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Showing posts with label country. Show all posts
Showing posts with label country. Show all posts

Tuesday, June 21, 2011

"Crazy Heart", Jeff Bridges' one man show

Crazy Heart

There are movies that would pass unnoticed if there wasn't an actor to bring in some life. "Crazy Heart" is one of these films.

There's nothing bad on the film, but nothing really remarkable or outstanding either, with one big exception. The script is far from being original, Bad Blake, a veteran country artist, once famous, tries to keep going, despite his star is fading and his own addiction, alcoholism, is killing him. But the second chance to reform his life is going to appear, in the form of romance (an uncharacteristically one) and a music proposal. Add that this is not the most dynamic film you have seen (the rythm is paused to say the least) and that the soundtrack is of course, a collection of country music (sorry, ages from my taste). That's not a lot to justify watching the film, or to catch your interest in my opinion. But as I said, there's one big exception. The exception is Jeff Bridges.

Because if you care about the fate of this archetypal, bearish and embittered singer is just thanks to Bridges' outstanding performance (well deserved Oscar). He impersonates Bad Blake in a way you completely believe every single line he delivers, every gesture of quiet desolation or chagrin, or every silly step towards his slow self-destruction. He is also strikingly convincing when he reveals as a vulnerable human, with the capacity, long-time hidden, of being heartbroken. Bridges composes not a character, but a flesh and blood real (although imaginary of course) person. Bridges holds "Crazy Heart" entirely. He is the film.

I'm unsure Bridges alone is enough to rate the movie as a good one, but at least makes it worth the watching.

SCORE: 5,75/10

Monday, January 31, 2011

"The King is Dead", long life to The Decemberists

The King is Dead- The Decemberists


To me, "The Hazards of Love", was the first failure from a band with an almost inmaculate career. The album went too far, making the Portland group dangerously approaching into "progressive rock" territory. So "The King is Dead" is refreshing in its immediacy and lightness. Welcome back hooks, welcome back choruses to sing out loud. Welcome back melodies.

Their sixth record flows easily during its 40 minutes. On the gently and soaring ballads -"Rise to Me" and the two hymns "January and June"-, Colin Meloy reaches disarming climaxes with simple melodies and his voice joined by Gillian Welch. And on the strongest folk-rock songs, Peter's Buck contribution emerges to give The Decemberists the impulse to deliver the two masterpieces of the album. The joyful jangle of "Calamity Song" and the thunderous guitars of "Down by the Water", bring us back to R.E.M's glorious past, and places both tunes among the greatest of the band's catalogue.

It might not be as unique and special as "Picaresque" was, and it may have a couple of  "minor" songs-, but overall "The King is Dead" is a magnificient record, and proves the alt.country/americana "touch" fits pretty well to The Decemberists, who in return, have never sounded so confident and joyful. Long life to The Decemberists. Long life to the new "King" -who is the surprising number one album at the U.S Billboard ranks right now-.

SCORE: 7.5/10