"Dodgeball", good fun for a plane

Dodgeball: A True Underdog Story

Only on a plane someone would end watching a film like this. Hey! I'm not complaining with the affirmation. Just pointing out that I don't see myself looking for a film like this one if not on a particular circumstance like the aforementioned. Which it is a bit unfair, considering how many advertised and announced terrible films (don't get me started about "Gatsby" again). Sure, this is not a indispensable film, a masterpiece, or even a movie that you could define as really "worth watching". The fun is silly, agreed, but it gets going, you will laugh, and lacks any pretension. More than many Oscar-worthy numbers, teen terror stupidities, state-of-the-art movies, or 3-D bluffs that saturate theatres every year.

"Dodgeball" doesn't have a lot to be remembered in terms of storytelling as Director and writer Rawson Marshall Thurber is not worried at all about his script, a mere copy of the underdog tales seen a million times in this sub-genre of sports films, now with dodgeball, an uncommon practice out of the States (at least in Europe to my knowledge), an excuse to design a series of physical sketches based on the irrational but universal fun of seeing how someone is hit by a ball. Plus White Goodman, Ben Stiller's character, a villain so grotesque that's completely hilarious and steals the whole show. The whole Globo Gym, a few other secondary roles (the ESPN 8 announcers of "The Ocho", Gary Cole and Jason Bateman on top), the end of the credits, and an easygoing, little demanding vibe overall is quite enough to make you watch it, and for the majority of time, enjoy it. Then you have Lance Armstrong playing the mentor/oracle role, the living example of human success thanks to not to giving up when all hope seems to vanish to the hero (a not very funny Vince Vaughn). What an incredible gag done by accident (or better said, because of the hypocrisy/greed of someone who was a hero for many).

Trivial, but fun enough to be an ok choice to watch on a plane.
 
SCORE: 5,5/10

"Moneyball", Brad Pitt hits a home run

Moneyball

To start with, there aren't many memorable sports films (boxing being the exception), just a few worth remembering. But the perspective of watching a movie about baseball was even more discouraging. Sorry folks, but I simply don't get baseball. It is such a boring game, in my opinion. So, a good film about baseball? Hard for me to believe it. Before I watched "Moneyball", that is.

"Moneyball" is, of course, about baseball, which made me miss some superficial details, or not sharing the emotional part of the games (few) we see during the film. But luckily it is more about the insights of a game, its nature, and need to evolve. And foremost, is the story, excellently constructed and brilliantly performed, of human beings.

Going to the "message" of "Moneyball" (I know, delicate subject), this is not the first movie that pretends to show us an inspiring "true" story, in this case the one of the Oakland A's, a team with low economic possibilities that managed to compete with the rich & powerful teams of the league, but have to face rebuilding after a successful season with very limited resources. That's when manager Billy Beane, played by Brad Pitt, decides to make a drastic move in order to still be competitive. "Moneyball" then becames a film about standing against and overcoming the odds, combating the usual pattern that would condemn his team. It is unoriginal, but its quite moving and, as I said, despite being about baseball, that's just the backdrop. As a Spaniard is easy to make the analogy with our incredibly unbalanced and unfair Soccer League, not to mention other minority sports.

There are two major factors why this film succeeds: one is the striking, always intriguing and powerful script, written by Aaron Sorkin (who's also responsible of another brave screenplay, "The Social Network") in a great job adapting Michael Lewis' book. In a movie where dialogue is everything, this is always refreshing, dynamic, and alive. Even the familiar scenes, or the flashbacks in time, that could easily introduce a cheesy, unnecessary dramatic element to the film are there for the purpose of showing a more accurate portray of Beane's life. Praise director Bennett Miller and Sorkin for that.

The other driving force are the actors. Brad Pitt convinces as Billy Beane, portraying a character that, as every human being, is complex, imperfect and demanding. Without overacting or forcing any scene, Pitt is able to achieve a very remarkable creation: what we see in every scene is not an actor, but a person struggling against the enormous challenging he is facing. But even is Pitt is excellent, to me the surprise, and the actor that "steals the show" is Jonah Hill, who plays the Harvard "nerd" Pete Brand, the person that will give Beane the chance to compete against the rich teams with a new system of analysis of the players and the game that will shock the entire league (not to mention their own team). He is superb in his role, a mixture of fragility and doubt with a passionate, fierce conviction in what he does. Of course, Philip Seymour Hoffman (as always) is also great in his role as the Oakland's coach, but I would have love he had received some more scenes to develop his character a bit more.

Overall, a quality film, with great acting, direction and screenplaying. It might not be groundbreaking in its content or its conclusion, although is far more interesting than a vast majority of the sports genre. But if you allow me the easy end, is a solid, and very pleasant, home run. From a non-baseball fan.

SCORE: 7/10

"The Fighter", boxing and family triumph by K.O.

The Fighter
Great surprise. Wasn't expecting much, because boxing has been overused by Hollywood, and so the topic of redemption/second opportunity through sport, which is on the verge of being a worrying cliché. But luckily, "The Fighter" offers a lot more.

To start with, because boxing remains on the background of the movie, and although it is based on the true story of "Irish" Micky Ward, a local hero from Lowell, Massachusetts, the film instead reveals itself as a familiar drama where there are far more punches at the emotional level that inside the ring.

During the first hour of "The Fighter", we saw a family holding on to nothing, struggling with the decadence of Dick Ecklund (Christian Bale), once a boxing local legend, but now a human waste, consumed by crack addiction. The family is sticking with him, living of the past glory, dragging his younger brother Mick Ward (Mark Wahlberg), who also tries to be a boxer, with them. There's no glamour in this portray, as director David O Russell shows us how poverty is around the corner, and how family and the familiar business boxing is, is disgusting and ugly.

Russell really manages to make us feel the suffocating environment in which Mick is trapped because of his family. He also is able to bring the outsider character into the mix, in the form of a girlfriend (played solidly by Amy Adams), someone really meaningful to Mick who has no fear in saying the things he cannot say to his mother and sisters. She's liberation for him, a reason to keep fighting, and deciding to walk his own way. 

It might be true the second half of the film is more uplifting, with a happier, friendlier tone with the characters. Being a true story I feel inclined to believe it, or maybe, by the time the second opportunity arrives, I cannot avoid to feel a bit compelled by it. But even then, the film has glimpses of harsh reality in a poignant dialogue, a gesture, or awkward situation where the unbalanced relation between the brothers still arises. This wouldn't be possible without the brilliant job of the actors, not just Bale's manic impersonation of Dick, which made him won a deserved Oscar, but everyone on screen. Special credit to Wahlberg's performance, carrying the film on his shoulders, sometimes with just an appalled face.

So, yes, this is another movie about underdogs trying to succeed. But this time the fight is for survival, there's real darkness, filthiness, consistency, and a remarkable honesty in the script, acting and direction. Overall, a knockout triumph.

SCORE: 7,5/10