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Showing posts with label baseball. Show all posts
Showing posts with label baseball. Show all posts

Tuesday, October 22, 2013

"The Silent Season of a Hero", Sportsman Talese

The Silent Season of a Hero- Gay Talese

Back to Gay Talese. Fourth book reviewed and so happy to recover the new journalist maestro (although I don't believe he would agree) in full form after the disappointing "A Writer's Life".

At least in Spain, if there's a sub-genre of journalism that really needs to be transformed is sports-writing. Here is simply pathetic, a bunch of lies and silliness, just for the sake of filling pages and pages in order to complete the length of the newspaper, sadly, the ones who get more readers (way more) than the "regular" ones. It's extremely hard for me to think on a sport journalist that I could qualify of attractive in his/her writings. Don't even get me started on interviews or press conferences: there's nothing pointless or boring enough to compare with...

Then reading "The Silent Season of a Hero" should be mandatory for any sports writer. Gay Talese has the extremely rare ability of making coaches and players interesting. He is even capable of making golf intriguing, which, to my view, is something extraordinary and before reading him, absolutely impossible. In some way, he has the talent to downsize the heroics surrounding sports and let the person behind show up. There's a story behind each one of us. You just have to be patient and be ready for when it appears. He call it "the art of hanging out". I would correct him and say: the art of writing absorbing human journalism. Whether it is the mafia, Frank Sinatra, Selma racial tensions or Joe Di Maggio, Talese is always there, putting into paper real flesh and bone emotions.

Of course, the collection, with almost 40 pieces, is uneven, but it is something that can be really forgotten considering the book is structured on a chronological order. First pieces start dating from 1948, so despite being quite far from the masterpieces you'll read afterwards, you can see a young Talese already showing his range: care for detail, for the glimpse you might miss out if you're not looking properly, and an unparalleled ability to create a bond, an empathy with the character of his piece. In particular with losers.

Defeated boxing champ Floyd Patterson, the troubled Yankees on a forgettable season, the referee Ruby Goldstein, the unknown Jose Torres or the fading myth of Muhammad Ali in the memorable "Ali in Havana". Talese can find a story anywhere. My only complaint about the book is that some of the most memorable pieces were already known, as they were included on the unmissable, absolute MUST-HAVE "Portraits and Encounters", so if you already have that book, the impact will be way lower. If not, go for sportsman's Talese as soon as you can.

SCORE: 7.5/10 (6,25 if you already have "Portraits and Encounters")

Wednesday, January 11, 2012

"Moneyball", Brad Pitt hits a home run

Moneyball

To start with, there aren't many memorable sports films (boxing being the exception), just a few worth remembering. But the perspective of watching a movie about baseball was even more discouraging. Sorry folks, but I simply don't get baseball. It is such a boring game, in my opinion. So, a good film about baseball? Hard for me to believe it. Before I watched "Moneyball", that is.

"Moneyball" is, of course, about baseball, which made me miss some superficial details, or not sharing the emotional part of the games (few) we see during the film. But luckily it is more about the insights of a game, its nature, and need to evolve. And foremost, is the story, excellently constructed and brilliantly performed, of human beings.

Going to the "message" of "Moneyball" (I know, delicate subject), this is not the first movie that pretends to show us an inspiring "true" story, in this case the one of the Oakland A's, a team with low economic possibilities that managed to compete with the rich & powerful teams of the league, but have to face rebuilding after a successful season with very limited resources. That's when manager Billy Beane, played by Brad Pitt, decides to make a drastic move in order to still be competitive. "Moneyball" then becames a film about standing against and overcoming the odds, combating the usual pattern that would condemn his team. It is unoriginal, but its quite moving and, as I said, despite being about baseball, that's just the backdrop. As a Spaniard is easy to make the analogy with our incredibly unbalanced and unfair Soccer League, not to mention other minority sports.

There are two major factors why this film succeeds: one is the striking, always intriguing and powerful script, written by Aaron Sorkin (who's also responsible of another brave screenplay, "The Social Network") in a great job adapting Michael Lewis' book. In a movie where dialogue is everything, this is always refreshing, dynamic, and alive. Even the familiar scenes, or the flashbacks in time, that could easily introduce a cheesy, unnecessary dramatic element to the film are there for the purpose of showing a more accurate portray of Beane's life. Praise director Bennett Miller and Sorkin for that.

The other driving force are the actors. Brad Pitt convinces as Billy Beane, portraying a character that, as every human being, is complex, imperfect and demanding. Without overacting or forcing any scene, Pitt is able to achieve a very remarkable creation: what we see in every scene is not an actor, but a person struggling against the enormous challenging he is facing. But even is Pitt is excellent, to me the surprise, and the actor that "steals the show" is Jonah Hill, who plays the Harvard "nerd" Pete Brand, the person that will give Beane the chance to compete against the rich teams with a new system of analysis of the players and the game that will shock the entire league (not to mention their own team). He is superb in his role, a mixture of fragility and doubt with a passionate, fierce conviction in what he does. Of course, Philip Seymour Hoffman (as always) is also great in his role as the Oakland's coach, but I would have love he had received some more scenes to develop his character a bit more.

Overall, a quality film, with great acting, direction and screenplaying. It might not be groundbreaking in its content or its conclusion, although is far more interesting than a vast majority of the sports genre. But if you allow me the easy end, is a solid, and very pleasant, home run. From a non-baseball fan.

SCORE: 7/10