These Go to 11: interviewing The Birkins

This week we are extremely happy at the Blog, because we recover the interview series after another hiatus and, to do the comeback in a proper way, we have one of our favourite national bands answering the questionnaire (can't deny we have a soft spot with them). We are referring to The Birkins! One of the funniest and sincerest interviews we have had, something logical considering how charming and good-natured are this folks, as nicer as their music. Thanks for your time and honesty, we laughed a lot! These Go to 11!

Canarias' finest: The Birkins, islanders of pop 

The Birkins

Daniel Machín, Sergio Miró, Alby Ramírez and Cristina Santana formed The Birkins in 2008 in Las Palmas de Gran Canaria. They quickly started to make some noise, as a year later they won the nationwide Heineken Greenspace contest, signing with our beloved label El Genio Equivocado in 2011. Then came their self titled debut album and instantly, we fell in love with their mix of British pop, French chanson, Americana and an intriguing experimental side. Two years later, in February 2013, they released 'Châteaux en Espagne' a new example of classy, diverse and colourful indie pop. Finally, this last September they have launched 'Souvenirs', another gem on a flawless career so far, one where each song shows their care, taste and scope of their idiosincratic way of understanding pop, something you can also see if you have the wisdom of watching them live. Here we go!

 Scarier than Nostradamus's profecies

1. First record that you bought (be honest)
Alby: The first one I got with my own money (I saved for weeks!) was a vinyl of 'The Final Countdown', by Europe, I was 7. You asked me to be honest! (laughs).

Daniel: I was more or less the same age as Alby when I bought my first tapes (yes, I am that old). I bought 6 tapes by The Beatles looking for ‘Yesterday’ because I didn’t know its name at the time.
Cris: I believe I was eleven years old and my mother gave me some money… and I bought a copy of 'Nevermind' by Nirvana. I was in love with Kurt Cobain.
Sergio: My first recollection of a proofed purchase with my own Money is for a VHS, 'The synchronicity concert' by The Police. My player had a poor quality copy of it at home that had already made me decide that I wanted to play drums.

We had to choose the pic, but we'll keep the secret...  

2. First and last concert you have attended (be honest too!)
Alby: The first concert I recall attending to was Miguel Rios (big Spanish act back in the 80s) during his Rock ‘n’ Rios Tour, although I may have attended way more before that time and I just don’t remember them. My parents used to take me to concerts from a very early age. The last ones were U2 in Barcelona and Dave Matthews Band in Madrid, both during the same weekend.
Daniel: The first concert I attended to was Suede. The concert started at midnight but we were there by seven p.m. And the last one was Patti Smith, it was a great concert.
Cris: Dani is lying because I know that his first concert was Emilio Aragón, near his house (laughs). I don’t remember my first concert… maybe a concert by Los Sabandeños at Teatro Pérez Galdos’, here in Las Palmas de Gran Canaria. The last was one was a week ago: Japoneses Dos here in Las Palmas too.
Sergio: The first one was Luz Casal, and the last one was Asian Dub Foundation at WOMAD Fuerteventura. 

Ejem, ejem better not to comment!

3. Guilty pleasure (song/band you shouldn’t like but you do, yes, it’s the embarrassing question)
Alby: I guess I have quite a few guilty pleasures, such as Abba, The Bee Gees or ELO. Or maybe I shouldn’t feel that guilty about it, should I? (laughs).
Daniel: I’ve always wanted to make a tribute in one of my songs to the opening credits of “Deep throat”
Cris: I really couldn’t tell.
Sergio: Like Alby, I have plenty of time for Abba and the ELO; I´m also willing to defend a couple of songs by Lady Gaga, but only if you force me to.

4. Most precious music item you own (collector mode on)
Alby: I’m really proud -being a record collector- to have our last album 'Souvenirs' on vinyl as a part of my collection. But collector mode on it could be a copy of Queen’s 'A Night at the Opera' dedicated by Brian May or the box set reissue of Peter Gabriel’s 'So' also by the man himself.
Daniel: A 1966 Lp by The Beatles.
Sergio: I grew up as a proud member of the CD generation, so I don´t think that any of the ítems from my Collection has an Amazing value other than the music that it contains. The whole mono recordings by the Beatles are something to hold on tight to, and also the beautiful editions of  'The complete Motown Singles', of which I own seven volumes (now, if I were to find the long out of print Volume six, that would certainly be a valuable item)

5. Favorite lyrics (not yours)
Alby: 'Living is easy with eyes closed, misunderstanding all you see'. You just can’t fail with The Beatles, right?
Daniel: 'La cobardía es asunto de los hombres no de los amantes' by Silvio Rodriguez, which means 'Being coward is a matter of men, not lovers'. And another one is 'who wants to live forever, when love must die?', by Queen.

Yes indeed, everybody knows...

Cris: ‘True love will find you in the end, you'll find out just who was your friend, don’t be sad, I know you will, but don’t give up until, true love finds you in the end’ by Daniel Johnston. Easy and clear.
Sergio: 'Everybody knows that you've been faithful / give or take a night or two / Everybody knows you've been discreet / But there were so many people you just had to meet / Without your clothes / And everybody knows', by Leonard Cohen; in Spanish I could pick this one by Josele Santiago, from Los Enemigos: 'He debido llegar ya, he debido de llegar. Sí, porque al abrir la puerta allí estaba yo viendo la tele con mi mujer, conmigo y con mi mujer'.

6. Musician/s you would like to meet (should be alive, for obvious reasons, but you can choose a dead one too)
Alby: I’d love to have the chance to speak to Nels Cline, guitarist of Wilco, because I’m a great fan of his playing and his approach to the instrument. But I’d love to have a nice conversation with Dave Grohl too. I think that guy has one of the most brilliant minds in music nowadays and he has such wide knowledge of music that it has to be awesome to share a coffee or something with him while chatting.
Daniel: I would like to have met Serge Gainsbourg and Lucio Battisti. I think they were very good song writers and I think we are like-minded.
Cris: I’d like to know Serge Gainsbourg, drink some whisky and smoke some Gitanes with him.
Sergio: I can´t think of anyone more huggable and interesting than Leonard Cohen.

Saints the great Aramburu painted 

7. Favorite artwork album (not yours)
Alby: Spinal Tap’s 'Smell The Glove' (laughs) Nah, just kidding. I really loved Blur’s artwork for their last record. So cool! I don’t have a favorite though.
Daniel: 'Between the Buttons' by The Rolling Stones.
Cris: I really like the artworks of Javier Aramburu, especially the ones for Los Planetas: ‘Unidad de desplazamiento’ and ‘Encuentro con entidades’.
Sergio: I wouldn´t be able to pick a single favourite one. The one I´ve appreciated the most this year is 'Why make sense', by Hot Chip, and for some reason, while I was writing this I thought of 'Abbatoir blues/The lyre of Orpheus', by Nick Cave & The Bad Seeds.

May the 'original' force be with you

8. Books or movies? Depending on your answer recommend us one (trick: you can choose both) 
Alby: If books, the Game of Thrones saga (so much fun in those pages), if movies, Star Wars (the original one, aka Episode IV). I saw that movie on VHS when I was 5 and I’m still shocked!
Daniel: 'One hundred years of solitude', 'Cien años de soledad' by Gabriel García Márquez. It’s a book you should read at least eight times.
Cris: Books and movies!!! It’s very difficult to choose! A book: ‘Ensayo sobre la ceguera’ by José Saramago. A film: ‘Les 400 coups’ by François Truffaut.

9. Song (of yours) you are most proud of
Alby: Probably 'Toute cette lumière', from our second album. To me that’s the best example of co-writing we’ve had in the band so far.
Daniel: 'De profundis Clamavi'. I wrote it in 30 seconds.
Cris: 'Chloè'. A sound impact with three chords.
Sergio: In terms of how they ended up being arranged and recorded, all of the above, plus 'Chloè' and 'Arabian nights'.

10. What does it mean indie for you? (yes, the “serious question”)
Alby: This is not mine, I am copying from Sergio here, but to me it means “asking for favours”.
Daniel: It means creative freedom whichever the style is.
Cris: We do what we want, when we want, where we want… without conditions.
Sergio: There you go, Alby said it for me. To quote the great Kermit the frog, it´s not easy being green, and being indie is not much easier. It´s also good fun, though.

11. Where do you see yourself in 10 years? 
Alby: I’d love to be touring the world with The Birkins, still making records and hopefully reaching a wider audience with our music.

Daniel: if I knew it, I’d become a fortune teller and make millions. But I hope we will get better and better, time will tell.
Cris: Touring with The Birkins!!!!

                                                                                                                      Zillion thanks The Birkins!

These Go to 11: interviewing Wild Balbina

Keeping Galizian indie power! Second time in a row interviewing a great band from that region (coincidence or signal there's something going on there?). This week we have the pleasure to count with the answers, riot grrrl style, of Marta González from our dear Wild Balbina. These Go to 11! 

Marta González, Wild Balbina

Wild-teen-riot-surf

If you are a regular follower of this blog you already know that we are fans of Elefant Records. So, last year, in one of our regular checks of their always exciting roster we had the pleasure to discover Wild Balbina. Coming from Vigo, they formed in 2010 when Antía Figueiras and Marta González moved on from their initial covers combo to a real band after recruiting V. Zapata. Local buzz followed until 2012, when they released the EP 'Eat Tacos' and became a most promising act to follow. In 2013 the group became a quartet with Miguel Binachi and now, with this year's release of the excellent mini-LP 'Sisters Before Misters' they are a complete reality, something also showed live, as we recently saw them supporting the fundamental Comet Gain. Youthfulness, energy, electricity, freshness and an addictive mix of garage, riot grrrl (they also run the feminist-cultural fanzine Typical Girls), surf, C86 and noise-pop sounds. Here we go!

When riot grrrl went danceable

1. First record that you bought (be honest)
Talking in general maybe a Laura Pausini’s cassette, I don’t know! Talking about vinyls the first one was 'Feminist Sweepstakes' by Le Tigre.

2. First and last concert you have attended (be honest too!)
The first one was when I was a child because my family and I used to go to some free shows that in summer are still celebrated in our town, Vigo, at a spectacular natural-concert hall, Castrelos. There we could see Depeche Mode, Leonard Cohen, Patti Smith, Emir Kusturica, etc, and yes! some glories of the spanish’s pop as Sabina, that maybe was the first one. The last one was in London in October, Acrobat + Brain Washington + The Mvp’s at Buffalo Bar which we have read that maybe will be closed :(. Sorry for the length of the answer!

Blonde ambition, take 47...

3. Guilty pleasure (song/band you shouldn’t like but you do, yes, it’s the embarrassing question)
'What you waiting for?', Gwen Stefani, a diva.

4. Most precious music item you own (collector mode on)
The Spanish edition of 'If You Knew Suzi' by Suzi Quatro (1978).

5. Favorite lyrics (not yours)
So many but I may choose only one, 'Disarm' by Smashing Pumpkins.

Kat & Kurt, smelling like teen spirits...

6. Musician/s you would like to meet (should be alive, for obvious reasons, but you can choose a dead one too)
Kathleen Hanna and Kurt Cobain.

7. Favorite artwork album (not yours)
'I love Delaware' by Drop Nineteens.

The Riot Grrrl's  "Bible"

8. Books or movies? Depending on your answer recommend us one (trick: you can choose both) 

Both! A book: 'Riot Grrrl Collection' by Lisa Darms, a good brief of the contents of the fanzines belonging to the movement. The film: 'Hausu' by Nobuhiko Obayashi.

9. Release (of yours) you are most proud of
'Spit your love'.

10. What does it mean indie for you? (yes, the “serious question”)
Indie is something pure that come up of somebody without the influence of a third person (that obviously can offer money in return of); and that’s done for not only satisfying other people as well. Any music style can be indie.

11. Where do you see yourself in 10 years?

I’m not sure of the answer of this one, I don’t usually think about that kind of stuff!

Zillion thanks Wild Balbina!

These Go to 11: interviewing Fishrider Records

This week we interview Ian Henderson, runner of Fishrider Records, one of our most beloved labels. Based in New Zealand, the label has brought us plenty of great bands & music, plus a much needed enlightenment from someone who is not afraid to share his wisdom & vast experience on music, so it's a special pleasure to count with Ian thoughts & answers. These Go to 11!

Ian Henderson, Fishrider Records

Mr. Henderson, man on
an indiepop mission

Hailing from Dunedin, Ian created Fishrider Records in 2006 and since then has released bands and recorded music that, in his own words, he would like to have in his own collection. Starting with The Puddle (Ian brother's band, in which he drums) the label today has an impressive roster that includes bands like Males, Trick Mammoth or The Prophet Hens, most of them featured in our discoveries series (take a look!). But Ian is not just a label owner, he's an independent music advocate and activist (check his manifesto), making not only the bands of his local scene be known and heard, but defending an idea of a DIY, small, collaborative music community with his acts. Here we go!

The apple of pop

1. First record that you bought (be honest)

The Beatles 'Get Back' 7'' I'm pretty sure was my first record. I still have it. The Beatles 'Essential Beatles' (a budget compilation) was the first album I bought.

2. First and last concert you have attended (be honest too!)

First concert I can remember was a band called Watchdog playing T Rex and Bowie covers in a park near where I lived in Invercargill NZ. Most recent was seeing musicians from Fishrider Records bands Males & Trick Mammoth playing Beatles covers at a show celebrating 50 years since The Beatles played in Dunedin.

3. Guilty pleasure (song/band you shouldn’t like but you do, yes, it’s the embarrassing question)

I have zero guilt about it but love Joan Jett and I also have two Kylie Minogue albums (the good ones).

Got drums?

4. Most precious music item you own (collector mode on)
Probably my drum-kit. It's an German made Sonor kit bought 2nd hand one piece at a time. It has a great Sonor Designer maple snare. It was used on most Fishrider albums and has been used for shows here by lots of visiting musicians including Rachel Blumberg (who has drummed for The Decemberists, M. Ward, Bright Eyes & Mirah amongst others) and bands including Real Estate.

5. Favorite lyrics (not yours)

Right now it is the line 'Crushing petals with a hammer' from 'Terracotta' by Trick Mammoth. Adrian writes such a great visually arresting lyrics. I like well-crafted lyrics but I can rarely remember verses let alone songs. However sometimes lines like that get stuck in my mind.

She loves rock'n'roll...
& with a reason

6. Musician/s you would like to meet (should be alive, for obvious reasons, but you can choose a dead one too)
I would love to meet Joan Jett of course. I'd really like to meet Stephen Pastel (The Pastels). I'd also like to meet Jaki Liebezeit - drummer of Can, as he was one of the most influential musician on me as a drummer since I was a teenager. A dead musician I'd like to meet - go back in time to meet - Kurt Cobain. To try to persuade him to stick around as he still had a lot to live for and to do.

7. Favorite artwork album (not yours)

I love the Trick Mammoth 'Floristry' album cover, though as it is on my label it may not count. So, I think The Slits 'Cut' might be favourite.

8. Books or movies? Depending on your answer recommend us one (trick: you can choose both) 
Favourite book is 'Caught Inside' by Daniel Duane. It is about a year in the life of a surfer in California and i have read it several times. Favourite movie is honestly just too hard there are so many favourites for different reasons.

9. Release (of yours) you are most proud of

Opposite Sex

Label release I am most proud of is difficult because they all make me proud. The ones I am most involved in making happen are the ones I get most attached to. So, most recently that is  Trick Mammoth's 'Floristry'. However, overall the album that started the recent run of releases by young bands is the one I took the biggest leap of faith with when I recorded & released it - Opposite Sex. I'm most proud of that because it was just such a freakish album in all ways. It broke most of the rules about releasing music but has a spirit which makes it unique and an underground classic in years to come I think.

10. What’s does it mean indie for you? (yes, the “serious question”)

'Indie' is just an abbreviation for 'independent' which just means not owned / associated with a major label. I'm not sure 'indie' has any meaning in music as it means all sorts of things. I guess being independent (as opposed to 'indie') means being able to make my own decisions, break the 'rules' and release music I think deserves to be heard and to help the musicians first rather than the shareholders in a company. I run the label because I love music and respect the musicians I release and want to do what I can for them to get their music heard and appreciated. The downside of being independent is the financial limitations, particularly with the ability to make releasing music sustainable getting each year as less people buy music - even though more people are listening to more music than ever now. There is a huge unethical transfer of income going on at the moment from thousands of musicians and the people who release their music into a very small number of very large telecommunication and internet corporations. No one is talking about that or about how much money we pay to access supposedly 'free' music online and who that goes to.

11. Where do you see yourself in 10 years?
I don't see Fishrider Records still being around in 10 years. If it is I hope it has been taken over by the younger musicians on the label. However I hope I am still helping people with music, playing music though.

Zillion thanks Ian!

"Killing Yourself To Live", Myth America?

Killing Yourself To Live: 85% of a True Story- Chuck Klosterman

Misleading advertising on a book again. After enjoying "Fargo Rock City", a work where auto-biography and music are blended with pleasant results (yet also some concerns) it was a matter of time I was going to read another Klosterman's. "Killing Yourself To Live" seemed the ideal choice, being built around the premise of Spin's magazine feature on death rock icons. A road trip through "Myth America" by a passionate music commentator looked great. But that's not what the book exactly offers.

Unfortunately, America's most famous rock and roll death places, from where the plane with Big Bopper, Ritchie Valens and Buddy Holly crashed to where Kurt Cobain's shot himself, is a mere excuse to talk, primarily, about something else.

That something else is, of course, Chuck Klosterman. "Killing Yourself..." is in reality a not very subtle dose of the writer's obsessions, in particular his troubled relationships and the confusion provoked by them. This might sound like Nick Hornby's "High Fidelity", this time on a car through the States, but believe me, it doesn't have the British's book charms. And no, I won't say this can be compared to gonzo journalism either, even if there's some booze and drug situation involved. No way.

Don't get me wrong, the book is very enjoyable and, thanks to his recognisable prose and what he is talking about, meaningful to many. But Klosterman has a serious issue with digression. "Fargo Rock City" suffered from that. But this one has several parts where its practically ruined because of that. The reader will quickly have the feeling there's no focus.
 
And damn it (sorry) but Klosterman can really be engaging when he talks about music. The best parts on "Killing Yourself..." to me are about Radiohead's Kid A (spectacular), the Chelsea Hotel or the brave (and so true) comment on Nirvana's end and the creation of Kurt Cobain's myth. But he shifts, better said hides, these sorts of opinions in between an overwhelming amount of pages that go back and forth through his three most significant relationships by then.... and the music becomes just the background of the book, sadly.

Why the death of a rock star is the "smartest" move any musician can do? Why do they matter that much to us? I'm afraid we didn't know. Klosterman wasn't that interested in his own premise.

SCORE: 5,75/10

"The Devil and Daniel Johnston", artist, sick man, myth

The Devil and Daniel Johnston

Love when a film leaves you wondering and asking questions yourself. If these questions are about music, its even better. "The Devil and Daniel Johnston" is that sort of movie.

The story of Daniel Johnston is fascinating. "Thanks" to his "special" behaviour, filming and taping everything, we witness his entire and incredible life. What we see is intriguing and moving. In that sense the documentary is not about a musician, but about someone who suffers, and tries to deal with his manic depression/bipolar disorder. Daniel's life captivates the viewer because the mixture between his artistic creativity and his madness. Moments of astonishing craziness (the NY affair, the plane, seeing the Devil everywhere) followed by bits of his music is a combination that speaks and impacts for itself.

But as the film develops it reveals how difficult it is to separate the musician from the seriously ill person. Johnston's is not, like many artists in history, an eccentric or a slightly weird outsider. He's a fragile and highly sensitive human being with a really and very serious mental problem, that brings him to moments of profound depression, delirium and rage accesses, affecting the people that surrounds him, parents (a special note to them, as they have a couple of scenes where emotion just reduce them to tears), family, friends (including his quite peculiar manager), musicians, etc. The film doesn't hide any bit of him acting oddly, or just falling apart, going in and out of mental hospitals while he tries to keep his prolific work. But his mental condition permeates (it couldn't be any other way) everything he creates. And that brings me to a double question.

So while the portrayal of his life is fascinating and touching, I have some concerns/doubts about the musician itself. I know about Daniel's cult music status, and that his songs have been covered by hundreds of artists, but after seeing the film, I wonder to which extent that fame and prestige has to do with his complex, troubled character, and not just his music talents. It's obvious director Jeff Feuerzeig loves Johnston work, both music and drawings. But in my opinion, the film doesn't care much about we, the ones that don't know a lot about Daniel, or that simply are not their fans.  

Because for the "regular" viewer, "The Devil and Daniel Johnston" offers a strange musician portrayal. About someone tortured inside that creates music... and becomes a star... without knowing the reasons why. Feuerzeig explains us his music career with brush strokes, so for me at least is a bit hard to believe how Daniel gets his shot at MTV, how he is capable of working with Jad Fair and Sonic Youth, or how he manages to gather 3.000 people in an auditorium after a forced hiatus because his illness. Moreover, what we see in that gig is someone singing really out of tune, suffering on stage and offering songs that cannot we qualified as extraordinary (I'm not saying his music is bad by no means, I'm just saying that what we see/hear at the documentary doesn't justify his cult status). So, what's up with their fans? They were all converted just because Kurt Cobain wore a shirt of him for a while? Why we don't have more interviews and thoughts of fans about his music, and why we don't get more information about how their career evolved and it is considered? It left me wondering the same sort of questions that "Exit Through the Gift Shop" did. Who decides what's art, in this case with music, who elevated Johnston's to a myth category?

It is a complex movie about an equally complex person, so it's kind of logical the review has to be a bit "tricky" too. As a film about a human being with serious issues that tries to deal with them while offers the world his talents, this movie is outstanding and absorbing. But as a music portray, to me, its incomplete or just for die-hard fans. Having said that, is a must-see oddity

SCORE: 7/10