The Bloodbuzzed Jukebox Week 188

First weekend of May coming to it's end and, in order to cheer up this rainy but busy weekend, and begin the week with the needed energy, here's our latest round of the TOP TEN JUKEBOX. Again the playlist is full of different musical styles, so please allow yourselves to dive into these ten songs and discover a whole range of wonders & possibilities. From the return of beloved The Goon Sax to the alt-rock sounds of A Festival, A Parade, going through the vintage rock of The Saxophones or the indie-pop of The Sideways, there's quite a lot to enjoy and discover! Have a nice day and remember, all tunes are available at our Soundcloud . (Join Us!)

Direct links to 2018 Jukebox playlists

Week 171  Week 172  Week 173  Week 174  Week 175 Week 176  Week 177  Week 178 
Week 179  Week 180  Week 181  Week 182  Week 183 Week 184  Week 185  Week 186
Week 187

Discoverer 143: new indie findings

Back with another trio of new proposals in our discoverer series. Three versions of indiepop you won't like to miss!

Oscar. Let me introduce you to Oscar Scheller and his music. Hailing from London, UK, this young musician who started to make some noise in spring of 2014 with debut 7" 'Sometimes' that June via Brown Rice, followed by 7" 'Daffodil Days' in 2015, his first release with Wichita Recordings. EP 'Beautiful Words' surfaced that summer, confirming here was an indiepop auteur to get excited about. In 2016, after 7" single 'Sometimes' he has delivered the album 'Cut and Paste', out just now. No longer a "laptop pop" maker (hate that lame definition, anyway), Oscar is a modern pop artisan, blending lo-fi gems with his baritone voice, recalling Stephen Merritt, Damon Albarn, Jens Lekman, melancholy and upbeat optimism, kind of gathering the 90s'slacker-Britpop-quirky-alternative-songsmith altogether. One to follow closely.

Desario. Hailing from Sacramento, CA, Jim Rivas and John Conley began Desario in 2004, as a side project from their other bands (Holiday Flyer, California Oranges, Rocketship), recruiting Michael Yoas and Mike Carr to form a full band, playing their first gig in September 2005. In a pretty slow-burning process, debut album 'Zero Point Zero' arrived in 2009 via Darla Records, with sophomore record 'Mixer' following in 2012 thanks to our dear friends at Test Pattern Records, achieving overall praise and even a Sammie nomination at the indie category. After drummer Jim Rivas left the band a year later, being replaced by Kirklyn Cox, Desario decided to work with recording engineer Tony Cale on their new songs with EP 'Red Returns', out just now, showing how wonderful are the results. Slightly gloomy jangle rock with a foot on the 80s indiepop classics and the other on the 90s Britpop and shoegaze. Elegant, intimate but irresistibly melodic, here's a heavy contender for EP of the year and, hopefully, an exciting promise for much more about to come...

Mercury Girls. And we end in Philadelphia, PA, to meet this mindblowing quintet featuring Sarah Schimineck (formerly of Pet Milk), Kevin Attics (Literature), Andrew Hagiwara, Chris Schackerman, and Kevin O'Halloran (Little Big League). Formed just in March of 2015, the first demos arousing at their bandcamp started making the buzz around the band's potential, collecting endorsements by fans, critics and other bands as they were sharing stage with the likes of Joanna Gruesome, Beverly, TEEN, Expert Alterations or Eternal Summers. Now they are ready to offer us first release, out now through the wise people at Slumberland Records, the 7" 'Ariana' backed with the equally gorgeous 'All that Heaven Allows'. I don't care if it sounds too bombastic, but they sound as the most incredible group ever: you'll hear Sarah Records for sure, but also the darker vibes of post-punk, with a firepowered rhythmic base along with guitars raging with urgency and a carefree intention to face some sonic experimentation. Add huge choruses and dreamy vocals and here's the instant crush. Oh my...

Discoverer 62: new indie findings

More new band proposals for you, with a rockier vibe and an eye (or two) at Primavera Sound Festival!

Beaches. First stop in Melbourne, Australia, to meet this female quintet formed in 2007. Their debut album, "Beaches", came a year later, obtaining critical acclaim and allowing them to tour Australia, the States and had slots in Festivals like All Tomorrow's Parties or SXSW. An Ep, "Eternal Sphere", appeared on Mexican Summer label on late 2010, with extensive touring afterwards. Finally the time arrived for a second album, "She Beats" out since May 3 on Chapter Music. A blend of psych-rock, shoegaze and krautrock with a stunning knack for pop melodies. Think on my beloved Electrelane with a retro, sixties vibe. Rich, kaleidoscopic and utterly absorbing music.

Cheatahs. One of today's proposals playing at Primavera Sound comes from London, in the form of a quartet leaded & founded in 2009 by frontman Nathan Hewitt. After a few tapes and 7" on various labels, in June 2012 they released their first EP, "Coared", on Marshall Teller Records. After a gig supporting Milk Music, Wichita Recordings signed them, putting out a second EP "Sans", in October, and combining both references on "Extended Plays", out since February. Shoegaze meeting raw 90's indie-rock without missing melodies, there's something genuine, powerfully vital in Cheatahs that put them ahead most upcoming bands.

Peace. Not a hypes' follower, even less when its NME who creates it, but after checking them as part of the Primavera Sound line-up's I admit it; here's a hype with a reason. Coming from Worcester, UK, the quartet formed in 2009 and were originally named November And The Criminal. After releasing a self-titled debut EP in March 2010 they changed it to Peace that October. The buzz began thanks to their shows, heavily amplified after signing to Columbia Records and releasing their debut EP "Delicious", on September 2012, with first album, "In Love", out past March. Playful, fun indie-rock that doesn't reinvent the wheel, but is catchy as hell.