10. Sideral- Héctor Castells


Lists I have done, read and followed many. Music guides too. But books of these kind have never followed me for more than three months, crossed the Atlantic and became the soundtrack of a one-in-a-lifetime experience. And in another personal note, it has been the reason to forge a friendship. Written with the solely purpose of vindicating the best music that was created on the EP format during a very specific period (1997-1991), in all the sub-genres that conform the alternative scene, here there's something for everyone: punk, post-punk, C86, Manchester, Americana, dream pop, hardcore, post-hardcore. And always with the passionate prose of Marcos Gendre. A music feast.

A poignant "I hate my job" tale, in the form of Chinaski's twelve years of slavery (to the wage, as the 99% of us are) at the U.S. Postal Service. Here's the quintessential Bukowski: grim, booze, horses, women. But also something else. An "I need to do something with my life" story, where Chinaski constantly seeks company, fearing being alone, plus an intriguing sadness on his perspective on relations, and a fight against routine, boredom, silliness. An open claim to say "enough", looking towards starting a new chapter on his life, leaving behind jobs that kills something inside of us.

This is a gift, a treasure for everyone who doesn't understand life without music. 23 powerful stories written by a true all-star cast of the Spanish indie scene: some are hauntingly beautiful, some are hilarious, other curious, a few utterly compelling, and always very close for anyone that has been "touched" by a record, a song or an artist. A personal and intimate music voyage that every writer/artist shares with the reader. A little treasure.

Welcome to the black hole again. To the realm of desperation, where the tale of surveillance this time has a little light at the end of a tortuous, exhausting tunnel. Written on the trademark "take no-prisoners" prose of Dan Fante you'll probably get hurt while reading it, but persevere. There’s a change, an opportunity for Bruno, who has transformed from the "Chump Change" coward who preferred self-destruction instead of confronting its fears into someone brave enough to try living. Maybe there's a future after all.

4. Black Postcards- Dean Wareham

3. Pistol. The Life of Pete Maravich- Mark Kriegel


This book is a mind-blowing encyclopedia of the so-called "New Hollywood" and the people behind it. But is much more than the most detailed account on some of the best, most striking films ever made, the work of directors, actors and filming crew. This is also a frightening "human monsters parade". A devastating tale of young and ambitious filmmakers, Scorsese, Coppola, Robert Altman, Hal Ashby, William Friedkin, Roman Polanski or Peter Bogdanovich, willing to inject a revolutionary spirit to a lifeless, unsubstantial industry, but transforming their quest into a dangerous wild ride of people living out of control, letting horrible egos, greed and megalomania rule those times. This is not a celebratory book. Is a fascinating, overwhelming work on the worst of mankind.

Not another chronicle of the times and lives of the Beats, but instead, a collection of in-depth interviews to the remaining "stars" of those times, unveiling a vivid picture, extremely puzzling, of the so-called generation. Incredibly engaging, the different personalities approached conform a multi-directional look to the Beats, particularly his most famous member: Jack Kerouac. As a fan and well documented investigator, Duval knows what the questions should be, but the answers he got from Allen Ginsberg, Carolyn Cassady, Joyce Johnson, Anne Waldman, Timothy Leary and Ken Kesey reveal a different story of the one we knew. Around the movement (if there's was one) a truth was built: America needed the Beats to offer a definition of the changes the country was going through. I won't spoil it to you. Please read it.
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