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Showing posts with label Jeff Bridges. Show all posts
Showing posts with label Jeff Bridges. Show all posts

Tuesday, January 3, 2012

"Iron Man", Robert Downey Jr. disguised show

Iron Man

Back from New Year's Eve and a false start of 2012 with a pretty serious flu, that, unfortunately, didn't let me watch any movies, with just one exception, "Iron Man". Which is a very easy film to rate. It's Robert Downey Jr.' show. Sometimes even disguised in a quite tacky armoured suit.

Because honestly, if it wasn't saved by Downey, the perfect choice to play Tony Stark, the vain, arrogant and cynical playboy that is also the greatest engineering genius on Earth, the movie would be outrageously silly. All the script fluctuates between the weak and the simply dumb, with some "memorable" moments to highlight, that can be summarised in the quite pathetic and completely unbelievable scenes in Afghanistan, where Starks designs the first version of the "Iron Suit" out of nowhere, while their captors are so stupid they can't realise he's not building the missile he has promised them (something you can easily do on a grotto in the middle of the desert, by the way). It has to do more with McGiver or the A-Team. It also puzzled me how lame was Stark's emotional "conflict". You build the most devastating and powerful super-weapons, but you are surprised they can be used by the "bad guys", really? Really? I'm not a fan of Iron Man, never read the comic. But if you are going to create a superhero without superpowers, at least the premise should be somewhat credible.

Anyway, this is (another) superhero adaptation so substance shouldn't be the main incentive. The rest of the film, there's a mixture of quite cool CGI effects, wasted secondaries (Terrence Howard and Gwyneth Paltrow) a villain, Obadiah Stane, that could have offered a lot more, specially considering it is played by the great Jeff Bridges, and action scenes where the luxurious budget can be justified, but also sacrificing any sense of verisimilitude (sure, it has to be very "cool" having a weapon that detects villains from innocent civilians... but my God, don't you realise it is absurd?) 

Having said that, I insist, the movie is a fine entertaining, and keeps you going. It has rhythm, it is well-packed, doesn't take itself very seriously (luckily) and benefits of the charisma and presence of Robert Downey Jr. I have the impression the "Iron Man" saga will only make sense while he is on board. I remember watching its second part (on a plane back home from Malaysia) wondering why director's Jon Favreau didn't put him on every scene of the film (he could have had some more room for the gorgeous Scarlett Johansson/Black Widow too), as it was obvious the whole movie suffered without its main attraction.

But again, as a mere, no-brainer entertainment, "Iron Man" works more than fine. 

SCORE: 5/10

Tuesday, June 21, 2011

"Crazy Heart", Jeff Bridges' one man show

Crazy Heart

There are movies that would pass unnoticed if there wasn't an actor to bring in some life. "Crazy Heart" is one of these films.

There's nothing bad on the film, but nothing really remarkable or outstanding either, with one big exception. The script is far from being original, Bad Blake, a veteran country artist, once famous, tries to keep going, despite his star is fading and his own addiction, alcoholism, is killing him. But the second chance to reform his life is going to appear, in the form of romance (an uncharacteristically one) and a music proposal. Add that this is not the most dynamic film you have seen (the rythm is paused to say the least) and that the soundtrack is of course, a collection of country music (sorry, ages from my taste). That's not a lot to justify watching the film, or to catch your interest in my opinion. But as I said, there's one big exception. The exception is Jeff Bridges.

Because if you care about the fate of this archetypal, bearish and embittered singer is just thanks to Bridges' outstanding performance (well deserved Oscar). He impersonates Bad Blake in a way you completely believe every single line he delivers, every gesture of quiet desolation or chagrin, or every silly step towards his slow self-destruction. He is also strikingly convincing when he reveals as a vulnerable human, with the capacity, long-time hidden, of being heartbroken. Bridges composes not a character, but a flesh and blood real (although imaginary of course) person. Bridges holds "Crazy Heart" entirely. He is the film.

I'm unsure Bridges alone is enough to rate the movie as a good one, but at least makes it worth the watching.

SCORE: 5,75/10