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Showing posts with label Norman Mailer. Show all posts
Showing posts with label Norman Mailer. Show all posts

Thursday, May 10, 2012

"Company K", the horror of war

Company K- William March

War-books are quite a recurrent kind on American literature, a few of them being unmissable masterpieces that should be in every good bookshelf. Some personal favourites, together with the stories of Tobias Wolff, are Joseph Heller's "Catch-22", Kurt Vonnegut's "Slaughterhouse-Five", Norman Mailer's "The Naked and the Death" and Tim O'Brien's "The Things They Carried". And from now on, I have to add "Company K" by William March. 

"Company K" works impressively as a piece of WWI literature (seems it was very far from achieving recognition when it was published in 1933), but it cannot be constrained to a period of time. Because William March, an author who was also a veteran of the Great War, offers an outstanding, devastating semi-fictionalized account of a military unit's experiences. 

This incredible, merciless summary of war horrors also surprises in terms of structure, being a complex yet refreshing mechanism. From deployment to years after the war ended, the book is a fragmented collection of personal stories from each member of the unit (before being published as a novel, it was originally serialized in the Forum Magazine). Written in the first person, there are 113 "chapters" in which each soldier of the company tells his own story, from their very different perspectives. They are snippets, a very brief slice of their life, in their very lowest moment. But the sum of voices, together, by accumulation, creates a mesmerizing account of what means being at war

And the meaning is clear. War means horror. In this collection of war stories there's chaos, utter panic, desolation, stupidity, atrocities, cruelty, sadness, depression, frustration, rage, insanity. Forget about heroism, honour, patriotism or idealism. All can be summarized in the staggering final sentence of "Soldier Charles Gordon": "Everything they taught me to believe in regards to mercy, justice and virtue is a lie... But "God is Love". That's the worst lie ever invented by humans without any doubt". "Company K" shows that war is fuelled by our darkest instincts. "Each war is the destruction of the human spirit" we read appropriately from Henry Miller's quote at the very end of the book.

March's prose is straightforward, bare, visual, sometimes sardonic (and making me recall Yossarian and Snowden from "Catch-22") and always vivid. He has no time to loose in refinements or sentimentalisms, because he has so much to say, so many soldiers, humans to offer their perspective to the reader, to show how they suffered and how he acted. I'm still petrified with the unparalleled talent of March of saying so much in just a couple, three pages. And when he exceeds that length, it is just to "hit us" even harder. The "Manuel Burt" episode (which seems based in March's own terrible experience), the "Unknown Soldier", or the "Leo Brogan" ones are superb examples of writing precision as well as bold anti-war statements, so powerful and disarming as they come from the anonymous minds and throats of the ones who were there.

"Company K" is a masterpiece. A terrible one, but a masterpiece. Thanks to Libros del Silencio for "rescuing" the novel.

SCORE: 9/10

Thursday, April 14, 2011

"Portraits and Encounters", when journalism was art

The Gay Talese Reader. Portraits and Encounters- Gay Talese

Long long time ago, becoming a journalist was an admirable purpose. Before transforming in a corrupted and vile beast (quoting Norman Mailer, "the press is like a donkey you can feed with garbage") journalism was a noble profession, full of responsibilities and values towards society. Now that that's ancient history, regrettably, this anthology of magazine articles from Gay Talese reminds us how delightful and absorbing an article could be. This collection is his masterful lesson:
  • A lesson of style. Talese writing is one of the most striking beautiful I ever read. His elegant prose never gets pedantic (sorry Tom Wolfe) and is always precise. His dialogues and ability to construct the article "scene-by-scene", like on the best short fiction, is unparalleled.
  • A lesson of, in his own words, "hanging out". To be a good journalist you had to be a good listener and a good observer. Talese is simply superb, with an unerring eye for capturing the detail.
  • A lesson of commitment for the story. Exhaustive research, zero ego. Wether the writing is about a city  ("New York City Is a City of Things Unnoticed"), a period in time ("Looking for Hemingway"), a celebrity (Joe DiMaggio, Frank Sinatra, Muhammad Ali, etc.) or a "common" person ("Mr. Bad News"), what matters is capturing something, a place, a human being, and the story behind the story. Take "Frank Sinatra Has a Cold", for instance, and you'll have not only a wonderful piece about one of the greatest American heroes in modern history, but also the best insight on popular culture, fame, family, gender relations, politics of the country. Take "The Loser" and behind the boxer, you will find a tremendous dissection on fear, guilt, isolation...a terrific essay on human condition.
  • A lesson of passion towards a profession. He affirms "I was always proud to tell the stories as they were, without exaggerating them". With that premise, the sum of the previous factors, creativity and an enormous talent, Talese is capable of making something way more interesting and profound than the material he initially had, creating not just articles, but brilliant pieces of "fiction with real names".
An absolute must. He should be a compulsory read in every single faculty of journalism. And it should have a reserved place in every library that wants to include one of the best North-American writers.

SCORE: 9,25/10