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Showing posts with label Jagjaguwar. Show all posts
Showing posts with label Jagjaguwar. Show all posts

Saturday, February 17, 2018

The Bloodbuzzed Jukebox Week 177

More fire at the Blog! We are eager for the weekend and more than happy to kick it off with a new round of our TOP TEN JukeboxOne in which we celebrate the return of much beloved Eleanor Friedberger, the stunning tune of Night Flowers (early contender for song of the year?) while we keep following our 'path' of presenting you some discoveries such as Renata Zeiguer or The Moondoggies. As always, a lot to listen, enjoy and forget about Monday. Have a nice 'disconnection' and remember, all songs are available at our Soundcloud. (Join Us!)



Direct links to 2018 Jukebox playlists

Friday, October 20, 2017

The Bloodbuzzed Jukebox Week 164

After another week, yes another one, of political nonsense (every day is another a 'D Day' than is followed by another and then another...) and with a growing feeling that this perennial 'Groundhog Day' is going to last for long. So here we are, once again trying to modestly compensate this uncertain, worrying times, by bringing you our last TOP TEN Jukebox! A pretty diverse playlist to properly begin the weekend, from the post-punk echoes of Drahla, the janglepop touch of Salad Boys, to the pop-punk sounds of Radiator Hospital... tunes for all tastes. Give it a try! And remember, all songs are available at our Soundcloud. (Join Us!)



Saturday, December 3, 2016

The Bloodbuzzed Jukebox Week 127

First days of December (please 2016, hurry up and end soon) and here comes a new TOP TEN Jukebox to, perhaps, join you in our forthcoming days off or anticipated holidays. It's a pretty eclectic combination of ace tunes this time. From the last songs of our dear Allo' Darlin (careful with the lyric), the excellent return of Nadia Reid, the terrific first glimpse of Tim Darcy's (Ought's frontman) solo effort, to the moody landscapes of Bodywash. Plenty to enjoy & discover! And remember, all songs are available at our Soundcloud page (Join Us!).




Sunday, May 31, 2015

Primavera Sound 2015 in brief, day 2

Quickly following the previous post with the opening day, here's the quick review of our first "big day", Thursday 28th, at the Primavera Sound Festival 2015. Quite a bit to highlight!

The Good
The Replacements: Never been a huge fan, but seeing a band so damn solid at Primavera stage, with Paul Westenberg attacking relentlessly the tunes, having fun with the snippets, including Joy Division and the Jackson 5. And to hear 'Color Me Impressed', 'Left of the Dial', and the immense 'Alex Chilton' (goosebumps, goosebumps all over, is there a more flammable chorus?) was just memorable. Eternal songs, eternal band.
 The Replacements, rock left of the dial. Photo: Bloodbuzzed 
Viet Cong: With a couple of tunes extended to, imo, an unnecessary and pointless length, their show was flawless, fierce, tense, menacing. Here an explosive band with an incredible potential.
Viet Cong, march of post-punk-rock. Photo: Bloodbuzzed
The Bad
Black Keys: Awful, extremely flat sound at the Heineken stage for what it (on paper) was one of the biggest headliners of the Festival. I'm not a fan of their music, but I was hoping for a fun, playful gig. Regrettably, it wouldn't be the last time the sound issues at that stage appeared.

The Queen
Twerps: Have you ever had the feeling that, despite you are going to see a band for the first time, you already know it will be a great show? When there's no doubt you're are about to enjoy one of "these moments" only music can offer you? That's what happened with Twerps at Pitchfork. 'Range Anxiety' is one of the records of the year (won't waste any single second on this, IT IS, period), and indiepop gems like 'I Don't Mind', 'Back to You' or 'Shoulders', to name just three, proved. 45 minutes of pure magic, a perennial smile on the face of this humble blogger from start to finish. Once again, what would we do without Antipodean pop?
Twerps, the worst band name for such a wonderful band. Photo: Bloodbuzzed 
Brief of the second "big day" of the PS15, Friday 30th arriving as quickly as we can!

Sunday, February 1, 2015

Discoverer 109: new indie findings

Here comes the first trio of discoveries of 2015! We are back in full, overpowered mode, so get ready, you have been warned!

Pinkshinyultrablast. New year, new exciting proposals from Shelflife, folks. This time coming from Saint Petersburg, Russia, here's a quintet formed in 2007, but their only release to date didn't arrive until 2009, in the form of EP 'Happy Songs For Happy Zombies', out via Odd Box Records. Luckily, the combo is alive and kicking, as the debut album 'Everything Else Matters',   available since last week through Shelflife and ClubAC30 majestically proves. Gold shoegaze for shoegazing addicts, echoing Lush, Slowdive, Sabres of Paradise but also adding hints of dream-pop, the icy, otherworldly spirit of Cocteau Twins (get haunted by Lyubov's voice) and glimpses of electronic. Indeed, an ultrablast.

Wildhoney. More lighting floating in space, now thanks to this band, another quintet, hailing from Baltimore, Maryland and formed in 2011. After first demos surfaced the blogosphere in 2012, their s/t debut EP arrived a year later, followed in 2014 by another EP, 'Seventeen Forever'. And now they are back with 'Sleep Through It', debut album out now via Deranged/Forward Records. Shoegaze with a million faces, at times raw and noisy, others poppier and gentle, here's the aggression and the caress, the urgency and the atmosphere, the haze and the light. Very hard to resist.

Viet Cong. A hype with a reason. Hailing from Calgary, Alberta, this Canadian band formed in 2012 from the ashes of the troubled group Women. Bassist Matt Flegel started a new project with Scott 'Monty' Munro, live guitarist for Chad Van Gaalen, quickly expanding into a quartet with drummer Mike Wallace and guitarist Daniel Christiansen. Their debut came a year later with a self-released cassette, reissued by Mexican Summer on vinyl past summer. They signed with Jagjaguwar, who along with Flemish Eye has just released the highly anticipated s/t first album. Seven fierce, angular, gloomy and elusive tunes of post-punk. A beast that we will have the chance to see live at Primavera Sound.

Tuesday, December 30, 2014

New Year's Eve Playlist 2015

Overall, it has been a pretty shitty year... We've seen the worst side from many people we once called friends, several tough decisions have been made, and the factual powers ruling this country are proving how vile and miserable they are every single day...

But we have survived, learnt a couple of lessons and met many new great people along the way. Love and music (hope it doesn't sound too corny for you) beat all struggles. And, in that sense, what a great year 2014 has been. Thanks to all the bands, artists, music-related friends we have met and supported us.

So, in order to celebrate the good things of 2014, we didn't want to close the year without a little music tribute. Another playlist (6 hours of songs) with our 100 Best Songs of the Year (*those that are not included in Spotify option have been included in Bandcamp)! A great choice for a superb New Year's celebration! Have fun, enjoy and Happy 2015!


Sunday, March 23, 2014

Discoverer 88: new indie findings

It's been an non-desired hiatus, but here we are, back with a trio of great discoveries, enjoy!

Angel Olsen. Raised in St. Louis, Missouri but relocated to Chicago, Illinois, as a teenager Olsen began performing in local coffee shops and becoming part of a network of like-minded artists, being part of the Cairo Gang collective, or joining Bonnie "Prince" Billy's band in 2010 and 2011. After self-releasing 2010's "Strange Cacti", a cassette of original Americana songs later reissued as a 12", her proper solo debut arrived in 2012 with "Half Way Home", a unique, personal folkie affair via Bathetic Records. In early 2013, while she worked with Tim Kinsella (Cap'n Jazz) and LeRoy Bach (Wilco), she formed a full band, signed with Jagjaguwar and released single "Sweet Dreams" announcing her new electric, punchier, music direction. As a trio, she has just released sophomore LP "Burn Your Fire for No Witness", a powerful, defiant affair, crowned by Olsen's arresting, singular voice. Dying to see her live at Primavera Sound...   

Making Marks. Formed in Oslo in 2012, the Norwegian quartet arose from the ashes of band My Little Pony, who recorded two charming albums between 2007 and  2011. Under their new incarnation, they have toured Europe and the US before releasing debut 7" single “Ticket Machine/Like Spinning” on Fika Recordings in October 2012, with follow-up “Barcodes” arriving in July 2013. On December 2013 they came out with another single, “Uten en tråd”, sung in Norwegian, via Snertingdal Records, before offering us debut album “A Thousand Half Truths” in February 2nd 2014 on Fika Recordings. Warm, melancholic indiepop songs honouring the eternal Scandinavian tradition, with a folkie, eerie touch, arousing male-female vocals, jangling guitars and lushy instrumentation. Lovable.
Cosines. Self-defined as a mathematical pop band from north London, Simon Nelson and Alice Hubley met on the City's underground after a Stereo Totale gig in 2009. The couple started doing music together helped by Alice's former The Loves bandmates Daniel Chapman and The Late Jonny Drums and A Smile and A Ribbon's Kajsa Tretow. The group debuted live in April 2012, since then playing with Comet Gain, Shrag and at Indietracks. Cosines' first single, the irresistible “Hey Sailor Boy!” came out in May 2013 on Fika Recordings, with "Commuter Love" arriving this forthcoming May, in anticipation of a full release. Bits of Camera Obscura, Stereolab, hints of krautrock... a lot to be excited about!