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Showing posts with label alternative music. Show all posts
Showing posts with label alternative music. Show all posts

Tuesday, August 26, 2014

The Indie Anthology 50: essential songs

Back blogging with a great tune for our Indie Anthology. If the last one was about Lambchop, this time I to pay tribute to a very close band to them, one I've been reading about for Indienauta recently. A seminal but always underrated trio!

Song: Tom Courtenay
Artist: Yo La Tengo
Year: 1995

Never been a Yo La Tengo fan, one of the most perfect examples of a "band of songs", not albums, for me. But hey, when the amount of tunes reaches what it could make a lovely and diverse double/triple record, that's not exactly what you would call a bad thing, right? 'Tom Courtenay' might be one of their most straightforward, catchier songs, and the first that made "click" with me. Love the contrast between its sound exuberance, an unbeatable piece of indie rock without reservations (who can't deny the attraction power of the simple “ba-ba-ba” backing vocals), with the nostalgic lyrics of Ira Kaplan, full of childhood pop culture memories. Honestly, they are ages away from mine, but you can't help, just fall disarmed by the joy the tune transmits.

Wednesday, August 6, 2014

The Indie Anthology 49: essential songs

And quickly following the latest one, another tune for our Indie Anthology. This time thanks to my bosses at Indienauta and a recent music read, who made me think, then go back listening, them. Welcome back my dear Nashville underdogs!

Song: Up With People
Artist: Lambchop
Year: 2000

"Countrypolitan" was the extreme weird definition some critics coined for Lambchop's music when their fifth album 'Nixon' surprisingly got praised everywhere in 2000 (if I'm not mistaken, it was proclaimed album of the year here and there). Luckily for me, I jumped on the band's bandwagon with this record, so I didn't know a thing about the alternative country / Americana debate surrounding them. No, to me, they were soul, pure and opulent soul blending with chamber pop, baroque arrangements and retro vibes. Lush, witty and in a singular way, uplifting. All fuelled by 'Up With People' and its eternal charms, which became one of my staple songs at university. The handclaps, the irrepressible backbeat, the relentless Motown bassline, the gospel surrounding Kurt Wagner's dry and deliberate monologue... “Come on, progeny” the songs unfolds in all its glory before slowly fading... and you can't help but keep smiling and whistling the melody. Yes, its a song about ordinary, failing acts & people “We’ll most certainly leave the doing, the doing undone”. But is more a comforting lesson: just laugh at it and keep doing while you try to enjoy the ride. A wonderful advice in less than five glorious minutes.

Friday, July 19, 2013

Best from the States?

Hi there! I'm just checking how Internet works after struggling with it the whole week and I couldn't resist to put this... Very curious, debatable and funny job by the folks of BuzzFeed. Needless to say, the "best places" are Georgia, Minnesota and Montana (imo). On the contrary, poor Iowa, Nevada and Virginia... What do you think?

A Map Of The Most Critically Acclaimed Rock Stars From Each State


Tuesday, October 30, 2012

"I Am Trying to Break Your Heart", Wilco at the crossroads

I Am Trying to Break Your Heart. A Film About Wilco
Beefeater In-Edit 2012, Chapter II

The nice and great people of Beefeater In-Edit elaborated (collecting the opinions of "many experts") the 100 music documentaries best-of-list in occasion of its 10 birthday, including the top ten among the films that can be seen in this edition of the Festival. Needless to say, it was a great opportunity to enjoy some of them. I’m not a fan of Wilco, but its a band I’m quite curious about and I respect a lot, so their story in its hardest hour, their battle against music corporations, sounded pretty exciting to me.

Unfortunately, “I Am Trying to Break Your Heart” suffers, quite a lot, from “too high expectations”. Interesting and I assume, really addictive for Wilco fans thanks to the amount of live songs included, I have to say this is not the promised revealing take on a band struggling, internally and against their record label (Warner- Reprise Records). How to define it? The documentary is (hope that’s understandable) reflective. We don’t really see the band in these turbulent, tense times. We see the band (and manager Tony Margherita, plus other few people) telling us there was conflict and tension then. But that’s giving us their opinion, something that can be interesting, but its far from being the outstanding, unmissable documentary we expected.

That brings directly me to my other concern, or better said, main question: is this documentary controlled, approved by the band? The insight on the group seems quite biased, in my opinion. You spent a third of the movie length before any of the “issues” arise. There’s only one scene in which you can see the obvious tensions between Jay Bennett and Jeff Tweedy. Then there’s a little take on Tweedy doesn’t wanting to say much about it, and the rest of band showing their relief the former member was fired, while Bennett suggests a much bigger problem within the band. There’s only one phone conversation in which we can see the label and the band are going to crash. The rest is merely the thoughts and opinions of Tweedy and Co. (Margherita opinions are brutally biased, he’s a pretty annoying character I have to say). I expected a lot more on the clash between artist independence vs. commercial/music label greediness.

So what’s “I Am Trying to Break Your Heart” offering? A bit of the band on the studio creating Yankee Hotel Foxtrot, tones of live music (Tweedy alone & the full band) looking cool (surely will amaze fans), and just a little bit of what was supposed to be a very troubled period for Wilco. I can’t help but keep thinking director Sam Jones didn’t want to or wasn’t allowed to show us all the stuff he had. Maybe the band (or some members) wouldn’t look so heroic if he had shown us the whole picture? Being honest, after watching the documentary, my impression is that Wilco is Jeff Tweedy's band (look who signs the new contract). For the good, but also for the bad.

I think the most definitive comments on this film came from Rolling Stone’s journalist David Fricke (an opinion that, if you think about it, shouldn’t be particularly relevant for the development of the story) who establishes Yankee Hotel Foxtrot as a landmark within their time, because of its painful process of recording and then fighting against media monster corporations, but in particular due to the music, a creative attempt to challenge themselves musically. What Fricke says is that all that matters is the music. I guess he’s right with this documentary. Must-see for fans, but occasional Wilco listeners or people without a clue about the band might find it quite flat in terms of storytelling. So it will all depend on how much the music appeals you.

5,75/10

Tuesday, April 24, 2012

The Indie Anthology 10: essential songs

For the 10th song in our Anthology (a little landmark on its own) a very dear one. A happy, fun and shiny tune that brings back to mind nice old memories and friends. Its a decade a long time? Not for history books, but I guess it can be quite a lot for a kid.

Song: Jane
ArtistElf Power
Year: 1999

Well, 12 years ago, alternative music had a chance on Spanish TV and in that stupid-reality show-channel named MTV today. Me, my brother, and my best friend watched the "indie hour" at 23:00 pm everyday, writing down our favourite tracks to discuss them and begin the band research. How many did we discover? Many didn't survive the proof of time, but some tunes remain as a testimony of how we were haunted by music. Like the uplifting "Jane", from the first second, with its irresistibly melodic fanfare, a bouncy, addictive dose of psychedelic bubblegum pop, Elephant 6 collective's style. 12 years, and hearing "Jane" still brings a smile to my face. That's what a great tune can do.