than I thought), a father and a husband, and a politically committed person. Bitterness, wild fun, craziness, all together in a vast compendium of correspondency. This book would be topping the list, but it rates lower because Anagrama published just an anthology, a selection from the originals "The Proud Highway" and "Fear and Loathing in America". And that's is not enough for a real Hunter's fan.

4. Knockemstiff- Donald Ray Pollock
Hell on Earth could be in Ohio, specifically in this rural black hole that allows no redemption or mercy. A novel of a very specific place and a time on its own that could be anywhere. "Knockemstiff" is anywhere where there's no future, because there's zero hope for the present. Scary? It is. There are no lessons here, just the cruel and raw "reality". A mind-blowing and painful collection of stories. Read it with care.

3. A Thousand Violins- Kiko Amat
Novel? Biography? Compilation of essays? And much more. It is one of the most engaging love letters music has ever received. If your passion/obsession is music, this book is for you. This is an emotional and personal work, because that's what music is made of and produces on us, and because Amat deconstructs part of his life through songs and groups. So, even if your tastes in music are not very similar to the author's, it will connect with you. A very special one.

2. Everyone Loves You When You're Dead- Neil Strauss
More books about music topping the list. This time with an incredible, gigantic collection of interview snippets with some of the most well-known celebrities on music. Strauss makes art of every interview. "Everyone Loves You..." is not a full of surreal conversations, unbelievable situations, unexpected adventures or grotesque, absurd moments he witnesses or takes part on. Is also an outstanding task on deconstructing the minds of celebrities, showing, with very few exceptions, an amount of traumas, inner conflicts and difficulties of dealing with fame. Must-read for anyone, not just music lovers.

1. Company K- William March
And our number one is a masterpiece about the horror of war, that despite being somewhat neglected when it was originally published, and being written after WWI feels completely modern and fresh. That's because "Company K" is a triumph both in style and content, offering a devastating semi-fictionalized account of a military unit's experiences. Each chapter is a story on its own, very brief snippets of a soldier's life. And together they are the most mesmerizing account of what means being at war.

Want to check last year's books list? Just click here