The Indie Anthology 82: essential songs

Winter season (well, not so much in Barcelona, but anyway), perfect time of the year to move to sunny California in order to look back to one of the most exciting and influential bands (and records) of the so-called Paisley Underground movement in our Indie Anthology. Guitars, attitude... and a timeless tune!

Song: Tell Me When It's Over 
Artist: The Dream Syndicate 
Year: 1982

Although my favourite group from the Paisley scene might be The Rain Parade (won't be long until one of their songs ends in this section) it's hard not to consider 'The Days Of Wine and Roses' as, arguably, the most accomplished, explosive and enduring record from that period. Edgier and rockier than their Californian peers, The Dream Syndicate were not so obsessed with the sun-soaked psychdelic vibes, but instead were focused in experimenting with energy, distortion and crunching guitars. And there's not a better example of that "make no prisoners" sound than the sonic blast of single 'Tell Me When It's Over', with Karl Precoda's rattling guitar riff sounding almost like a "call to arms", being quickly joined by the rhythmic section of bass player Kendra Smith and dummer Dennis Duck, before Steve Wynn impersonates Lou Reed's vocal delivery, pointing out the obvious Velvet's reference. 'Tell Me When It's Over' is "a song of songs". You can hear the echoes of the past tunes that fuelled its existence, as well as the pieces that, going forward, pushed to create... left of the dial. "That beautiful noise", again...

REMember Every Moment: the rarities playlist

Five years without these guys...

Back we're be belong. At Walter's Bar-B-Que, Athens, Ga. Photo: Laura Levine

Of course, I had to do something at the Blog, so the idea of a R.E.M.'s playlist seemed the easiest option (If I write about the band I would so emotional and most probably, couldn't finish). It will come shortly sure, but I decided to go for a different option as well. Offering you another kind of "best-of", with my favourite "rarities", plus a few Michael Stipe's collaborations (it's amazing how he can transform a pop song into something irresistibly haunting with so little (check his contribution to Patti Smith and Maria Taylor's tunes). Yes, I included the group cover of the silly yet lovely 'The Lion Sleeps Tonight' and the even dumber 'Love Is All Around' because I just love Michael's yodelling and his "paa-parapapa" at the end.

I guess it's just a different way to go back and remember the times spent hunting for that hard-to-find single or that unofficial recording at the record shops of carrer Tallers (I swear there were music shops back then). Or waiting impatiently for the Fan Club Single to arrive each year. Or just getting frustrated in front of the computer for that never-ending shitty download (I'm talking about the pre-Internet and early web days, folks) of that live cover to be completed. So I guess this is not exactly a playlist about music "greatness" (although 'Photograph', 'Happiness' or their version of 'Wall of Death' are personal favourites). It's more an excuse to indulge myself into so many R.E.M. memories, which so frequently tend to be best-music-related memories... As Michael Stipe said, R.E.M. means Remember Every Moment. For so many people, luckily...

And here's the aforementioned 'Happiness', as it's not available on Spotify.

These Go to 11: interviewing Watoo Watoo

Oh! What a great band (well, half of it) is answering our questionnaire today. It took me a while to discover them, but thanks to their fantastic latest album (look for it at the blog Best Records of the Year list, and yes, I'm aware we are just ending March), now I'm a converted to the Watoo Watoo "cult". Would you like to join me? I'm pretty sure you will fall for them too. These Go to 11!

Michaël Korchia, Watoo Watoo

The Korchias, indiepop alchimistes

Hailing from Bordeaux, France, Pascale & Michaël Korchia have a extensive career on their backs as their first release, the EP Un Peu de Moi" from 1997, proves. Since then, the couple have released three albums, "Le Fumalin" & "Curiosites?" in 2001, and "Le Fuite" in 2007, plus two  EPs, "Picture of a Lost Friend" in 1999 & "Le Tourbillon" in 2011, that came out on Dufflecoat Records. This year they have returned to action with the release of their 4th album, the mind-blowing "Une Si Longue Attente", via Jigsaw Records since January. Pluperfect indiepop, sophisticated, rich (try to listen it with the lights out, with good headphones), like gathering their beloved Stereolab, Young Marble Giants or Gainsbourg on a private party, just to come out, like pop alchimistes, with something no one, NO ONE, should miss. Here we go!

Mr Gardner, pop-looking

1. First record that you bought (be honest)

I used to love tapes, so I didn’t buy a vinyl until I was 16 or so. Probably an obscure punk band. First CDs were a Russian new wave band called Kino (not very good) & Lou Reed’s "Rock & Roll Animal".

2. First and last concert you have attended (be honest too!)
I saw “Le grand orchestre du Splendid” when I was 12. A mix of salsa, ska, jazz, French chanson & lots of humor. Last gig was 5 days ago, Jacco Gardner (excellent)

Ok, that's shocking

3. Guilty pleasure (song/band you shouldn’t like but you do, yes, it’s the embarrassing question)

I like a lot the 1st Depeche Mode album a lot (I find this quite embarrassing) & also a couple of Black Sabbath albums!

4. Most precious music item you own (collector mode on)
My 1973 Fender Jazz Bass – best bass in the world!

Gainsbourg, a French legend

5. Favorite lyrics (not yours)
Probably from Gainsbourg – maybe the album «L’homme à la tête de chou».

6. Musician/s you would like to meet (should be alive, for obvious reasons, but you can choose a dead one too)
Dead: Gainsbourg, without a doubt. Preferably in the early 70s. I would love to meet Lawrence from Felt but I’m afraid I could be deceived… Or Iggy Pop, he’s fantastic & I know I would have fun with him!

7. Favorite artwork album (not yours)
I love Blue Notes records from the 50s/60s. Also some punk covers, such as "Never Mind the Bollocks", or also the first Stooges album: impressive photo & great band logo. The first Velvet album is also very striking.

Les 400 Coups

8. Books or movies? Depending on your answer recommend us one (trick: you can choose both)
All the movies by François Truffaut, particularly the ones with Antoine Doinel: the "400 blows" & the others after. Unfortunatly I gave up reading books long years ago –music & photography take me too much time, & in my job (professor/researcher) I have lots of things to read (& I don’t, because I don’t have the time).

9. Song (of yours) you are most proud of
“Perdu”, maybe. It’s fast yet very melodic –some people think it sounds like Stereolab but I don’t think so. I still don’t know which is my favorite band in our new album, though.

10. What’s does it mean indie for you? (yes, the “serious question”)
Most of the time, It only means that big record companies just don’t want your band.

11. Where do you see yourself in 10 years?
In front of my computer, like always!

Zillion thanks Michaël!

Discoverer 40: new indie findings

New band recommendations for you: lots of girls playing guitars (and other stuff)!

Sweater Girls. Checking the roster of Happy Happy Birthday To Me Records was on my agenda for quite a long time. But thanks to my frequently recommended friends of Indie Pop Saved My Life, this time I had a clear goal: the Sweater Girls. The L.A. band, active since 2010, is quintessential indiepop, the one that will immediately grab you and make you smile, full of jangling guitars, delicious twee vocals singing about impossible loves and friendships. Immediate warm and gentle feelings to your ears... and heart. After a couple of 7" releases, "Were Here", their debut album, is out on September 25th. The countdown has started.
 
Cruel Summer. Short trip from L.A. to Frisco to meet this quartet, which started to play out not even a year ago, and that defines themselves "like Sonic Youth making illegitimate kin with The Wedding Present". After hearing their small collection of tunes, an initial self-titled 3-songs EP (demo?) and another, comprising 6 tunes, out very soon, you'll see that BIG comparison might not be too far-off. Leaded by the voice of Thea Chacamaty, magnetic in the stunning "Carquinez", one of two pieces available to hear of their forthcoming EP, this band could have it: fuzzy, crunching guitars, dreamy melodies, infectious pop hooks. Have it all.    
 
TEEN. Change of coast with this Brooklyn's band, the current project of former Here We Go Magic keyboardist Kristina “Teeny” Lieberson, and a very familiar affair, as the (now) quartet is completed with her sisters Katherine and Lizze, plus long-time friend Jane Herships. A first EP in 2011, "Little Doods", preceded their debut album, "In Limbo", out just now. Rich and haunting, full of synths, spacey percussion, ethereal vocals, flourishing harmonies, guitar cascades and psychedelic turns, I hear echoes of Electrelane, The Velvet Underground, Rose Elinor Dougall, but I bet you'll find many others. An absorbing kaleidoscope of sounds.