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Showing posts with label Kraftwerk. Show all posts
Showing posts with label Kraftwerk. Show all posts

Sunday, February 9, 2014

Discoverer 86: new indie findings

Here comes another round of exciting discoveries for your ears only, enjoy!

Tripping the Light Fantastic. We begin our trip in Hamburg, Germany with this seven-piece group whose origins technically dates back to 2001, although the existing version of the group didn't form until 2008. With a S/T mini-album in 2009 and three 7" singles between 2010 and 2013 (the latest pair out on Dufflecoat and Cloudberry Records), their debut full LP, ...Is Tripping the Light Fantastic, just came out now on Jigsaw Records. An indiepop kaleidoscope, vital, joyous, full of arresting melodies and playful vocals. Orange Juice? Check. The Pastels? Check. Twee? Check. Fun? Check, check, check, check, check...
Astral Pattern. We move to London to meet this trio formed early last year, after the split of their previous band S.C.U.M., and following a crucial trip to Dusseldorf to see Kraftwerk, their favourite band live. With only one release to date, the EP "Light Poems", out since July via 37 Adventures label it might be to early to analyse the influence's extent of the seminal German band. But judging by their five tunes, a subtle, lush, elegant and evocative blend of ethereal dreampop with motorik structures, what we can guarantee is that here's a promising combo to follow from now on.  
Violet Hours. Three weeks ago I introduced you the exciting post-punk band Desperate Journalist, which have me completely haunted. But the addiction is going to get even worse because I just found Jo Bevan, their amazing singer and leader, has another project going on. A quintet (initially a trio) formed on February last year & poised to make "pop that's going to be remembered". Indeed, judging by the three songs available to date. Timeless, epic pop daunting between baroque ballads and indiepop 80s classics, with Bevan's voice crooning among the delicate melodies. Oh my, what a music crush! Can't wait for more!

Wednesday, November 20, 2013

These Go to 11: Interviewing EardrumsPop

For our third interview, we move from musicians (after Astrid Wiezell, aka Northern Spies, and Vasco Batista, aka Big Summer) to the man who started EardrumsPop.Yes, a personal music hero. These Go to 11!

Knut, EardrumsPop
Knut, indiepop superhero
How many times EardrumsPop has been featured in this blog? Did you know I run a formal petition & campaign to make the label win the Nobel Prize for their contribution to mankind's well-being & good-taste? Any indiepop lover with ears knows that each time this label announces a new EPop release great music is awaiting us. Do you want to know who started the netlabel & still runs it today along Stefan, Tim and Silja? Coming from Norway, our own Batman, making justice for indiepop on the blogosphere, is Knut B. Lindbjør, and here are his answers.
 
1. First record that you bought (be honest)
The first record I bought was actually a cassette tape, and I got it when I bought my first cassette player. The tape has indeed been a very influential one for my taste in music. It was a compilation of new wave bands, and included several songs and bands I have much love for even today. My first vinyl record was probably something by Elvis or Beatles or Kiss. I can't remember it as well as that first cassette tape. My taste in music was as varied then as it is today! In 10 years time, will you be asking people about their first mp3 or the first song they streamed on Spotify? :-)

2. First and last concert you have attended (be honest too!)
I think my first concert was an outdoor one with A-Ha in my hometown of Tromsø, Norway. Me and my friends played in synthpop-bands at the time, and I think all of us only had our eyes on the synth gear of Magne Furuholmen throughout the concert. I remember we were impressed that he seemed to play everything live, and not much seemed to be on sequencers. The last concert was last week, actually. It was an acoustic concert with the Norwegian singer/songwriter Richard Holmsen in Drammen, Norway. A wonderful night! He's good.

Explanation needed Knut!
3. Guilty pleasure (song/band you shouldn’t like but you do, yes, it’s the embarrassing question)
Not embarrassing at all! I have lots of guilty pleasures, and I am proud of them all. My daughter introduces me to all these boybands and hits of today, and I actually like One Direction. They do have some really catchy songs! I am also a part-time hiphop fan, especially when I am out walking. And Elvis is still cool. And Duran Duran and Bananarama and Bronski Beat. I could go on and on and on!

4. Most precious music item you own (collector mode on)
I am not a collector at all, but I think I must say the compilation "Shadow Factory" by Sarah Records, or the early Creation Records compilations "Doing it for the Kids" and "Doing God's Work". The reason is mainly because they had a huge influence on me at the time, and have shaped me musically.

5. Favorite lyrics (not yours)
I would have to say Kraftwerk's "Pocket Calculator" or any of Cocteau Twins' lyrics. :-)

6. Musician/s you would like to meet (should be alive, for obvious reasons, but you can choose a dead one too)
There are not many musicians that I find so interesting that I would like to meet them in person, but I think Kristin Hersh sounds like an interesting person, and maybe I would like to meet Martin Gore as well - but only if he would show me around his studio and let me watch when he makes music.

7. Favorite artwork album (not yours)
It's not easy to pick one. Impossible, I would say, but let's try. It will be "ONE OF my favourite artworks", not "THE favourite artwork". One of the artworks I have dreamt myself into the most, is probably Yo La Tengo's "And then Nothing Turned Itself Inside-Out". It's beautiful. I usually fall for illustration-kind of cover art, but this one is very special to me. From more modern bands, I really like the artworks on The Leisure Society's releases. The art on Golden Fable's releases are also outstanding.

8. Books or movies? Depending on your answer recommend us one (trick: you can choose both)
Books. Rob Sheffield - "Love Is a Mixtape". 

9. Song (of yours) you are most proud of
I think it has to be the "Between Two Waves" compilation. It became much bigger - and much better - than we dared to hope for. It also means a lot to me, because it was the start of the label as a team-based project, and I started working with people who mean a lot to me today, - Stefan, Tim, Leena and later Silja.

10. What’s does it mean indie for you? (yes, the “serious question”)
I hate serious questions! The word indie does not mean much to me, and I think I mainly use it as a name for a very wide genre. A long time ago, it meant "independent from the major labels", but today, - I don't know. I don't like the mentality that often goes hand in hand with the word indie. "We're indie, and we're so much better than the major-label-shit-bands". I care about good music, not where it has been released. We at EardrumsPop are probably very indie, if you use the word as "independent", but mostly because we can do whatever we want. That has kind of become an internal slogan for us. It's a creative freedom that we really appreciate. We have no deals with anyone, we are not limited by money and we don't have to please anyone other than ourselves. We hope we make a lot of our listeners happy, though!

11. Where do you see yourself in 10 years?
I am myopic. I can't see that long.
Zillion thanks Knut!

Friday, April 13, 2012

Pegasvs, machines going pop in Barcelona

Pegasvs (+ Y). Music Hall, Barcelona, April 12th

Pegasvs in action. Photo: Bloodbuzzed
This concert review is going to be quite biased, as electronic and krautrock music are not my field of (modest) expertise. So me being part of the audience can only be explained by three factors: someone "pushing" me to go, a ridiculously cheap price (reasonable prices, more tickets sold, see?), and of course, the highly addictive Pegasvs homonym debut album. 

Y, support act of the night.
Photo: Bloodbuzzed
On a quite full Music Hall (is a very small venue, but still quite remarkable considering there were many concerts going on in Barcelona), showing the considerable buzz Pegasvs are making with their record, the night started with the (gig, performance, session?, sorry for my lack of knowledge) of the support act Y (seems it was their debut live). During a set that lasted more than 30 minutes, this local duo sounded like a mixture between Kraftwerk and the annoyingly ubiquitous Chromatics, thanks to the also annoying "Drive", to me. But again, electronic is not an area where I can make a lot of comparisons.

Luciana della Villa
Photo: Bloodbuzzed
After Y, the turn arrived for Pegasvs, officially presenting their LP live. But for a show advertised as an special occasion, Sergio Pérez and Luciana della Villa their performance wasn't that special. Songs were executed with precision, sounding very close to the album versions. For a non-electronic music fan, that was great, because what makes "Pegasvs" a fantastic album is that behind the Motorik rhythms and machines, the tunes sound pop, with explosive and fascinating melodies like "La Melodía del Afilador" (amazing), "Sobre las Olas" or "Atlántico". But it was also a bit disappointing, as their technically irreproachable performance was quite flat in terms of connection with the audience, giving credit to the ones saying electronic is cold. But that's something that can be corrected, experience will solve it. And it's way more easier when, like Pegasvs, you have the songs. See you again pretty soon!