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Showing posts with label book reviews. Show all posts
Showing posts with label book reviews. Show all posts

Monday, January 2, 2017

Best Books of (My) Year 2016

We're back! But before starting 2017 at the Blog we must end with the last best-of-the-year lists (promise)... with the favourite reads of 2016! Thanks to my duty at Indienauta.com and the support given by many incredible publishers, the last twelve months have been an astonishing time for bookworms (like me). Besides, it's been a year that I'm particularly fond of, because it has been full of stunning short fiction collections. Obviously, it's been a tough rank to do, but here's my Top Ten (plus a trio of honorable mentions below). Go read them, you won't regret it! And don't forget to check our best of list of songs, records, EPs and concerts!

10. The bones of Louella Brown and other stories - Ann Petry (Palabrero Press)
Only five stories here, but what a superb small collection to introduce us into the masterful prose of Ann Petry. Give us the form. Hard in their content. Resonants in their draft. And, sadly, pertinent even today. Ann Petry reveals herself to be an extraordinary observer of the reality she had to live in the 'land of opportunity'... for whites (much better if they are also men and rich, of course) of the past mid-last century. A reality that, with the exception of the first, magic story, she presents us with daily facts and an amazing simplicity, Without moralizing or 'selling the drama' to impact the reader, in Petry's tales things speak for themselves. "Just” the exhibition of the tragedies, injustices and everyday tragic consequences of a world 'at two speeds' depending on skin color, gender or social class. It will be the reader's task whether or not to feel the pang of indignation or shame. Or recognize that annoying ringing in the ears: that of history repeating itself in all its cruelty in the XXI century... Major discovery.

9. Hellfire: the Jerry Lee Lewis story - Nick Tosches (Contra)
Way beyond the musical biography (as a matter of fact, just it’s alibi), ‘Fuego Eterno’ is pure literature, in big capital letters. Submerged in sulfur and looking face to face to the American myths, again, rooting us to the deep south… where 'The Killer' awaits. The story of Tosches naturally links together the facts and data about the musician with the literary miracle only the legends have, fabling about that brief impasse in the time in which the rock defied society, puritan and prudish, shaking its foundations, while they buried purely 'white' genres like big bands, ballads and swing. And Jerry Lee Lewis, along with Elvis and several 'secondary stars' like Johnny Cash or Carl Perkins, are the 'Riders of the Apocalypse', the adalides of a new world. Paladins with feet of clay and tremendous internal crossroads. Because Mephistopheles is a capricious and cruel master to serve… Unmissable.

8. Water music-  T.C.Boyle (Impedimenta)
This is not a novel, this is alchemy! How can you marry adventure and historic novel, epic, natural realism, darkest humour, scathing satire, baroque style... and create such an enjoyable literary artifact? Witchcraft it has to be! A sublime narrator, Boyle and his exuberant prose, full of impossible or arcane terms and, at the same time, truffled by vulgar expressions and colloquialisms, are capable of making us laugh and dazzle at the same time. He plays with the reader, 'entering and leaving' the 'historicist genre' to splash his story with obvious anachronisms, literary 'excursions' that undermine the structure of the novel where he wants to contextualize the time (with vitriol and caustic soda) and, in particular, English society. Summoning the spirits of Borges and García Márquez in pre-colonial England while visiting the unknown heart of the African continent. In short, a sumptuous feast of reading. Countless pleasures await those who enter this book, a phenomenal reading experience.

7. La rivière sans repos - Gabrielle Roy (Hoja de Lata)
Guided by the wisdom and the ever-flowing prose of Gabrielle Roy we are invited to witness the twilight of a civilization & a culture, the Inuit, practically unknown, distant, hidden, for us. It’s a fascinating and beautiful journey to a world of wild beauty, quietness, tremendous seasonal rigors and vital rhythms. A universe in dramatic opposition to the urban world, in a moment of transcendental transformation, dealing with the unstoppable advance of a modernity which calls into question their way of life. Combining the harshness of certain situations and the historical reality of the time (the Korean War, Vietnam) with a delicate narrative and a genuine humanity in portraying the characters in the midst of their contradictions, limitations and yearnings, Roy is able to tell us that the 'wheel will keep spinning'. That everything changes, everything happens ... but, at least, there will always be the river.

6. Novato en nota roja - Alberto Arce (Libros del K. O.)
Here comes Alberto Arce, a courageous and honest journalist living in a hell also known as Tegucigalpa, capital of Honduras. A country that lives in an undeclared war for years, with areas with homicide rates that surpass conflict zones like Baghdad or Kabul. Arce, on an extraordinary task taking in consideration the extremely dangerous circumstances in which he carries out his job, analyzes splendidly and with meticulous details the magnitude of the tragedy of what can be called a ‘criminal state’, sunk by corruption and violence. And he does that without heroism, barely revealing his logical regrets, frustration and fear. Without giving up to investigate, make the needed 'awkward questions'. Going from the ‘quotidian deaths’ to the exposition of a miserable system in all their dimensions in which militaries, police, politics and press show all their abject vileness. ‘Novato en nota roja’ is especially frightening, but is also one of the best homages I have read in a very long time to this courteous but seriously endangered profession that is journalism.

5. A manual for cleaning women - Lucia Berlin (Alfaguara)
As Lydia Davis (another illustrious writer) points out with the stories of Lucia Berlin 'we never know very well what comes next. Nothing is predictable. And yet everything is extremely natural, plausible, true to our psychological and emotional expectations.' The balance between her sense of humor and the relentlessness of what she tells us is fascinating. The drama and the tragedy are well present: deaths, defeats, immense disappointments, terrifying decisions, devastating mistakes and missteps. But Berlin flees away from fatalism and always manages to convey to the reader that there is "one more chapter". Like the amazing Grace Paley, she also brings empathy, curiosity, eagerness to observe and to establish links between human beings. Both can inject you with an unexplained 'joy of living' while you read them. What a discovery.

4. Preparation for the next life - Atticus Lish (Sexto Piso)
The son of legendary editor Gordon Lish 'squares the circle' with (another impressive) debut novel, impeccably intertwining the coordinates and mythology of American literature, but managing to renew its focus and reach at the same time, dissecting with overwhelming precision the desolate, and very current, situation of illegal migration in the United States (valid to half of the world). An impossible love story in the midst of a catastrophe, a unique portray of a New York utterly devoid of glamor, suffocating and cruel. A place that tries to hide the roaring lament of the rotten and violent ghettos, where racism and violence are cultivated. An iconic location that crushes angry, exhausted, anguished and paranoid people, that tend to accuse the weakest to justify both the lack of hope and, above all, their own pettiness. And a memorable, gigantic literary creation named Zou Lei, indefatigable, unshakable despite extreme difficulties. Hope despite the times.

3. Glanbeigh - Colin Barrett (Sajalín) 
Another stunning collection of short stories penned by a mesmerizing, really young debuting author. Dark yet transparent. Raw and yet singularly poetic. Reading ‘Glanbeigh’ feels like getting knocked out by the unexpected social analysis behind singing, half funeral half sardonic, of ‘No Future’ by the Sex Pistols. Like absorbing Owen Jones’s works about the the humiliation of the working class by the real scum that presides the world. Like following the cameras of Mike Leigh and Ken Loach, hard, dignified and honest, putting faces and places to the defeat. Forget the green, sumptuous meadows, vertiginous cliffs, epic seas enraged of dearest Ireland. No, ‘Glanbeigh’ is gray, leaden, sullen, depressing, oppressive... and perfectly recognizable. A dungeon for his young people, the desperate protagonists of these seven stories of heavyweight punch, but also an elegiac lyricism. A soul behind the gloomy realistic imprint.

2. Cutter and Bone - Newton Thornburg (Sajalín)
What happens when the Great American Dream shows its true face? What happens when reveals is all a big lie? American literature has been trying to answer that question for years, and now, thanks to the rescue of this unique ‘Cutter and Bone’, a thriller, a buddy novel and a road novel, we might have the answers. From Santa Barbara, California, to Rockhill, in the Ozarks, Missouri, always with the presence of the Vietnam‘s ghost, Thornburg’s work is a partial map of a country in demolition, placing at one end a Hollywood stripped off any glamor and, in the other, The American Gothic of Grant Wood's painting. A snowball of Nietzschean dimensions that ends up becoming ‘Fear and Loathing in Las Vegas’ without casinos or a binge of hallucinogens. Kerouac’s ‘On the road’ without gasoline or romanticism. Because there’s only one destiny when everything has been lost.

1. Volt - Alan Heathcock (Dirty Works)
'The blues tells a story. Every verse of the blues has a meaning'. I think it was John Lee Hooker who said it. But, well, that's what Alan Heathcock does in the stories gathered in ‘Volt’. Tell you stories you can’t skip. That you can’t forget. Heartbreaking truths spitting out in what seems the simplest way, when in fact that’s the most complicated, demolishing, authentic and personal way. Stories that are painful and redemptive. That are honest, transparent, stoic, not infrequently distressing... and yet curative. A vehicle to transmit, exorcise and share the most buried feelings. Like the best literature. Like the best blues. Raw. Pure. Impressive and awe-inspiring.Volt’ is a masterpiece of a debut, penned by an incredible, Robert Johnson caliber’s, bluesman turned writer.


Three honorable mentions I MUST ADD to the list before ending the post (I told you it has been a great year for short stories): the phenomenal blending of jazz, journalism and myth of “I thought I heard Buddy Bolden say”, included in 'Kill all your darlings' by Luc Sante (Libros del K.O.); the mind blowing 'Killing and dying' (Sapristi Comic), which is not only the title of Adrian Tomine's latest work, but probably the best short story read within the whole year; and, finally, the classy 'Joe Gould's secret' by Joseph Mitchell (Anagrama), an absorbing hybrid between journalism and fiction. Three masterpieces.

Want to check last year's books list? Click here
Or do you prefer checking 2014?
And 2013'? Then click here
And 2012's? Check here
Or 2011's? Click here

Friday, December 25, 2015

Best Books of (My) Year 2015

More lists. After concerts of the year, then EPs and Records, now it's time for books. Again, thanks to my duty at Indienauta and the support shown of many publishers and editors (always thankful), 2015 has been an incredible year of reads, one in which, I have to say, there has been a most welcomed bunch of exciting works dealing with social reality. Needless to say this list has been extremely challenging. Here are my top 10 reads in the last 365 days. Hope you like it!


10. Redeployment - Phil Klay (Random House)
Add Phil Klay to a short but pretty impressive list including Tim O’Brien’s ‘The thing they carried’. The short stories by Tobias Wolff. Norman Mailer and ‘The Naked and the death’. 'Company K' by William March. ‘Slaughterhouse-five’ by Kurt Vonnegut and Joseph Heller’s ‘Catch-22’. ‘Paths of glory’ by Humphrey Cobb or Frederic Manning’s ‘The favours of fortune’. He’s right there among the “must-reads of war literature”. His collection of 12 stories on the wars on Iraq and Afghanistan shook you up completely, relentlessly, without flaws or any quarter for the reader. A parade of wounded, beaten (in every sense) guys, forever marked. A terrifying and despairing “fauna”, although Klay never sells the drama, writing in a dry, straightforward manner. Former soldiers exposed to death & destruction, but also to boredom, numb, “Playstation” young kids facing an undefined and goalless “normal life”. The terror awaiting on the desert roads. The terror awaiting back home.

9. Making nice- Matt Summell (Turner)
An extremely brilliant approach to real life thanks to an extraordinary main character, whose first-person narration results in one of the most astonishing and memorable literary voices this humble blogger has read in recent years. Alby, mainly an asshole, an immature, unstable adult with serious problems of rage control is also someone who has built himself an image of a bully —a teenager and, later on, adult version of Nelson Muntz— to hide his huge fragility, his paralysing fear of the future, of looking back to the painful past, panicking inside because he doesn’t know what to do with his life. Still trying to assimilate the death of his mother. Do not miss the unforgettable stories of this captivating brute named Alby.


8. When the game was ours - Jackie Mcmullan (Contra)
The best basketball always meant fantasy, surprise, illusion, EMOTION. And that’s exactly what this book offers. A trip back to the time when the spell was put and the years on which the STORY became LEGEND. Basketball lovers already know about the story –lazier readers have the worth watching documentary 'A Courtship of Rivals', based on the book– but doesn’t matter: it’s still glorious. And Jackie MacMullan, the veteran sports journalist is aware too, so she wisely opts for letting it flow, adding little more than the precise and flammable adjective stressing the perfect shooting night of the green 33 or the incredible repertoire of passes by the golden and purple 32. Besides, she has the two stars with her, sharing their view, reinforcing the arguments, adding some “colour” to the anecdotes and revealing the core of the book. Than Bird & Magic careers and myths, are inseparable, the same as human bound between both players. And with that, the golden age of NBA. A hundred smiles await the fan.

7. Vampires in the lemon grove - Karen Russell (Tusquets)
Reputation preceded Miami-born Karen Russell, praised as one of the more relevant younger writers in America, Pulitzer Prize finalist with her debut novel ‘Swamplandia’. And after enjoying this short collection of eight stories, she deserves all the credit. Each story is a fascinating outpouring of imagination, surprise and originality, with a disturbing halo of darkness and mystery —a couple of them flirting with terror—, and foremost, a strikingly powerful narrative ability.


6. The gospel singer - Harry Crews 
(Acuarela & Antonio Machado)
Crews debut is a breathtaking journey to the heart of the southern myth, transformed into a terrible nightmare. Welcome to the town of Enigma, origin and end of the route. The place that you want to escape, forget, deny. But you can’t. Except for the characters of Gerd and the Gospel Singer’s mother there aren’t any handles to where the reader can hold on this novel, there’s no one to empathize with or situations that give us a break. Only a pleiad of vile creatures, mean, ignorant devotees prone to the religious fanaticism, without hope or courage to build a future, accustomed to their lives in a sewer, waiting for a miracle. And as it doesn’t arrive, ready to convert in their last resort a young that thanks to a privileged voice made his fortune singing religious hymns around America. Without knowing that his deified singer, whom were conferred healing powers, has his feet as muddy as them. The reader doesn’t need many pages to know that the novel will end badly, but when the end comes, the blow equally leaves you breathless. Harrowing, crazy, sick, visceral ...

5. Fridays at Erico's - Don Carpenter 
(Sexto Piso) 
Friday at Enrico’s’ is more than just a novel about literature. It might be one of the NOVELS about literature. About writers, their books and their disastrous private lives. About artists struggling against the blank page while systematically succumb to the unique work of irreversible and binding end: its own existence. It’s also about the success, the failure, the artist independence, the ego. About the value of art, the discussion between high literature and their commercial nemesis?, and the role of the artist. About counterculture and literary generations. About bar and bistro tables, their endless discussions and recurrent drunkenness to hide mistakes, depression and vital emptiness. Written with something that I'm only able to define as melancholic wisdom, Carpenter's prose is sublime, like a scalpel in the hands of the best surgeon, pushing firmly, without delay nor artifice, revealing the human soul in a definitive dialogue, a final drink or a moment of doubt in front of the typewriter. For all who love literature and this happy and, hopefully, eternal anachronism called book, reading Carpenter is a gift. What are you waiting for?. I’m waiting you at Enrico's ...

4. Zeroville - Steve Erickson (Pálido Fuego) 
Structured as a series of short scenes, Steve Erickson builds a novel of prodigious rhythm that entertains you greatly thanks to, at the surface level, a freak protagonist getting into an industry that fascinates us, that we are used to glorify and admire. Anyone who name himself as a movie lover will enjoy the talks about cinema, where Vikar founds his meaning of life; discovering or speculating about the side characters with whom Vikar interacts, from Viking, a clear transcript of John Milius, to Robert De Niro about to become Travis Bickle; not to mention the directors whose Vikar’s fledgling career is connected to, like Otto Preminger or Vincent Minnelli, to the point of carving himself out a strange reputation as a gifted editor with an unusual talent: the ability of arming and disarming a story ... to mount a different one with the same material. Is in that rare gift for mounting where the striking backdrop of 'Zeroville' is revealed. While Vikar’s progresses within Hollywood, his poor head discovers something. In one frame. In all frames. Is not that the film explains life, or that is actually the only language Vikar’s understand. It’s much bigger than that. Cinema IS life. And his obsession vampirizes him. Who and why is filming and mounting our own film? Tremendous.

3. The Taqwacores - Michael Muhammed (Ginger Ape) 
The so-called foundational novel of Islamic punk, has a touch, or two, or three, or twenty, of madness, a healthy dose of irreverence, a ton of ideas about culture, society and, without any fear, religion. And if that wasn’t enough, it also has a lot of music. Literally speaking, ‘The Taqwacores’ is the squaring of the circle. How to fit the pieces of a puzzle where there’s plenty of diverse characters, with very different points of view, often extreme, about religion, the future, sex, and life? Knight has no qualms about expressing existential doubts of a bunch of young people, in discussing the human and the divine. But the novel doesn’t suffer. The author introduces hundreds of musical references, and these are interspersed in an astonishingly natural way between comments about Imams, precepts of Sufism, Suras or interpretations of the Koran. Does it sound confusing? Of course it is. That's exactly what Knight wants to show. The confusion of young people in their students home’ microcosm, an Islamic version of the 'Ship of Fools', in their collective chaos of concerns, frustrations, tensions and blames. It couldn’t be more painfully believable. And fascinating. And explosive.

2. Exodus - DJ Stalingrad (Automática) 
Exodus is a terrifying look at the Russia of the new millennium. A corrupt country, desolate, sick to the core. A place where violence seems a valid response for the a collective of young people for which life seems to have no significance. A scenario of war between neo-Nazis and left-wing groups, young people going from town to town in search of the next battle. Music and/or politics are there, but after getting into these pages, one needs very little to realise that both factors are really excuses. Fight, destroy, attack, defend ... because there is much more to do and, above all, nothing to lose. Stalingrad gets beyond the circumstantial, episodic narrative, to draw a devastating analysis of current Russia, crimping history with social commentary and giving us innumerable fragments to remember along the way. Comparable to facing Anthony Burgess’ 'The Clockwork Orange' for the first time, Stalingrad pushes you, unceremoniously, to a rugged, virulent universe. But unlike the iconic work of the British writer, Stalingrad is not talking about a dystopian future, but a terrifying reality, with the face of Vladimir Putin in the background. Unsettling, disturbing, revealing and uncompromising.

1. Waiting for nothing - Tom Kromer (Sajalín)
'Waiting for nothing' is, in my opinion, one of the best books Sajalín has calved, which is a lot to say considering the great moments this publishing house has given to us. A cohesive series of episodes that can also be read as a collection of short stories, a creepy piece of life in the gutter transferred to paper. That terrifying existence that in sociology is defined as social exclusion. The sort of life that, 80 years after Kromer wrote these lines in the middle of the Great Depression, still means nothing to “our morons” dressed in suits and ties in Madrid, Brussels and Washington DC while they speak of PIBs, VAT cuts or tax increases. The number of heartbreaking moments in just 200 pages is overwhelming. Food whose ingredients you’d rather not know. Desperate prostitution. Harassment and humiliation at the hands of those who supposedly should be looking after our security and the law enforcement. Prisons that further degrade the person but at least they provide temporary shelter, and ungrateful seedy lounge chairs that resemble prisons. Desperate feelings of committing suicide or having a violent burst of madness but being incapable to do anything. Frustrated picaresque frustrated. Flirtations with death in trains to nowhere. With just a couple of chapters where Kromer allows some light let in in the form of some emotional interaction with other human beings, 'Waiting for Nothing' might be one of the most poignants and hyperrealistic attempts literature has given us in portraying the living death.

I do HAVE to recommend another book that I just finished and it's an absolutely MUST, but due to time constraints I couldn't add to the list. I'm referring to '33 revolutions per minute' by Dorian Lynskey, published in Spain by Malpaso. An incredibly absorbing and in-depth work about protest songs, from 1940s to today. One of the most impressive works the so-called music books have given us: history, social conflicts transformations and its music.  Essential.

Want to check last year's books list? Click here
Or do you prefer checking 2013?
And 2012'? Then click here
or  2011's? Check here

Wednesday, December 17, 2014

Best Books of (My) Year 2014

After Saturday's concerts of the year and Tuesdays' EPs of 2014 now it's turn for books. I've always been a bookworm, a compulsive reader. But due to my position at Indienauta and the support shown by many publishers and editors (many many thanks), 2014 has been the year I read the most in my life, so this list has been extremely challenging. Here are my top 10 reads. Hope you like it!


10. The Lowlife- Aleksander Baron 
(La Bestia Equilátera)
We all cheat to ourselves. That's what rediscovered writer Aleksander Baron is telling us in this short but extremely effective novel. In-depth explorer of the human mind, Baron exposes the constant clash between the "life that could be if" and the cruel reality. Miseries and ambivalence floating back and forth, waiting for the moment (or the person) that could change everything, or it is just an excuse to keep waiting? Built around the unique relationship between Harryboas and little Gregory, a silent kid with troubled parents, here's a fascinating character, a gambler that found the trigger to give a 360 change to its existence ... Or is it just another hoax? The threatening spiral awaits...

9. Paths of Glory- Humphrey Cobb
(Capitán Swing)
The inherent heroism of war, even in movies & books that are openly anti-war is frequent. But that's not the case of 'Paths of Glory', that goes straight to the jugular to show not only how absurd any conflict is, but to reveal how abominable is the military institution. The failed assault against the 181st Regiment of the French army against a unapproachable German position exceeds the account of the specific military feat. It's the terrible exposition of disgusted, fearful, exhausted, desperate soldiers leaded by petty, vile, bordering on madness officials, thanks to a system that gives them absolute power to decide on the lives of their troops, thanks to a justice that is just a pantomime. A machinery designed to obliterate any trace of thought, rationality and autonomy. An atrocity exhibition. Should be read at schools.

8. Sister of the Road: The Autobiography of Boxcar Bertha-
Ben Reitman (Pepitas de Calabaza)
What a discovery. Let me tell you about "Hobohemia", the parallel universe of the hobos. One that, for a time in the history of the States, was very real. Migrant workers, homeless, revolutionaries, but above all a counterculture movement as unique, authentic and powerful as to challenge the established society. The incredible adventures of the hobo "Boxcar" Bertha Thompson are not just a shock, but also a serious, resounding slap for those who worship Kerouac and 'On the Road', because where the Beatniks crossed the country to deal with their confusion, longing and rebellious young spirit, the hobos journey was an ambitious way to transform social reality.

7. Death Row Breakout and Other Stories-
Edward Bunker (Sajalín)
Edward Bunker. Short stories. Unpublished. Four words that in a normal world, one that really loves literature, should mean celebration, excitement and immediate purchase. 'Death Row Breakout' is a superb collection of six stories -only six, dammit-, with little surprises, but who wants them when we are talking about Bunker? His criminal and prison universe, precise prose with not a second for anything superfluous, hyper-realistic dialogues, complete control of the pace and tempo of the stories... An unparalleled strength that grabs the reader without remission, leaving you breathless. Half of this brief anthology is just extraordinary, easily ranking among his best.

6. Shotgun Lovesongs- Nickolas Butler
(Libros del Asteroide)
The best folk songs are stories about real people, dealing with real, recognisable situations or moments, and pouring down their emotions, sharing their feelings with the world, connecting with the sensible listener. That's exactly what you'll find within 'Shotgun Lovesongs'. We are not facing the literary equivalent of an empty season hype boosted by hipster media like Pitchfork. No, although Bon Iver (no spoiling) wouldn't be my choice, this book traps your without artifices, engages you without additives, telling the most universal of stories. Loving, growing, learning. With intensity and truth as unique weapons. And wins with a performance full of emotion.

5. Skagboys- Irvine Welsh (Anagrama)
Welsh's most ambitious work to date, this titanic choral novel is full of his trademark narrative pulse, but also offering several literary registers (Renton's diaries are brilliant). Energetic, lewd, sardonic as usual, 'Skagboys' is also reflective, even poetic. Renton & Scott Fitzgerald? Fascinatingly enough, the answer is yes. I knew Welsh could be brutal. But his dynamite used to stay on the surface, in the form of black (very black) humour or high voltage stories that were immediately enjoyed. Now I know that he can be severely grim, but with a depth charge too, one which leaves no stone cold and endure over time. Irvine Welsh has not "killed" our heroes. He has settled them down to Earth and, by delving into their past, they have become more miserable, but also more complex and complete characters, showing that behind the stupid junkie smile there's only emptiness and frustration. So hell was this ...

4. Rivethead: Tales from the Assembly Line
Ben Hamper (Capitán Swing)
Within the machine of General Motors, Hamper traces a nightmarish account of stories that have the bright virtue of making the reader laugh, with amazing and crazy moments such as the giant "Quality Cat" or the "Rivet Hockey" while, at the same time, he is showing us the madness-inducing bowels of the multinational beast. In that particular world (almost a prison where inmates are wandering), weary workers buried by noise pass through, about to explode but fearful of losing their privileges or their checks​, fully alienated not just in its endless shifts, but also outside them. Forever. Every day a defeat. Is that the American dream? Worse. This is the slow, agonizing death by the deadliest of diseases: capitalism. More than highly recommended. Funny. Stimulant. Necessary.

3. Fresh Fields- Peter Kocan (Sajalín)
Bloodcurdling journey towards madness. Written with stark reality and zero affectation, the Australian author Peter Kocan translates his terrible real life into paper and achieves a narrative miracle. He brilliantly reflects all the quiet pain and the staggered desolation an abandoned teenager has to deal with. A fragile tramp that builds up a delusional fiction to keep surviving, to add another day while he experiences how cold this place called Earth can be. A book with pages that weight a ton. The weight of the world into the shoulders of someone who shouldn't carry all that baggage.

2. The Revolt of the Cockroach People- 
Óscar Zeta Acosta (Acuarela)
Could have been called 'Fear, Loathing and Race in L.A.' Fiction within real facts that are history (poignant history) of the United States. Facts in which Zeta had a starring role, making him the speaker, delirious and irreverent, an impossible hero, of the Mexican-American people fighting for their rights in California. A theory of chaos entering Bear State Courts, an explosive cocktail about late 60s-early 70s, a moment where everything seemed ready to be blown away. Politics, violence, drugs, revolution, counterculture, and a good, hilariously demented laugh at the face of the vile and racist power, the rotten American Dream. Gonzo goes Mexican.

1. The Class of 49'- Don Carpenter (Gallo Nero)
No heroics (as the great Carver would say) please, no flounces. Don Carpenter masterfully dissected his generation in this little gem, full of disarming clarity and naturalness of style. If there's cruelty, he is brutal. If there's sadness, he is appalling. It's so mind blowing to read so much about the ephemeral nature of existence written in chapters sometimes shorter than just a page. It's all here. The vacuum of memories. The merciless that humans can be, especially being part of a group. The fear of the future. Fate is just around the corner and finding meaning in life is not easy. At all. Carpenter asks: growing up means losing innocence? But as only the greatest writers do, he leaves it open to our interpretation. 'The Class of 49' is the toughest lesson. But it is a mandatory one if you want to pass the complicated course that is life.

Want to check last year's books list? Click here
Or do you prefer checking 2012? Then click here
And 2011's? Check here

Sunday, December 15, 2013

Best Books of (My) Year 2013

After Friday's Concerts of the Year, now it's time to follow with the books. Here are my favourite 10 reads of 2013. As you will see a year with plenty of literature about music, the direct (and welcomed) consequence of being the responsible of this section at Indienauta. Hope you like it!

10. Sideral- Héctor Castells
Not long ago, Barcelona had a very special Peter Pan. A guy with the looks of David Bowie (Stardust era), an ego as big as his height or his emotional fragility, and a tremendous passion for music. His name was Aleix Vergés, aka dj Sideral, a celebrity of the night in the city. But he became more than that. Icon of a generation betrayed by the promise of a shiny Olimpic summer that quickly showed its ugly face of corruption, speculation and meaningless design. Missing link of Sónar, Primavera Sound, Nitsa, Apolo. Source of inspiration (and frustration) for many. An a fading star. This is his biography, an incandescent book.

9. 200 Discos de Bolsillo- Marcos Gendre
Lists I have done, read and followed many. Music guides too. But books of these kind have never followed me for more than three months, crossed the Atlantic and became the soundtrack of a one-in-a-lifetime experience. And in another personal note, it has been the reason to forge a friendship. Written with the solely purpose of vindicating the best music that was created on the EP format during a very specific period (1997-1991), in all the sub-genres that conform the alternative scene, here there's something for everyone: punk, post-punk, C86, Manchester, Americana, dream pop, hardcore, post-hardcore. And always with the passionate prose of Marcos Gendre. A music feast.
 
8. Post Office- Charles Bukowski
A poignant "I hate my job" tale, in the form of Chinaski's twelve years of slavery (to the wage, as the 99% of us are) at the U.S. Postal Service. Here's the quintessential Bukowski: grim, booze, horses, women. But also something else. An "I need to do something with my life" story, where Chinaski constantly seeks company, fearing being alone, plus an intriguing sadness on his perspective on relations, and a fight against routine, boredom, silliness. An open claim to say "enough", looking towards starting a new chapter on his life, leaving behind jobs that kills something inside of us.

7. Memorias Sónicas. Historias en Siete Pulgadas- Various Authors
This is a gift, a treasure for everyone who doesn't understand life without music. 23 powerful stories written by a true all-star cast of the Spanish indie scene: some are hauntingly beautiful, some are hilarious, other curious, a few utterly compelling, and always very close for anyone that has been "touched" by a record, a song or an artist. A personal and intimate music voyage that every writer/artist shares with the reader. A little treasure.

6. Mooch- Dan Fante
Welcome to the black hole again. To the realm of desperation, where the tale of surveillance this time has a little light at the end of a tortuous, exhausting tunnel. Written on the trademark "take no-prisoners" prose of Dan Fante you'll probably get hurt while reading it, but persevere. There’s a change, an opportunity for Bruno, who has transformed from the "Chump Change" coward who preferred self-destruction instead of confronting its fears into someone brave enough to try living. Maybe there's a future after all.

5. Erasure: A Novel- Percival Everett
Finally I found it: post-modern vitriol. Devastating read, audacious and risky in its structure, allusive and bleak in his prose, sardonic and angry in what it says. Merciless in the portray of hypocrisy in our society (cultural world beware) but also able to include a moving look to a son trying to deal with the aging of her mother. Are you black enough? Monk's struggle to answer this question the way the Academia and the politically correct demand will come with a vengeance, in an incredible box of surprises. A fierce statement, a peculiar comedy that won't make you laugh but think instead, a knock-out read.

4. Black Postcards- Dean WarehamA surprisingly honest memoir of a musician's life. Dean Wareham explains everything about Galaxie 500, Luna, Dean and Britta, his cult status. But also what an artist real life is, with bills to pay and several domestic issues. No heroics, no drama, just the personal recount of a human being that happens to go up on a stage from time to time to plug a guitar and play for a living. If you were looking for yet another glamorous take on fame, drugs and rock'n'roll, look somewhere else. But if you prefer a real slice of life, and the revelation of what music industry is for musicians without private jets, millions spent on advertising and groupies in everyone corner, don't miss "Black Postcards".

3. Pistol. The Life of Pete Maravich- Mark Kriegel
Pete "Pistol" Maravich, an American icon and, foremost, a unique ballplayer that made that elevated that sport to unparalleled levels of spectacle with his never-ending talents deserved a biography like this one. The built of a legend that shaped a sport, but also a personal nightmare where playing the ball, always Pete's shelter, turned also to be his curse. Zero hagiography, on a highly documented work, fuelled with the opinions of countless who were there, plus a will to make no prisoners, but tell a story that is shocking, powerful and touching enough by itself. A tale of obsession and frustration, with basketball being the joy and ruin of the Maravich's family. The Elvis of basketball.

2. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood- Peter Biskind 
This book is a mind-blowing encyclopedia of the so-called "New Hollywood" and the people behind it. But is much more than the most detailed account on some of the best, most striking films ever made, the work of directors, actors and filming crew. This is also a frightening "human monsters parade". A devastating tale of young and ambitious filmmakers, Scorsese, Coppola, Robert Altman, Hal Ashby, William Friedkin, Roman Polanski or Peter Bogdanovich, willing to inject a revolutionary spirit to a lifeless, unsubstantial industry, but transforming their quest into a dangerous wild ride of people living out of control, letting horrible egos, greed and megalomania rule those times. This is not a celebratory book. Is a fascinating, overwhelming work on the worst of mankind.

1. Kerouac and the Beat Generation- Jean-François Duval
Not another chronicle of the times and lives of the Beats, but instead, a collection of in-depth interviews to the remaining "stars" of those times, unveiling a vivid picture, extremely puzzling, of the so-called generation. Incredibly engaging, the different personalities approached conform a multi-directional look to the Beats, particularly his most famous member: Jack Kerouac. As a fan and well documented investigator, Duval knows what the questions should be, but the answers he got from Allen Ginsberg, Carolyn Cassady, Joyce Johnson, Anne Waldman, Timothy Leary and Ken Kesey reveal a different story of the one we knew. Around the movement (if there's was one) a truth was built: America needed the Beats to offer a definition of the changes the country was going through. I won't spoil it to you. Please read it.

Want to check last year's books list? Just click here
And 2011's? Check here

Tuesday, October 29, 2013

"The Da Vinci Code", Silly Childish Games

The Da Vinci Code- Dan Brown

I was forced to read this book. I had to because I’m enrolled on a Professional Reading course and it was part of our homework. And I was quite scared to start reading…Terrified. Let’s just say (being extremely polite) my expectations were quite low from the very beginning. I was so right, what an atrocious shame “The Da Vinci Code” is.

Dan Brown is a disastrous writer. It’s hard for me to think on a worse pen than his. Surprisingly lame and empty, with a never ending amount of Wikipedia descriptions (places, historic sites, and pieces of art abound) and the WEAKEST effort on the characters I have ever seen (read) in my entire life. Robert Langdon and Sophie Neveu could had been easily replaced by character X and character Y, and the result would have been exactly the same. Secondary roles include an albino troubled villain, a mysterious butler, an eccentric millionaire devoted to find the Holy Grail, some high members of the church and the police. Yeah, you're right. It looks like "Clue", the traditional game, mixed with a bit of "Carmen Sandiego" and "Where’s Waldo". As a matter of fact, it looks too much like them. Childish games.

If character development and author’s prose are pathetic, at least the story development has to be amazing and absorbing, one might think. Well, I guess that’s debatable and personal. Did you enjoy series like "X-Files" or "Friday the 13th"? Then you will probably enjoy "The Da Vinci Code". The whole book is structured in the same way. Take notes, here's the recipe for a best-seller. Chapter begins, main characters are in front of “something relevant” that turns out to be a sudoku, a puzzle. They think about it, they speculate. Then someone has the illumination and finds the answer. But, while there’s an enigma that’s resolved, another one is created. Repeat the structure for more than a hundred chapters. Add a glimpse of a thriller so there’s a menace pressing the resolution of the detectivesque mysteries, plus a completely unbelievable plot, a worldwide conspiracy, that involves Opus Dei and the Catholic Church. And you got it. Don't forget to sell the rights to Hollywood as soon as you can.

I’m so puzzled this book was such a huge phenomenon, one that was the main reason of the spreading fever of this sort of pseudo-religious-historic novels, because to me is just silly and pointless. As I assume you have read the book and/or seen the movie (something that I will try to avoid at all costs) I guess I’m not spoiling much. You built the biggest of plot against humanity ever put in paper just to retreat at the very end? Was Brown too scared about the Church reaction? Did he realise the whole plot is absurd? The haunt of the Grail, the use of the Knights Templar and the art of Da Vinci might provide a morbid curiosity for many, but it all converges on a happy ending that is absolutely ridiculous. Maybe reading the book helps people to be more interested about history and art, or perhaps contributes on people giving a thought on the “official history” and its construction. I don’t know, I’m just trying to figure out arguments on why the book was such a success. To me it was just a waste of time.

SCORE: 1/10

Tuesday, October 22, 2013

"The Silent Season of a Hero", Sportsman Talese

The Silent Season of a Hero- Gay Talese

Back to Gay Talese. Fourth book reviewed and so happy to recover the new journalist maestro (although I don't believe he would agree) in full form after the disappointing "A Writer's Life".

At least in Spain, if there's a sub-genre of journalism that really needs to be transformed is sports-writing. Here is simply pathetic, a bunch of lies and silliness, just for the sake of filling pages and pages in order to complete the length of the newspaper, sadly, the ones who get more readers (way more) than the "regular" ones. It's extremely hard for me to think on a sport journalist that I could qualify of attractive in his/her writings. Don't even get me started on interviews or press conferences: there's nothing pointless or boring enough to compare with...

Then reading "The Silent Season of a Hero" should be mandatory for any sports writer. Gay Talese has the extremely rare ability of making coaches and players interesting. He is even capable of making golf intriguing, which, to my view, is something extraordinary and before reading him, absolutely impossible. In some way, he has the talent to downsize the heroics surrounding sports and let the person behind show up. There's a story behind each one of us. You just have to be patient and be ready for when it appears. He call it "the art of hanging out". I would correct him and say: the art of writing absorbing human journalism. Whether it is the mafia, Frank Sinatra, Selma racial tensions or Joe Di Maggio, Talese is always there, putting into paper real flesh and bone emotions.

Of course, the collection, with almost 40 pieces, is uneven, but it is something that can be really forgotten considering the book is structured on a chronological order. First pieces start dating from 1948, so despite being quite far from the masterpieces you'll read afterwards, you can see a young Talese already showing his range: care for detail, for the glimpse you might miss out if you're not looking properly, and an unparalleled ability to create a bond, an empathy with the character of his piece. In particular with losers.

Defeated boxing champ Floyd Patterson, the troubled Yankees on a forgettable season, the referee Ruby Goldstein, the unknown Jose Torres or the fading myth of Muhammad Ali in the memorable "Ali in Havana". Talese can find a story anywhere. My only complaint about the book is that some of the most memorable pieces were already known, as they were included on the unmissable, absolute MUST-HAVE "Portraits and Encounters", so if you already have that book, the impact will be way lower. If not, go for sportsman's Talese as soon as you can.

SCORE: 7.5/10 (6,25 if you already have "Portraits and Encounters")

Wednesday, October 16, 2013

"Mooch", Appetite for (Self)-Destruction

Mooch- Dan Fante

It's my third "encounter" with Dan Fante, so I can't say I didn't know what to expect. Maybe it's the fact I read Milan Kundera's utterly forgettable "Laughable Loves" before and the contrast was so extreme. In what regards to tone, theme and style, "Mooch" is familiar territory and there's little to be surprised... but it's so simple: reading Dan Fante is such a blast!

It's the black hole again. The kamikaze, suicidal tendencies. The feeling of supreme desperation and the need to hold on something too tight... you already lost it. Fante doesn't write, he punches the reader, he beats you and leaves you breathless, wondering for some relief, some little mercy and hope for his character Bruno Dante (too real alter-ego), and make no mistake, also for you, as you’ll find yourself scared to turn the page and find there's more real horror awaiting you.

In “Mooch” though, it seems there's a little light at the end of the long and dark-crazy tunnel. First there's a salesman job at Orbit Computer Supplies, nothing remotely similar to a position you would dream of, but still a place to get stable and earn some money. Fante depicts the job with a medical precision, but don’t think on Bukowski here, this is not “Post Office”. Orbit is frightening, his work colleagues are frightening and the twelve-step program is always there. But for a while, Bruno really seems he could be capable to succeed. He's sober, he's good at it, and he falls in love. Well, kind of. Is that love? Another insane addiction? Masochism? Or just another way to push him towards self-destruction? Jimmi is perennial attraction and also the road to perdition. Bruno flirts with disaster. Then he lets the disaster come in. And the gates of hell are wide open again.

As it happened with “Chump Change” or “Fante: A Family’s legacy of…” the terrible, ill-fated turns into a surveillance tale. It doesn’t have a redeeming quality this time, because is Bruno who is finally trying to get in control of his life, there’s a change, tortuous and full of struggles, but a change. The world “built” around him is shaky and explosive, and, as the reader can expect, fails him. Nevertheless, Bruno will probably manage. The "Chump Change" coward who preferred self-destruction instead of confronting its fears is now gone, replaced by someone brave enough to try living. I’m very dubious to call it a positive, or just a hopeful ending, but at least “Mooch” leaves you, at least wanting to believe, a future could exist for Dante.

As the story, Dan Fante’s prose take no prisoners. You are in, or you are out. It’s straightforward, rough, crystal clear and powerful. If you read Fante, you’ll be there, right in the middle of a suffocating L.A., and you probably get hurt. Like his father John Fante (I see the reasons of “Mooch” being compared with “Ask the Dust”) his prose will grab you as very few writers can. I strongly recommend you to read Dan Fante. Dare you to read him.

SCORE: 7,5/10