Ex Hex. Already posted about them on a couple of Jukebox posts, so the expectations were extremely higher. Something understandable when you know this is the new project of the great Mary Timony from Helium, Autoclave and Wild Flag, along with Laura Harris on drums and Betsy Wright on bass. Hailing from Washington D.C, the power trio assembled in 2013, played a handful of shows, released the limited 7" 'Hot and Cold' on Merge Records, backed with two additional tunes, before heading into the studio in the spring of 2014. The result is 'Rips', a flawless album of pure, unapologetic, ridiculously pleasant indie-rock. A slap in the face to every single critic and/or pedantic hipster. Because in the end, this is what music should be, or make you feel: a fun as hell, smiling, shaking, liberating experience. It comes out in a couple of weeks and, needless to say, it's an absolute must.
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Sunday, September 28, 2014
Discoverer 102: new indie findings
Finally having a weekend relaxed enough to prepare a new chapter of our Discoverer Series. One pretty heavy on guitars, enjoy!
Ex Hex. Already posted about them on a couple of Jukebox posts, so the expectations were extremely higher. Something understandable when you know this is the new project of the great Mary Timony from Helium, Autoclave and Wild Flag, along with Laura Harris on drums and Betsy Wright on bass. Hailing from Washington D.C, the power trio assembled in 2013, played a handful of shows, released the limited 7" 'Hot and Cold' on Merge Records, backed with two additional tunes, before heading into the studio in the spring of 2014. The result is 'Rips', a flawless album of pure, unapologetic, ridiculously pleasant indie-rock. A slap in the face to every single critic and/or pedantic hipster. Because in the end, this is what music should be, or make you feel: a fun as hell, smiling, shaking, liberating experience. It comes out in a couple of weeks and, needless to say, it's an absolute must.
Radical Dads. Formed by Robbie Guertin (Clap Your Hands Say Yeah), Lindsay Baker, and Chris Diken, who met in college in late 90s, and formed the band in 2008, after reuniting in Brooklyn, NY. Debut 7" 'Recklessness' arrived in 2010, followed quickly by album 'Mega-Rama' and 7" 'Skateboard Bulldog' in 2011. Another single, 'Torrential Zen', came out a year later, while 2013 saw them releasing sophomore LP 'Rapid Reality' and another 7", 'Creature Out'. The combo continues with their prolific career, now presenting a tape called 'Cassette Brain', out on Old Flame Records in early October. Energetic blasts in the form of intense pills of indie-rock devoted to the 90s (Pixies, Sleater-Kinney, Sonic Youth), channelled in Baker's powerful Baker's and a tone of guitar lines. Radical love.
Feature. And yet another trio, the one formed by Liv Willars, Jen Calleja and Heather Perkins, this time coming from London, UK, and active since 2011. Initially a duo (Liv & Jen), they debuted in October 2012 with EP 'Memory', a 5-track release to freely grab at their bandcamp or in limited cassette format via Cazenove Tapes. In May of 2014 came their second EP with 'Culture of the Copy' out in Tye Die Tapes and now as a trio they return with 'Tourists' EP, a 6-track split release with Slowcoaches taken from their upcoming tour, including 2 tunes plus a cover of Wire's "Mannequin". Raucous, distorted, raw punk combined with sweet-sounding vocal harmonies. Mandatory feature.
Ex Hex. Already posted about them on a couple of Jukebox posts, so the expectations were extremely higher. Something understandable when you know this is the new project of the great Mary Timony from Helium, Autoclave and Wild Flag, along with Laura Harris on drums and Betsy Wright on bass. Hailing from Washington D.C, the power trio assembled in 2013, played a handful of shows, released the limited 7" 'Hot and Cold' on Merge Records, backed with two additional tunes, before heading into the studio in the spring of 2014. The result is 'Rips', a flawless album of pure, unapologetic, ridiculously pleasant indie-rock. A slap in the face to every single critic and/or pedantic hipster. Because in the end, this is what music should be, or make you feel: a fun as hell, smiling, shaking, liberating experience. It comes out in a couple of weeks and, needless to say, it's an absolute must.
Friday, September 26, 2014
The Bloodbuzzed Jukebox 25
Direct links to the previous Jukebox weeks
Week 1 Week 8 Week 15 Week 22
Week 2 Week 9 Week 16 Week 23
Week 3 Week 10 Week 17 Week 24
Week 4 Week 11 Week 18
Week 5 Week 12 Week 19
Week 6 Week 13 Week 20
Week 7 Week 14 Week 21
Welcome to the Jukebox!
Monday, September 22, 2014
The Indie Anthology 52: essential songs
The next song in our Indie Anthology it's also one of the most confessionals I have included in this section... But I guess it shows "the other side", a very human one too. Do you have a tune to reveal all the anger, also all the pain, you have been through? I do, I just didn't know it was going to turn that real...
Song: The Rat
Artist: The Walkmen
Year: 2004
While I hope the "indefinite hiatus" the band has decided to take doesn't last that long (although it looks the other way, to be honest), 'The Rat', one of the his most celebrated, straightforward and unstoppable songs, still sounds as fresh, powerful, honest and blatantly mind-blowing as it was for me the first time I heard it. But that wouldn't telling the whole truth. Now every single word Hamilton Leithauser yells, no, let me correct, spits, seems to be sung in my name. Of course, I know my tale it's not about a post-break-up story clearly turning to a point between rage and being stuck. But yes, I have been stuck for several months, and I've been keeping all the fury in (call me civilised or call me coward), so Hamilton's voice is my silent throat, Matt Barrick's drums storming all over are my heart beats, and Paul Maroon's frantic guitar is my brain going back and forth all over. So here it is: dedicated to all the rats out there. Thanks The Walkmen for putting the words & music...
Song: The Rat
Artist: The Walkmen
Year: 2004
Friday, September 19, 2014
The Bloodbuzzed Jukebox 24
Direct links to the previous Jukebox weeks
Week 1 Week 8 Week 15 Week 22
Week 2 Week 9 Week 16 Week 23
Week 3 Week 10 Week 17
Week 4 Week 11 Week 18
Week 5 Week 12 Week 19
Week 6 Week 13 Week 20
Week 7 Week 14 Week 21
Welcome to the Jukebox!
Friday, September 12, 2014
The Bloodbuzzed Jukebox 23
In this long weekend, at least for some of us, we don't miss the chance to present you our weekly TOP TEN playlist with the songs we have been enjoying the most lately. Perhaps one of the most eclectic selections, including the 60' influenced songs of Go Metric USA, all the bliss rock of Night School, the crafted songs of TOPS, the sweet, fun & playful rock of The School, or the fuzzed guitars of The Twilight Sad. So, what are you waiting for? There are all at our Blog's soundcloud, so please Join Us and enjoy it!
Direct links to the previous Jukebox weeks
Week 1 Week 8 Week 15 Week 22
Week 2 Week 9 Week 16
Week 3 Week 10 Week 17
Week 4 Week 11 Week 18
Week 5 Week 12 Week 19
Week 6 Week 13 Week 20
Week 7 Week 14 Week 21
Welcome to the Jukebox!
Wednesday, September 10, 2014
The Indie Anthology 51: essential songs
We reached another Blog landmark: 50 tunes on our Indie Anthology. So number 51 had to be something special. Very special. So I decided to go even more personal, openly confessional (apologies if I get a bit cheesy) with next tune. Not just a great tune from one of my favourite pop composers of all time. Along with R.E.M., probably the reason this Blog exists...
Song: Instinct
Artist: Crowded House
Year: 1996
The first record I bought was 'Recurring Dream' the greatest hits compilation album Crowded House released as their (then) swan song. It's hard to believe today, but the record got quite a lot of buzz in Spain (there was even a TV ad) and radio airplay and, on a time that now seems ages ago, the video of 'Instinct', was frequently on programs like 'Los 40 Principales' or 'Sputnik' (check the vid). I got abducted by Neil Finn's masterful ability to create eternal pop tunes. Romantic but with a darker twist, funny, carefree (ok, sometimes a bit silly too) and power-pop numbers cohabiting with melancholic and moodier ones, not afraid of dealing with riskier subjects. Middle eight melodies capable of getting epic without crossing the annoying line, always with a fragment ready to reach you in a way you wouldn't want the rest of the world know. Can sadness be uplifting? Try Crowded House... Of course I ran to grab a copy to almost every album (try asking for Splitz Enz debut in Barcelona before the Internet arrived), lost single and book (first music biography I ever read in English). I followed Neil Finn's solo career and saw him presenting the lovely and surprising 'Try Whistling This' album in Barcelona, my first gig, joined by my father, who was really surprised how different his sons could be (my brother was into Depeche Mode then, 'Ultra' era). But then I just couldn't stop, so I went deeper, on his music style, influences and origins... then the Pandora's box opened: The Bats, The Verlaines, The Chills, but also Marr & Morrissey, and then... umm you pretty much have a clue of the rest if you follow this Blog. Although time has put Crowded House on a different perspective to me, I still would carry 'Together Alone' with me to a desert island, and I still have goosebumps every time I hear 'Distant Sun', 'Fingers of Love' or 'Weather With You'. To put it simply, Crowded House are my Beatles. "Your instinct can't be wrong"...
Song: Instinct
Artist: Crowded House
Year: 1996
The first record I bought was 'Recurring Dream' the greatest hits compilation album Crowded House released as their (then) swan song. It's hard to believe today, but the record got quite a lot of buzz in Spain (there was even a TV ad) and radio airplay and, on a time that now seems ages ago, the video of 'Instinct', was frequently on programs like 'Los 40 Principales' or 'Sputnik' (check the vid). I got abducted by Neil Finn's masterful ability to create eternal pop tunes. Romantic but with a darker twist, funny, carefree (ok, sometimes a bit silly too) and power-pop numbers cohabiting with melancholic and moodier ones, not afraid of dealing with riskier subjects. Middle eight melodies capable of getting epic without crossing the annoying line, always with a fragment ready to reach you in a way you wouldn't want the rest of the world know. Can sadness be uplifting? Try Crowded House... Of course I ran to grab a copy to almost every album (try asking for Splitz Enz debut in Barcelona before the Internet arrived), lost single and book (first music biography I ever read in English). I followed Neil Finn's solo career and saw him presenting the lovely and surprising 'Try Whistling This' album in Barcelona, my first gig, joined by my father, who was really surprised how different his sons could be (my brother was into Depeche Mode then, 'Ultra' era). But then I just couldn't stop, so I went deeper, on his music style, influences and origins... then the Pandora's box opened: The Bats, The Verlaines, The Chills, but also Marr & Morrissey, and then... umm you pretty much have a clue of the rest if you follow this Blog. Although time has put Crowded House on a different perspective to me, I still would carry 'Together Alone' with me to a desert island, and I still have goosebumps every time I hear 'Distant Sun', 'Fingers of Love' or 'Weather With You'. To put it simply, Crowded House are my Beatles. "Your instinct can't be wrong"...
Friday, September 5, 2014
The Bloodbuzzed Jukebox 22
Friday again, and as usual, here's our TOP TEN playlist with the songs we have been enjoying the most lately. It's a moody collection of tunes this time, probably a symptom we need to slow down for a second, try to relax and get away of this stressful beginning of September. There's no better way than do it so with music, therefore, take it easy! Of course, it's also available at the Blog's soundcloud, so please Join Us!
Direct links to the previous Jukebox weeks
Week 1 Week 8 Week 15
Week 2 Week 9 Week 16
Week 3 Week 10 Week 17
Week 4 Week 11 Week 18
Week 5 Week 12 Week 19
Week 6 Week 13 Week 20
Week 7 Week 14 Week 21
Welcome to the Jukebox!
Direct links to the previous Jukebox weeks
Week 1 Week 8 Week 15
Week 2 Week 9 Week 16
Week 3 Week 10 Week 17
Week 4 Week 11 Week 18
Week 5 Week 12 Week 19
Week 6 Week 13 Week 20
Week 7 Week 14 Week 21
Welcome to the Jukebox!
Thursday, September 4, 2014
These Go to 11: interviewing The Luxembourg Signal
It's been a little while without our interview series at the Blog. But what a comeback you are about to read! A gifted, experimented musician and (not kidding) a paranormal activity finder: Beth Arzy from the legendary Aberdeen & Trembling Blue Stars, and more recently, part of the great Charlie Big Time and The Luxembourg Signal. So, let's talk about music, supernatural phenomena and guilty pleasures. These Go to 11!
Beth Arzy, The Luxembourg Signal
What a curriculum our guest has! A Sarah Records MUST-LISTEN and criminally underrated band? Check. She was the lead singer of Aberdeen. A wonderful cult group? Check. She was a core member of Trembling Blue Stars. A charming indiepop project, featured in our "discoverer series"? Check. Charlie Big Time. And a exciting, not to miss 2014 new adventure, also praised at Bloodbuzzed, with a flamboyant self-titled album courtesy of our dear friends at Shelflife Records about to see the light of day. Check, check, check. She is part of The Luxembourg Signal. Indiepop, dreampop, shoegaze... plus an investigator & team secretary at the Ghost Finder Paranormal Society, a professional organization reporting poltergeists and supernatural phenomena across the UK. Here we go!
1. First record that you bought (be honest)
Well, I guess technically it would be a Leif Garrett best of, 8 track tape that I won at the fair. I paid 10 cents to throw a ping pong ball into a fish bowl so I got the fish and Leif Garrett. The first time I bought records with my pocket money, I bought 3 singles at the mall: 'Queen of Hearts' by Juice Newton, 'Modern Love' by David Bowie and 'Sail On' by The Commodores.
2. First and last concert you have attended (be honest too!)
At the moment, Bobby is saying 'The Beautiful South' to me, but I’m not really embarrassed about any of the bands I love. People make fun of me for liking The Wonderstuff and Pop Will Eat Itself and Jesus Jones, but I tell you what… I went to see them (all 3) last year, by myself, and had a whale of a time!! I love Helen Reddy and I love Skinny Puppy. No pleasure is guilty, just pleasure.
6. Musician/s you would like to meet (should be alive, for obvious reasons, but you can choose a dead one too)
I think I’ve met most of my favourites (some good, some BAD). I’d have to say Jeff Tweedy, as he’s such a great songwriter and seems like a good guy to have a coffee with. If we’re talking dead… I’d love to meet Florian Fricke. WHAT a talent. OH GOD… David Bowie. Nearly forgot. I would DIE, but not before snogging his face off.
8. Books or movies? Depending on your answer recommend us one (trick: you can choose both)
Depends on the mood. I just saw 'Boyhood', which was great, but I’m reading Sebald’s 'The Rings of Saturn' at the moment, which I’m enjoying very much. I’m normally reading books on high strangeness but need to break away from that every once in a while.
9. Release (of yours) you are most proud of
I’d have to say the Robert Hampson remix of 'The Light Outside' by Trembling Blue Stars. It’s a remix of a TBS song called 'Half-Light' and an instrumental called 'Outside'. He deconstructed the actual song and put it back together with Hampson aplomb. Every sound/note he used, he took from our original track, but put his stamp all over it when he put it back together. It’s beautiful. I cried the first time I played it. He told me “it’s like Big Star in space”. I’m so proud to have something out there that he’s touched.
10. What’s does it mean indie for you? (yes, the “serious question”)
I suppose I think of independent labels. Small labels like Touch Records that do everything themselves and have never sold up to a major.
Beth Arzy, The Luxembourg Signal
Beth Arzy, lady of indiepop & paranormal activities |
Bowie does Jerry Lee Lewis |
Well, I guess technically it would be a Leif Garrett best of, 8 track tape that I won at the fair. I paid 10 cents to throw a ping pong ball into a fish bowl so I got the fish and Leif Garrett. The first time I bought records with my pocket money, I bought 3 singles at the mall: 'Queen of Hearts' by Juice Newton, 'Modern Love' by David Bowie and 'Sail On' by The Commodores.
2. First and last concert you have attended (be honest too!)
First concert I went to (my Father took me) to a little festival in Florida to see The Monkees (1985-6?). My last concert was seeing the German band To Rococco Rot here in London. It was AWESOME.
3. Guilty pleasure (song/band you shouldn’t like but you do, yes, it’s the embarrassing question)
The most beautiful (and shared) guilty pleasure |
4. Most precious music item you own (collector mode on)
That’s easy. I have a maraca signed by Mickey Dolenz! Bobby played them on his new record! I’ve never let a single soul touch them before.
5. Favorite lyrics (not yours)
“And I need you more than want you, and I want you for all time.” (From 'Wichita Lineman' by Glen Campbell)That’s easy. I have a maraca signed by Mickey Dolenz! Bobby played them on his new record! I’ve never let a single soul touch them before.
5. Favorite lyrics (not yours)
Mr. Tweedy, the "coffee guy" |
7. Favorite artwork album (not yours)
Oingo Boingo’s 'Only a Lad' EP. It’s one of the Louis Wain cats. I’d love to have it as a tattoo but that’s a lot of scraping.
Oingo Boingo’s 'Only a Lad' EP. It’s one of the Louis Wain cats. I’d love to have it as a tattoo but that’s a lot of scraping.
Sebald's on Saturn |
Depends on the mood. I just saw 'Boyhood', which was great, but I’m reading Sebald’s 'The Rings of Saturn' at the moment, which I’m enjoying very much. I’m normally reading books on high strangeness but need to break away from that every once in a while.
I’d have to say the Robert Hampson remix of 'The Light Outside' by Trembling Blue Stars. It’s a remix of a TBS song called 'Half-Light' and an instrumental called 'Outside'. He deconstructed the actual song and put it back together with Hampson aplomb. Every sound/note he used, he took from our original track, but put his stamp all over it when he put it back together. It’s beautiful. I cried the first time I played it. He told me “it’s like Big Star in space”. I’m so proud to have something out there that he’s touched.
10. What’s does it mean indie for you? (yes, the “serious question”)
I suppose I think of independent labels. Small labels like Touch Records that do everything themselves and have never sold up to a major.
11. Where do you see yourself in 10 years?
Living in Shetland. Surrounded by sheep and sea and quiet.
Living in Shetland. Surrounded by sheep and sea and quiet.
Zillion thanks Beth!
Wednesday, September 3, 2014
"Begin Again", feel-good hit of the summer
Begin Again
It's great that films like 'Begin Again' see the light of day. A film about making, feeling and enjoying the music. A movie about creating songs (songs where lyrics are meaningful and real instruments are played, where asses, stupidity, amount of provocative tweets &/or dresses doesn't matter at all) with enough charms and vividness to keep you smiling after the credits roll on.
Having said that, 'Begin Again' cannot compete with the sense of freshness, rawness and romanticism of the director's previous and celebrated work, 'Once', and some of the tricks that build the development of the film are so hard to believe it all relies on the spectator's shoulders. If you "buy" the story, you'll certainly enjoy 'Begin Again'. If not, it might annoy you from time to time. I encourage you to not get obsessed with verisimilitude and realism. Lower your guard in that sense.
Writer-director John Carney has created a comedy with hints of drama and heartbreaks where possibility and opportunity have the form of a three minute pop song. It's basically a contemporary, flesh and bones tale. Gretta (played with grace by Keira Knightley) and her boyfriend Dave (Adam Levine from the obnoxious Maroon 5, and yes folks, sadly enough, he sings on the movie) are not only a perfect couple but also a major creative force, landing in New York while stardom is knocking on their doors... aka a major label deal. But fame brings also the more common (along with drugs and booze) trouble and Gretta is left on her own... with her tunes. And that's when Dan (as usual, Mark Ruffalo on a solid performance), a fallen angel of a record-label executive appears, also abandoned, in terms of family & in terms of music industry. It jumps from scene to scene in brush strokes, making clear that Carney just needs an excuse, an emotional setting where he can locate his unusual music recording story. The movie really begins when Dan imagines how he could produce the aching, acoustic song a devastated Gretta is performing on an East Village venue. It's also the first of several uplifting moments on the film.
It's kind of a last chance for both. For Gretta is either trying to follow this desperate man into his attempt to record her songs or leaving the States (and maybe music?). For Dan, it's either completely sink or swim. As a feel-good movie, 'Begin Again' takes the obvious directions except in one area where Carney surprises the spectator not going for what it would have been the blandest, romantic choice. Instead, he focus just in music and New York City, the other starring of 'Begin Again' (with all my respect to my dear Catherine Keener and some other secondary roles). The idea of a "live and alive" album Gretta & Dan are aiming to record is refreshing (impossible too) and offers joyful renditions of songs played behind a summery, shiny, exuberant city. It's hard to resist, so haunting you'll forget the lame scenes/debates on music industry or Mr. Levine singing. It's the power of music in a mind-blowing environment.
SCORE: 6,75/10
It's great that films like 'Begin Again' see the light of day. A film about making, feeling and enjoying the music. A movie about creating songs (songs where lyrics are meaningful and real instruments are played, where asses, stupidity, amount of provocative tweets &/or dresses doesn't matter at all) with enough charms and vividness to keep you smiling after the credits roll on.
Having said that, 'Begin Again' cannot compete with the sense of freshness, rawness and romanticism of the director's previous and celebrated work, 'Once', and some of the tricks that build the development of the film are so hard to believe it all relies on the spectator's shoulders. If you "buy" the story, you'll certainly enjoy 'Begin Again'. If not, it might annoy you from time to time. I encourage you to not get obsessed with verisimilitude and realism. Lower your guard in that sense.
Writer-director John Carney has created a comedy with hints of drama and heartbreaks where possibility and opportunity have the form of a three minute pop song. It's basically a contemporary, flesh and bones tale. Gretta (played with grace by Keira Knightley) and her boyfriend Dave (Adam Levine from the obnoxious Maroon 5, and yes folks, sadly enough, he sings on the movie) are not only a perfect couple but also a major creative force, landing in New York while stardom is knocking on their doors... aka a major label deal. But fame brings also the more common (along with drugs and booze) trouble and Gretta is left on her own... with her tunes. And that's when Dan (as usual, Mark Ruffalo on a solid performance), a fallen angel of a record-label executive appears, also abandoned, in terms of family & in terms of music industry. It jumps from scene to scene in brush strokes, making clear that Carney just needs an excuse, an emotional setting where he can locate his unusual music recording story. The movie really begins when Dan imagines how he could produce the aching, acoustic song a devastated Gretta is performing on an East Village venue. It's also the first of several uplifting moments on the film.
It's kind of a last chance for both. For Gretta is either trying to follow this desperate man into his attempt to record her songs or leaving the States (and maybe music?). For Dan, it's either completely sink or swim. As a feel-good movie, 'Begin Again' takes the obvious directions except in one area where Carney surprises the spectator not going for what it would have been the blandest, romantic choice. Instead, he focus just in music and New York City, the other starring of 'Begin Again' (with all my respect to my dear Catherine Keener and some other secondary roles). The idea of a "live and alive" album Gretta & Dan are aiming to record is refreshing (impossible too) and offers joyful renditions of songs played behind a summery, shiny, exuberant city. It's hard to resist, so haunting you'll forget the lame scenes/debates on music industry or Mr. Levine singing. It's the power of music in a mind-blowing environment.
SCORE: 6,75/10
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