Discoverer 153: new indie findings

It wasn't planned, we guarantee you! But this week's trio of music findings in our discoverer series, are all based in Texas (Dallas & Austin) so here comes our unexpected little tribute to the 'Lone Star State'. A place for great music!

Danny de la Matyr. Born & raised in Dallas, Texas, and following the footsteps of his father, a country musician, Danny quickly blossomed into a gifted artist (he majored in painting and drawing) within the emergent scene around Denton. Aside playing in a renowned Beatles cover band, A Hard Night’s Day, he fronted The Days, a celebrated local power-pop combo who published one album 'The Mystery Of The Watched Pot' in 1996 before calling it a day. Then De La Matyr moved to L.A., making himself a name as in-demand guitarist/singer (playing for Rhett Miller, Jesse Malin or Lukas Haas), while he assembled another short-fated band, The Sheers, who recorded LP 'Goodbye World' in 2006. Next step for Danny was backing Luther Russell on several albums and tours, as well as contributing harmonies to the self-titled debut album by Those Pretty Wrongs, Luther’s project with Big Star's legend Jody Stephens. In return, Luther got in charge of production duties of De la Matyr's first solo album, which got an anticipated release with the 7" 'Lines b/w “How Can It Be' in late 2013. Now, since February 2017, and thanks to our beloved Pretty Olivia Records, 'Crybaby' has seen the light of day. I could remark Danny's masterful songcrafting, his arresting voice... but these would be understatements. Let me say it sounds as exciting, haunting and disarming as finding there was another amazing Big Star record "missing", waiting to be discovered. This Blog album of the year so far...

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Molly Burch. Born and raised in L.A., California, but now based in Austin, Ms. Burch was surrounded by the arts since a very early age, as both her parents work in the movie industry (as writer/producer and casting director). The old Hollywood musicals were a first but major influence. One that impulsed her finding her own voice as a teenager and packing up to University of North Carolina in Asheville to study Jazz Vocal Performance, where she met guitarist Dailey Toliver, a key contributor to her music. After moving to Austin Burch began to write her own songs, tunes that, with the help of Toliver and Dan Duszynski of Cross Record, have become 'Please Be Mine', debut album out since February via Captured Tracks. A soulful, smoky, vintage affair, one in which Burch's vocals stand out, an Angel Olsen close pal as well as a modern Patsy Cline reincarnation, warm, raw & real. Definitely one to watch, folks.

Blushing. And we remain in Austin for our last discoverer of the week, this promising dream-pop/shoegaze quartet (as a curiosity, formed by two married couples) formed in the summer of 2015, when Michelle Soto found the right music companion for her guitar compositions in Christina Carmona, quickly enlisting their respective husbands's talents on drums and lead guitar to assemble a proper band. Now we can enjoy their self-released debut EP 'Tether', out since January 13th, four tunes that are able to channel the eerie atmospheres of dream-pop, the most serene, ecstatic beauty of shoegaze, and the knack for pop melodies of, let's say, Lush or even The Sundays. A blissful beginning for a must-follow band.     

Best Songs of the Year 2016: 75-51

We told you, the second chapter of our Best Songs of the Year it was going to follow very, very soon. So, without further delay, here are the tunes comprised between 75 to 51. As with the first round, you can enjoy all these songs at our Spotify playlist below. And don't go very far, there are still fifty amazing songs to discover!

75. Full Moon, Hungry Sun- Kane Strang
74. Out of Control- Lush
73. Johnny- Basement Revolver
72. Power- Eskimeaux
71. It’s Alright, I’m Probably Dreaming- De Montevert
70. Évoli- Terrier
69. Hit Town (A.T.H.E.N.S.)- The Perfect English Weather
68. Walnuss- Gurr
67. Experto en Mirar Techos- Invisible Harvey
66. Second Skin- Zen Mantra
65. Twister- Witching Waves
64. Bambú- Juvenilia
63. Everybody Wants to Love You- Japanese Breakfast
62. Coming of Age- Julia Jacklin
61. Face the Moon- Springtime Carnivore
60. Sane- Fear of Men
59. Follow You Around- Purling Hiss
58. Babes Never Die- Honeyblood
57. The Wheel- PJ Harvey
56. Pull My Arm- Flowers
55. La Progresión Exponencial- Doble Pletina
54. New Song- Warpaint
53. Under the Sun- DIIV
52. Shut Up Kiss Me- Angel Olsen
51. Metropolis- Kate Jackson

Best EPs of the Year 2016

Almost mid-December, so it's about time to start thinking about holidays, New Year's resolutions and, of course, best of the year lists! So honouring one of our most beloved traditions, we are going to unveil our favourite EPs, records, concerts, books and songs of 2016. Don't take it too seriously, of course, just as a way to pay our humble tribute to the bands & artists & reads that have blown our minds during the past months. So, let's begin with our best EPs (no singles, only releases between 3 to 6 songs), a format that regularly provides us so many gems. Check it out and stay tuned!

15. Actor​/​Actress- Fascinations Grand Chorus
14. Justo y Necesario- Apartamentos Acapulco
13. Hoops- Hoops
12. Séance for Something- Pale Lights
11. Terry vs Tori- Terry vs Tori

10. Year of the Rabbit- Eskimeaux

9. Red Returns- Desario

8. Blind Spot- Lush

7. Jobin- The Orielles

6. We. the Pigs- We. the Pigs

5. WALL- WALL

4. Breaker- Phosphene

3. Canciones Populistas- Nacho Vegas*

2. Never Going Home- Hazel English

1. Zona- Young Scum

Want to check the best EPs of 2015, 2014, 2013 and 2012?


* Note: Technically speaking, 'Canciones Populares' by Nacho Vegas came out digitally on December 2015. But as the physical release arrived this past January, when I heard it for the first time, it has been included (love it too much not do it).

Discoverer 148: new indie findings

Last Sunday of July, we have time for another round of new proposals in our discoverer series before holiday's break! We go quite psychedelic & ethereal today, get ready for the trip!

Zen Mantra. We begin in Christchurch, NZ, to introduce you to the music of Sam Perry's solo project, that he began around 2012, when he was just 17 years old. Perry, who is also member of pop band Yumi Zouma debuted in January 2013 with album 'How Many Padmes Hum', and now has a self-titled follow-up, created and recorded mostly by himself around the world whilst on tour, out since this April via mighty Flying Nun Records. A record that sees Perry going deep into that psychedelic pop territory that no one does as New Zealanders groups but widening the sonic palette to add all forms of pop music: from shoegaze bursts to reverb attacks, from atmospheric landscapes and occasional darker tones to blissful, immediate tunes full of hooks. Oh! The "warped" pop from down under is here again to haunt you...

Eerie Wanda. And let's move to Amsterdam, The Netherlands (first time?) to meet this indie pop quartet led by Croatian/Dutch singer-songwriter Marina Tadic. While she was the guitarist of local band Earth Mk. II after graduating from art school she decided to embark herself in writing her own material, citing Beat Happening,You Marble Giants and Daniel Johnston as influences. Early circulating demos reached Jacco Gardner’s bassist Jasper Verhulst, who agreed to help her assemble a band and produce its music. Bram Vervaet on lead guitar and Nic Niggebrugge (also in Jacco Gardner) on drums joined the then duo and, in 2015, they began rehearsing and recording debut LP, 'Hum', out since this February via Beyond Beyond Is Beyond Records. And what a record this is! Summery, evocative, gentle, extremely melodic, subtle yet elaborate, with Tadic's vocals recalling you the quiet powers of Angel Olsen doing joyful indiepop with hints of psych-folk. Look for Wanda at the best records of the year list! 

Manon Meurt. Very happy to feature a band from the Czech Republic at the Blog (sure it's the first time!). Hailing from Rakovnik, just outside of Prague, this quartet formed in 2010 but until 2013 they were known as Katie & The Accessories. With the adoption of their current, literary name, also came a solid status of "band to follow", playing alongside consecrated bands like The Raveonettes or the legendary My Bloody Valentine. In the fall of 2014 they self-released debut 12" mini-album, self-titled, which sold out shortly, becoming almost a collectors item. Now upstart Canadian imprint Label Obscura has reissued the vinyl this April. An unmissable chance to discover the highly melodic yet moody, sparse and dreamy sounds of the combo, clearly recalling Lush and Slowdive, combining with their full throttle shoegaze moments. Best of both worlds.

Best Songs of the Year 2016...so far

Following the best records /EPs list, here's the list with our favourite tunes (trimmed down to 30) of 2016 to date. We have listed them in alphabetic order (remember we rank them at the end of the year), taking in mind only "two rules": songs have been released during 2016, and just one song per group (a really hard decision in some cases). The Spotify playlist (plus some soundcloud links for the ones missing) below the picture, as well as the complete list. Enjoy!

             Click here to check the Spotify playlist!

Adore -Savages

Ámenme, soy un liberal- Nacho Vegas

Ariana- Mercury Girls

Aviation- The Last Shadow Puppets

Baby Blue- Soft Wounds

Coastal California- Maths and Physics Club

Cold to See Clear- Nada Surf

Crooked Cop- Beverly

Crowd- EGO

Different Shades of Blue- The Buildings

Easier Said- Sunflower Bean

El Progreso- Sr. Chinarro

Évoli- Terrier

Full Moon, Hungry Sun- Kane Strang

Infamous- Basia Bulat

La progresión exponencial- Doble Pletina

Lazarus- David Bowie

Moon- Beth Orton

No Woman- Whitney

One Fine Summer Morning- Britta Phillips

Out of control- Lush

Scattered Ashes (Song for Richard)- Minor Victories

Second Skin- Zen Mantra

Squirrel vs Snake- The Posies

Strange Torpedo- Lucy Dacus

The End of Things- Bob Mould

The Wheel- PJ Harvey

Under London Skies- Close Lobsters

Under the Sun- DIIV

We Are Dreamers- Tindersticks

And if you want to check the previous years, click on 2011,2012, 2013, 2014 and 2015 selections!

Our Primavera Sound 2016 Playlist

We are about to start another edition of Primavera Sound Festival, so we have prepared a stunning playlist with all bands we are aiming to see in the forthcoming days. We'll keep you posted, see you at the Fòrum!

Primavera Sound 2016: my draft schedule

Time to honour another Blog tradition! The timeables of Primavera Sound Festival 2016 have been revealed, so let's (try) to make our schedule (first attempt). Despite general opinions, this edition is quite far from being a favourite, and the recurring, inevitable, painful overlaps, are going to make it worse (that's why here we have listed only the gigs we believe will see fully). But no complaints, let's "play" and complete the puzzle! This is what our PS 2016 looks like (initial impressions):  

Wednesday, June 1st, Parc del Fòrum

17:00 Doble Pletina (Primavera)
18:00 El Último Vecino (Primavera)
19:00 Sr. Chinarro (Primavera)
20:30 Goat (Primavera)
22:00 Suede (Primavera)

Day without issues... except the bands we really want to watch are just Doble Pletina and Suede, first and last on the schedule

Thursday, June 2nd, Parc del Fòrum
18:00 Algiers (Heineken)
20:00 Daughter (Heineken)
21:30 A.R. Kane (Adidas Originals)
23:45 Protomartyr (Pitchfork)
Troubles begin: Algiers versus Lee Ranaldo. incomplete Julien Baker, Suede clashing with Daughter, clashing with Destroyer, empty until Protomartyr. Pretty disastrous day overall.

Friday, June 3rd, Parc del Fòrum
12:30 Big Summer (CCCB)
13:00 Cala Vento (CCCB)
14:00 Julien Baker (CCCB)
14:30 Cass McCombs (CCCB)
17:30 Aliment (Pitchfork)
18:30 Ben Watt Band (Ray-Ban)
19:05 Titus Andronicus (H&M)
20:00 Savages (Heineken)
21:00 Beirut (H&M)
22:15 Dinosaur Jr. (Ray-Ban) 
23:35 Royal Headache (Pitchfork)
00:25 The Last Shadow Puppets (Heineken)
Could we make it? The challenge is titanic (12 bands, plus Beach House as an additional option after the Puppets) and yet I'm furious there are some tough choices to be made. No Radiohead? Savages of Robert Forster? Lush at the Hidden Stage? Move some of them to Thursday! That's criminal!

Saturday, June 4th, Parc del Fòrum
15:00 Robert Forster (CCCB)
17:00 Bob Mould (Hidden Stage) 
18:40 The Chills (Ray-Ban)
20:00 Brian Wilson (Heineken)
22:35 PJ Harvey (Heineken)
00.50 Julia Holter (Ray-Ban)
And after a terrifying day full of choices, a Saturday quite so-so, with the main clash between Brian Wilson and Richard Hawley. Aside from that, pretty clear...

Sunday, June 5th, Apolo/Sala BARTS
19:30 Mudhoney (CCCB) 
21:00 Black Lips (CCCB) 
Huge questions marks for the closing day, very doubtful we'll make it, we'll see!

The Indie Anthology 58: essential songs

It's been a great shoegazing weekend, so why not keeping up with the vibes in our anthology? Here's one of my favourite bands from that period. Ear-exploding sounds!

Song: Sweetness & Light
Artist: Lush
Year: 1990

Lush is my (original generation) second favourite shoegaze band, right after Slowdive (no one beats Rachel Goswell).It's kind of funny because I first got into the band thanks to Britpop, in particular Jarvis Cocker and his collaboration in 'Ciao!' (my brother was and still is a big Pulp fan, even bigger than me). And they did pen wonderful pop songs (Single Girl', 'Ladykillers', '500')... but one started to dig into the past and kaboom! What a heavenly band! Take 'Sweetness and Light' for instance. These chiming guitars with the otherworldly vocals echoing the melody, the inviting tempo, dream and ride at the same time. The subtle moment the tune stops (2:30) and there's that watered (or is it glass?) noise before the instrumental section arises. This is how the music must sound in space. Haunting, mysterious, unapproachable, irresistible. Shoegaze takes you places. Places full of emotion. Don't miss the trip.

These Go to 11: interviewing Minifestival

Our first interview of 2015 is a double, quite long (thanks, much appreciated) and special one. We have the bosses of the oldest and (inaguarbly) one of the best Festivals held in Barcelona. Of course, we are referring to the Minifestival de Música Independent de Barcelona,  which this February celebrates it's 20th edition. We are extremely proud to have Carles Lafuente and Xavier Guillaumes answering our questionnaire. These Go to 11! 

Carles & Xavir, doyens of indie in Barcelona

Carles Lafuente & Xavier Guillaumes, Minifestival de Música Independent de Barcelona
The Primitives, Amor de Días, Standard Fare, Nick Garrie, Luke Haines, Mark Gardener from Ride, Antonio Arias, Damien Jurado, Dot Allison, Chris Brokaw, Damon and Naomi, Clem Snide, Darren Hayman, The Trash Can Sinatras, The Clientele, Tender Trap, Sing Sing. We're just naming a few. What do they have in common, aside from being great artists/bands? They have formed part of the Minifestival de Música Indepdendent de Barcelona, a music institution not just in Barcelona but in the whole country organizing, for 20 years now, an indiepop festival with an incredible good taste and an incorruptible independent ethic. The gigantic task of promoters and music activists Carles and Xavier has to be vindicated and celebrated, that's why having them answering the questionnaire is so special for us. Oh! And needless to say, we'll be there this February, eager to see bands like The Close Lobsters, The School or Linda Guilala, among others and congratulate them for one of the most impressive labours of love with regards to music done in our country. Here we go!

Technicolour pop

1. First record that you bought (be honest)
Carles Lafuente: The LP of Rocky Sharpe & The Replays with the song 'Rama Lam Ding Dong', followed by Tino Casal.
Xavier Guillaumes: At 8th grade I bought 'ET' OS by John Williams with the money given to me for my birthday... but if we are talking about pop music, it was the 'Urbi et Orbi' by Duble Buble, on cassette.

2. First and last concert you have attended (be honest too!)

Carles: My first concert? I guess that it was one by the high school band which I declared myself manager and line-up designer (high school parties...great times!): Teo & The Pipos. The last has been Morrissey's concert in Barcelona. A dream come true.
Xavier: First, Duble Buble, at Torre de Les Aigües' inauguration party, around 1987. Last, the jam session that ended the reopening party of LA CAPSA at el Prat. Regrettably, I don't attend many gigs... Last one I sadly missed was Fear Of Men at Primavera Club.

Ms. Imbruglia, the girl with the "Torn" on her side

3. Guilty pleasure (song/band you shouldn’t like but you do, yes, it’s the embarrassing question)
Carles: The truth is that I'm not ashamed about my musical tastes, they are quite diverse. I grew up listening music that my father or my aunt listened, and I recognize the value of songwriters like Serrat, Lluís Llach or Raimon, and also I enjoy like a child with (Nino) Bravo or Camilo Sexto. We have to keep in mind that I'm almost 50 years old.
Xavier: Natalie Imbruglia.

4. Most precious music item you own (collector mode on)
Carles: I'm incapable of choosing one specific thing. My house is full of magazines, books, CDs, LPS, videos, DVDs....and fanzines, lots of fanzines. And many of them with a sentimental meaning...
Xavier: The single 'Beattles and Stones' by The House of Love with a precious poster inside.

Joan Miquel Oliver, Balearic Islands' surrealism

5. Favorite lyrics (not yours)
Carles: My favourite lyrics are the ones by The Smiths... Back then, and after a tough task of translation with the Collins dictionary, they seemed written for me.
Xavier:  Most of the songs of Joan Oliver with Antonia Font. Also Nacho Umbert lyrics. I remember his record 'Adiós' with Paperhouse reingratiated with lyrics written in Spanish on a period of time on which I much preferred songs written in English although many of them I didn't understand. Talking about the present edition of the Minifestival, I like the effective simplicity of 'Lo Siento Mucho' by Linda Guilala.

6. Musician/s you would like to meet (should be alive, for obvious reasons, but you can choose a dead one too)
Carles: There are plenty of artists that I would like to meet. Obviously, Morrissey. Also I have to say that thanks to the Minifestival I was able to meet another one of my idols: German Coppini.
Xavier: LUSH, although the drummer is dead.

Hatful of Hollow

7. Favorite artwork album (not yours)
Carles: I know that I can be a little bit repetitive but I have to say the 'Manchester quartet' again. 'Hatful of Hollow', with that picture of the group inside. I got the black glasses, the stripped shirt and... I even copied the hairstyle too.
Xavier: 'Lovelife' of  LUSH, especialy the singles of ''500 (Shake, baby shake)... in fact almost all albums published by 4AD during the 90s.

8. Books or movies? Depending on your answer recommend us one (trick: you can choose both) 

Carles: As it happens with music, my movie tastes are very heterogeneous. From auteur cinema to the most truculent Z series. And although I know that I shouldn't say it, this Emule thing makes everything reachable. Unfortunately, there is not enough time to see as many films and now there are also several interesting tv shows to see. My favourite literary authors are Paul Auster, Boris Vian, Oscar Wilde (wow, what a coincidence!). I have to admit that I don't read many books lately (when I was young I devoured all that passed through my hands). The main problem is time and magazines (of music and cinema). Also, the evil invention of Internet and tablets have also stolen time to the cinema and the literature.
Xavier: A classic, 'The Apartment' by Billy Wilder, and a indie film of 90s, 'Simple Men' by Hal Hartley.

Miracles for Sale fanzine

9. Band you have brought to the Minifestival that you are most proud of

Carles: All the bands that act at the Minifestival provide us a great joy. We always count with a band of 'our time', from when we actively began to be involved with music. This year, we could highlight Close Lobsters, a mythical indie band that have been insisting several years until finally they have gotten away with it and they will play at the 20th edition of the Minifestival. That the bands are willing to play considering how little we can offer them in return make us so proud.
Xavier: Buffff...Luke Haines or The Trash Can Sinatras or...

10. What does it mean indie for you? (yes, the “serious question”)
Carles: To me indie is a type of music that in my case has become a way of life. Because it was as consequence of listening this music, 'rare, unknown for the majority', that I met my partner Xavi collaborating in his fanzine Miracles For Sale. Then we launched Marca Acme and finally we embarked in the adventure of Minifestival.
Xavier: The chance of being wrong but no businessman or investor tells you that you are wrong an how you should do things.

11. Where do you see yourself in 10 years?

Carles: In ten years, maybe we will continue as now... Trying to attract some brand to our project, so they give us carte blanche to sign (as Florentino*, referring to F. Pérez, president of Real Madrid Football Club), whoever we might want, but without any success... Being more realistic, we'll be working all the year to be able to add another edition to our track record...While we have health and the public respond we will stand up. Oh, and maybe in ten years we can bring some of those bands that now fill magazine pages...and that one day were an important part of the soundtrack of a few lives.
Xavier: Trying to organize the 30th Minifestival... and hoping to help that my daughter or someone else can begin projects like ours. And I would like to write again a fanzine when I retire!

Zillion thanks Carles & Xavier, thanks Minifestival!

'Beautiful Noise', shoegaze me

Beautiful Noise
Beefeater In-Edit 2014, Chapter III

The third documentary seen at this year’s Beefeater In-Edit was another easy choice. To my knowledge 'Beautiful Noise' is the first-ever documentary made on shoegaze/noise-rock of the late 80s-90s. Must-watch, again.

The merits of the film are many. Eric Green has created a relevant film from ground zero, working alongside producer Sarah Ogletree during almost a decade through their company HypFilms. Considering the DIY origins of the documentary (funded by a Kickstarter campaign), it's a great achievement they managed to arrange so many interviews with very big music names. But even more important than that, they have been capable of offering us a very solid and coherent work. It's clearly a work of passion for music.

The rise-disappearance-revival of shoegaze is well documented on the rockumentary, thanks to a straightforward chronological line but, foremost, by the huge bulk of interviews. From Cocteau Twins to Chapterhouse, it's hard for me to remember who's missing in the picture (although my dearest one, the great Rachel Goswell, is not interviewed). There are in-depth cuts with Cocteau Twins' Robin Guthrie, The Jesus and Mary Chain's Jim Reid & Bobby Gillespie, Slowdive's Neil Halstead, Ride's Mark Gardener and Andy Bell, or My Bloody Valentine's Kevin Shields, among many others. But there's also space for music giants like Robert Smith, Trent Reznor and Billy Corgan. Extremely impressive. The greatest moments are reserved to Reid and his controversial relation with fame/frustration for the band's lack of sales, and the unresolved war between Alan McGee, boss of Creation Records, and Kevin Shields. They were both right.     

So, the story of late century 'wall of sound' and musicians looking to their sneakers is the tale of a bunch of musicians who tried to subvert rock traditions without leaving guitars, looking for new sounds, atmospheres and introduce melody within the noise trying. Experiment and feel. They were ahead of their time, but they didn't find the success they were hoping for (Ride were the closest ones to achieve commercial support), so the pretty spontaneous movement faded away... until the digital era rescued them. 

Unfortunately, 'Beautiful Noise', except some situations like the ones referred before, lacks poignancy, debate, insight. Bands are utterly praised then simply glorified (can't put all bands in the same bag), and so is the revival (same applies). Besides, the film has too many minutes of empty visual fillers. We get it, it sort of connects with the ethereal, elusive music, but it's kind of lame. The overall feeling is that we are watching a formal, very correct but a bit monotonous documentary. The movie does makes a beautiful noise, but it's subdued.

SCORE: 6,25/10

The Indie Anthology 15: essential songs

If there's a Festival I would die to go, that's Indietracks. This weekend they will celebrate its 6th edition, again with a line-up that is an indie-pop dream. So the next chapter of our Anthology serves me also as a little homage to this fantastic Festival, recovering an amazing song from one of the bands, an unexpected return, that will be playing there!

Song: Tara Mascara
Artist: Language of Flowers
Year: 2004

"Songs About You" was a delicious record, a kaleidoscope of everything that makes indie-pop irresistible. Tara Simpson's adorable, fragile voice, jangly guitars, a touch of psychedelia here, a glimpse of twee-pop there, several upbeat tunes, ready to make you dance, a few others to feel nostalgic... I fell in love with the Northern Ireland band from the very first moment I heard "Tara Mascara", with its 12-string rickenbackers shimmering, just before Simpson's appears with her sweet voice. Think on The Smiths meeting Lush. Yes, that good. In hiatus since 2007, they are back for a special performance at Indietracks. What a great comeback (hope its for long). Lucky indietrackers!!